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Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1980
5/10/80
crowd & tuning
1:26
Minglewood Blues
7:10
Peggy-O
7:04
Mexicali Blues >
4:16
El Paso
5:26
Althea
9:08
Passenger
6:11
Far From Me
4:59
Lost Sailor >
6:15
Saint of Circumstance >
5:53
Deal
4:58
crowd & tuning
0:45
China Cat Sunflower >
6:32
I Know You Rider
7:48
crowd & tuning
2:06
Feel Like a Stranger >
7:42
Comes a Time >
8:44
Estimated Prophet >
10:44
He's Gone >
14:42
Uncle John's Band >
11:33
Drums >
10:11
Not Fade Away >
9:58
Sugar Magnolia
9:05
Alabama Getaway >
4:42
One More Saturday Night
5:27
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:49:45
SBD
Rating:
8.86 / 14 ratings
Transferrer:
Charlie Miller
SHNID:
gd1980-05-10.set2.sbd.miller.91938.sbeok.flac16
Source:
SBD -> Cassette Master -> Dat -> Sound Forge -> WAV D
Lineage:
WAV -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesPatch Info: (3) Nakamichi 300 -> Cassette Master -> CD (shnid=83063) supplies: He's Gone (0:03 - 0:12) Not Fade Away (7:38 - end of show) Notes: -- Disc change is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Jim Wise
2:53:33
Rating:
8.00 / 6 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1980-05-10.nak700.wise.miller.100402.flac16
Source:
(3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 700 -> Cassette Master -> FLAC (shnid=98724) supplies: Estimated Prophet (9:15 - 9:28) Drums (8:41 - 8:53) Notes: -- Set 2 is seamless -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Source 3 of 16
1:29:07
SHNID:
gd1980-05-10.169891.mtx.chapin.flac2496
Source:
2 Source Matrix by Brock Chapin
Taper Notes:
View NotesMatrix Notes: Soundboard source contains only the first 8 songs of the second set and only that material is included in this release. That source ends at 07:38 of "Not Fade Away" but I include the entire track so the last ~1 minute is the audience source only. This is my first attempt at a matrix mix. My approach was to focus on the wonderful Barry Glassberg audience recording. Their tape is clear, uncolored, and captures the wild room energy of a Saturday night on the East Coast Spring 1980 tour. I didn't apply any EQ or changes of any kind to the audience source. I kept the same track numbers, track length, and names. The 16bit soundboard source is crisp and dry with minimal ambience. The stereo spread is very wide with the individual drummers panned to either side giving it that clunky feel that is common on early 80s soundboards. Both sources include a cassette generation so there is some pitch/speed variation, but more so on the soundboard source. I made many small manual edits and pitch/speed adjustments to the sbd to keep them in sync. I applied a 6db EQ boost at 80hz. I reduced the stereo spread to %23 to closely match the audience. I blended the soundboard level by ear (near 50/50) to enhance the audience and not dominate. Both sources converted to 32bit float at 96khz and then exported to 24bit 96khz software: Audacity 3.7.1 + Melda MUtility Plugin.
Taper: Recorded, Transferred and Mastered by Rob Eaton
2:55:10
Taper:
Recorded, Transferred and Mastered by Rob Eaton
Transferrer:
Mastered by Scott Clugston April 2021
SHNID:
gd1980-05-10.152806.senn.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the master recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Barry Glassberg and the MOTB folks for the Nakamichi 700 source which supplies a 0:22 patch in Jam out of "Estimated Prophet", a 0:32 patch in "Drums", as well as an 0:11 patch in "Alabama Getaway" - Pitch corrected
Taper: Recorded, Transferred and Mastered by Rob Eaton
2:55:10
Taper:
Recorded, Transferred and Mastered by Rob Eaton
Transferrer:
Mastered by Scott Clugston April 2021
SHNID:
gd1980-05-10.152805.senn.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the master recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Barry Glassberg and the MOTB folks for the Nakamichi 700 source which supplies a 0:22 patch in Jam out of "Estimated Prophet", a 0:32 patch in "Drums", as well as an 0:11 patch in "Alabama Getaway" - Pitch corrected
Taper: Jim Wise
2:50:31
Rating:
10.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd1980-05-10.132518.aud.nak700.flac16
Source:
<b>flac16/48kHz</b>; Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound Board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)Tagging(Tag & Re-name)Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
Source 7 of 16
2:50:31
SHNID:
gd1980-05-10.132517.aud.nak700.flac24
Source:
Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
Taper: Barry Glassberg
2:56:56
Rating:
10.00 / 1 rating
Taper:
Barry Glassberg
SHNID:
gd1980-05-10.110832.fob.nak700.glassberg.motb0161.flac24
Source:
2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg
Taper Notes:
View NotesPatch for tape flip at beginning of He's Gone (1:28 - 1:24): Recorded By Bob Morris (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24/96 last "Comes A Time": 02-09-79
Taper: Barry Glassberg
2:56:55
Rating:
10.00 / 3 ratings
Taper:
Barry Glassberg
SHNID:
gd1980-05-10.110830.fob.nak700.glassberg.motb0161.flac16
Source:
2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg
Taper Notes:
View NotesNotes: Patch for tape flip at beginning of He's Gone: Recorded By Bob Morris (FOB) Sony ECM-990 stereo mic > Cassette Master(Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) >Audiogate (1-bit/5.6MHz > 24/96 last "Comes A Time": 02-09-79
Taper: Tim Friend
2:52:42
Taper:
Tim Friend
Transferrer:
Andrew F.
SHNID:
gd1980-05-10.nak300.friend.andrewf.107544.flac16
Source:
AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2010
Taper: Tim Friend
2:52:45
Taper:
Tim Friend
Transferrer:
Andrew F.
SHNID:
gd1980-05-10.nak300.friend.andrewf.107543.flac24
Source:
AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2010
Taper Notes:
View Notes24 bit file set.
Taper: Bob Morris
2:46:41
Taper:
Bob Morris
SHNID:
gd1980-05-10.fob.sonyecm999.morris.100248.flac16
Source:
(FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) ; Recorded from Section B, Row R, Seat 12
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View NotesNotes - Tape flip near beginning of Uncle John's Band -- spliced at 0:05 using Soundforge 9.0 Encores (d3t04, d3t05, d3t06) transferred using Korg D-888 (16-bit/44.1 KHz) Recorded from Section B, Row R, Seat 12 by Bob Morris -- thanks to Sam R and Charlie Connor Transferred 6/09
Taper: Steve Rolfe
2:52:39
Taper:
Steve Rolfe
Transferrer:
David Minches
SHNID:
gd1980-05-10.nak700.rolfe.minches.98724.flac16
Source:
2 Nak 700s> Sony TC-D5 Recorded right beside the soundboard on the left side
Lineage:
Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
Taper Notes:
View NotesThanks to Joe B. Jones for pitch correction.
Taper: Jim Wise
2:52:33
Rating:
8.40 / 5 ratings
Taper:
Jim Wise
Transferrer:
Andrew F.
SHNID:
gd1980-05-10.aud.wise.83063.sbeok.flac16
Source:
Three Nakamichi CM-300's > patched thru Nakamichi 550 > Sony TC-D5
Lineage:
MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner) > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: Mics on a stand, next to the soundboard. This is from the same MAC that became ShnID-7559, but is an upgrade to that file-set as follows: - One of the transfers in the lineage of 7559 was run way too hot, and all the wav's ended up clipped and distorted. This seed is an excellent transfer from the MAC and a major improvement in sound quality. - This source does not have the drop-outs in He's Gone that are on 7559. - The two tape flips in the second set have been patched with material from Steve Rolfe's tape (ShnID-18158), so the second set is seamless. Rolfe reports he was set up "right beside the soundboard on the left side". As the same people can be heard yelling on both sources, it's presumed that the tapers were set up very near to each other. Patches from ShnID-18158 are located in: Passenger (crowd noise at end) 5:09 > 5:23, Estimated Prophet 9:12 > 9:21, Drums 8:39 > 8:47. WavMerge and CD-Wave were used to combine and retrack the file set. Soundforge was used to make fades, and to insert the patches. TLH was used for SBE fix, lossless compression, and checksums. There are numerous fireworks and loud explosions during the show. THANKS to Jim for the discs!
Taper: Steve Rolfe
2:53:12
Rating:
8.80 / 20 ratings
Taper:
Steve Rolfe
SHNID:
gd80-05-10.rolfe.vernon.18158.sbeok.shnf
Source:
Audience Recording: Nak 700's
Lineage:
Nak 700's > Sony D5 Master Cassette recorded from right beside the soundboard on the left side
Taper Notes:
View NotesNak 700's > Sony D5 Master Cassette recorded by Steve Rolfe from "right beside the soundboard on the left side" AUDMC > DAT > wav(48K) > Cool Edit > CDWAV > mkwact > SHN(seekable) via Dave Minor, converted and shn'd by Marc Pujol and Matt Vernon
Taper: Jim Wise
2:51:54
Rating:
8.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Willy
SHNID:
gd1980-05-10.aud.willy.7559.sbeok.shnf
Source:
Nak 300's > Sony D5
Taper Notes:
View NotesNotes- Succesion of dropouts between 11:26 & 11:31 d2t06 (He's Gone) Cut between end of d2t07 & start of d3t01 (UJB & Drums). It is between discs and as such unnoticable. At least until longer media. Several loud 'bangs' during the show (careful if you're driving ;^). This was my first show and I remember (vaguely) these noises as being firecrackers of some sort. You can hear the crowd 'boo' the noises. I really tried not to put 'drums' at the start of d3, but this was a headache show to track because the pre drums run of songs was so long. If you have any alternate tracking ideas feel free to let me know or just post it in the etree 'comments' area.