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Today In History
June 10th
Years
1995
29.8k
PlaybackListensHours
48h57177
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k252
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k299
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.4k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k304
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k133
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2k225
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h76687
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k191
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.4k626
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k143
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k232
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k303
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k206
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k251
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.5k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k553
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.4k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k272
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k196
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k197
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k167
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72390
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9815
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41826
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1980
5/10/80
crowd & tuning
1:26
Minglewood Blues
7:10
Peggy-O
7:04
Mexicali Blues >
4:16
El Paso
5:25
Althea
9:08
Passenger
6:11
Far From Me
4:59
Lost Sailor >
6:14
Saint of Circumstance >
5:53
Deal
4:58
crowd & tuning
0:45
China Cat Sunflower >
6:32
I Know You Rider
7:48
crowd & tuning
2:05
Feel Like a Stranger >
7:42
Comes a Time >
8:44
Estimated Prophet >
10:44
He's Gone >
14:42
Uncle John's Band >
11:33
Drums >
10:11
Not Fade Away >
9:58
Sugar Magnolia
9:05
Alabama Getaway >
4:42
One More Saturday Night
5:27
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:49:45
SBD
Rating:
8.86 / 14 ratings
Transferrer:
Charlie Miller
SHNID:
gd1980-05-10.set2.sbd.miller.91938.sbeok.flac16
Source:
SBD -> Cassette Master -> Dat -> Sound Forge -> WAV D
Lineage:
WAV -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesPatch Info: (3) Nakamichi 300 -> Cassette Master -> CD (shnid=83063) supplies: He's Gone (0:03 - 0:12) Not Fade Away (7:38 - end of show) Notes: -- Disc change is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Jim Wise
2:53:33
Rating:
8.00 / 6 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1980-05-10.nak700.wise.miller.100402.flac16
Source:
(3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 700 -> Cassette Master -> FLAC (shnid=98724) supplies: Estimated Prophet (9:15 - 9:28) Drums (8:41 - 8:53) Notes: -- Set 2 is seamless -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Source 3 of 16
1:29:07
SHNID:
gd1980-05-10.169891.mtx.chapin.flac2496
Source:
2 Source Matrix by Brock Chapin
Taper Notes:
View NotesMatrix Notes: Soundboard source contains only the first 8 songs of the second set and only that material is included in this release. That source ends at 07:38 of "Not Fade Away" but I include the entire track so the last ~1 minute is the audience source only. This is my first attempt at a matrix mix. My approach was to focus on the wonderful Barry Glassberg audience recording. Their tape is clear, uncolored, and captures the wild room energy of a Saturday night on the East Coast Spring 1980 tour. I didn't apply any EQ or changes of any kind to the audience source. I kept the same track numbers, track length, and names. The 16bit soundboard source is crisp and dry with minimal ambience. The stereo spread is very wide with the individual drummers panned to either side giving it that clunky feel that is common on early 80s soundboards. Both sources include a cassette generation so there is some pitch/speed variation, but more so on the soundboard source. I made many small manual edits and pitch/speed adjustments to the sbd to keep them in sync. I applied a 6db EQ boost at 80hz. I reduced the stereo spread to %23 to closely match the audience. I blended the soundboard level by ear (near 50/50) to enhance the audience and not dominate. Both sources converted to 32bit float at 96khz and then exported to 24bit 96khz software: Audacity 3.7.1 + Melda MUtility Plugin.
Taper: Recorded, Transferred and Mastered by Rob Eaton
2:55:10
Taper:
Recorded, Transferred and Mastered by Rob Eaton
Transferrer:
Mastered by Scott Clugston April 2021
SHNID:
gd1980-05-10.152806.senn.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the master recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Barry Glassberg and the MOTB folks for the Nakamichi 700 source which supplies a 0:22 patch in Jam out of "Estimated Prophet", a 0:32 patch in "Drums", as well as an 0:11 patch in "Alabama Getaway" - Pitch corrected
Taper: Recorded, Transferred and Mastered by Rob Eaton
2:55:10
Taper:
Recorded, Transferred and Mastered by Rob Eaton
Transferrer:
Mastered by Scott Clugston April 2021
SHNID:
gd1980-05-10.152805.senn.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the master recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Barry Glassberg and the MOTB folks for the Nakamichi 700 source which supplies a 0:22 patch in Jam out of "Estimated Prophet", a 0:32 patch in "Drums", as well as an 0:11 patch in "Alabama Getaway" - Pitch corrected
Taper: Jim Wise
2:50:31
Rating:
10.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd1980-05-10.132518.aud.nak700.flac16
Source:
<b>flac16/48kHz</b>; Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound Board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)Tagging(Tag & Re-name)Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
Source 7 of 16
2:50:31
SHNID:
gd1980-05-10.132517.aud.nak700.flac24
Source:
Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
Taper: Barry Glassberg
2:56:56
Rating:
10.00 / 1 rating
Taper:
Barry Glassberg
SHNID:
gd1980-05-10.110832.fob.nak700.glassberg.motb0161.flac24
Source:
2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg
Taper Notes:
View NotesPatch for tape flip at beginning of He's Gone (1:28 - 1:24): Recorded By Bob Morris (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24/96 last "Comes A Time": 02-09-79
Taper: Barry Glassberg
2:56:55
Rating:
10.00 / 3 ratings
Taper:
Barry Glassberg
SHNID:
gd1980-05-10.110830.fob.nak700.glassberg.motb0161.flac16
Source:
2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg
Taper Notes:
View NotesNotes: Patch for tape flip at beginning of He's Gone: Recorded By Bob Morris (FOB) Sony ECM-990 stereo mic > Cassette Master(Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) >Audiogate (1-bit/5.6MHz > 24/96 last "Comes A Time": 02-09-79
Taper: Tim Friend
2:52:42
Taper:
Tim Friend
Transferrer:
Andrew F.
SHNID:
gd1980-05-10.nak300.friend.andrewf.107544.flac16
Source:
AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2010
Taper: Tim Friend
2:52:45
Taper:
Tim Friend
Transferrer:
Andrew F.
SHNID:
gd1980-05-10.nak300.friend.andrewf.107543.flac24
Source:
AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2010
Taper Notes:
View Notes24 bit file set.
Taper: Bob Morris
2:46:41
Taper:
Bob Morris
SHNID:
gd1980-05-10.fob.sonyecm999.morris.100248.flac16
Source:
(FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) ; Recorded from Section B, Row R, Seat 12
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View NotesNotes - Tape flip near beginning of Uncle John's Band -- spliced at 0:05 using Soundforge 9.0 Encores (d3t04, d3t05, d3t06) transferred using Korg D-888 (16-bit/44.1 KHz) Recorded from Section B, Row R, Seat 12 by Bob Morris -- thanks to Sam R and Charlie Connor Transferred 6/09
Taper: Steve Rolfe
2:52:39
Taper:
Steve Rolfe
Transferrer:
David Minches
SHNID:
gd1980-05-10.nak700.rolfe.minches.98724.flac16
Source:
2 Nak 700s> Sony TC-D5 Recorded right beside the soundboard on the left side
Lineage:
Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
Taper Notes:
View NotesThanks to Joe B. Jones for pitch correction.
Taper: Jim Wise
2:52:33
Rating:
8.40 / 5 ratings
Taper:
Jim Wise
Transferrer:
Andrew F.
SHNID:
gd1980-05-10.aud.wise.83063.sbeok.flac16
Source:
Three Nakamichi CM-300's > patched thru Nakamichi 550 > Sony TC-D5
Lineage:
MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner) > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: Mics on a stand, next to the soundboard. This is from the same MAC that became ShnID-7559, but is an upgrade to that file-set as follows: - One of the transfers in the lineage of 7559 was run way too hot, and all the wav's ended up clipped and distorted. This seed is an excellent transfer from the MAC and a major improvement in sound quality. - This source does not have the drop-outs in He's Gone that are on 7559. - The two tape flips in the second set have been patched with material from Steve Rolfe's tape (ShnID-18158), so the second set is seamless. Rolfe reports he was set up "right beside the soundboard on the left side". As the same people can be heard yelling on both sources, it's presumed that the tapers were set up very near to each other. Patches from ShnID-18158 are located in: Passenger (crowd noise at end) 5:09 > 5:23, Estimated Prophet 9:12 > 9:21, Drums 8:39 > 8:47. WavMerge and CD-Wave were used to combine and retrack the file set. Soundforge was used to make fades, and to insert the patches. TLH was used for SBE fix, lossless compression, and checksums. There are numerous fireworks and loud explosions during the show. THANKS to Jim for the discs!
Taper: Steve Rolfe
2:53:12
Rating:
8.80 / 20 ratings
Taper:
Steve Rolfe
SHNID:
gd80-05-10.rolfe.vernon.18158.sbeok.shnf
Source:
Audience Recording: Nak 700's
Lineage:
Nak 700's > Sony D5 Master Cassette recorded from right beside the soundboard on the left side
Taper Notes:
View NotesNak 700's > Sony D5 Master Cassette recorded by Steve Rolfe from "right beside the soundboard on the left side" AUDMC > DAT > wav(48K) > Cool Edit > CDWAV > mkwact > SHN(seekable) via Dave Minor, converted and shn'd by Marc Pujol and Matt Vernon
Taper: Jim Wise
2:51:54
Rating:
8.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Willy
SHNID:
gd1980-05-10.aud.willy.7559.sbeok.shnf
Source:
Nak 300's > Sony D5
Taper Notes:
View NotesNotes- Succesion of dropouts between 11:26 & 11:31 d2t06 (He's Gone) Cut between end of d2t07 & start of d3t01 (UJB & Drums). It is between discs and as such unnoticable. At least until longer media. Several loud 'bangs' during the show (careful if you're driving ;^). This was my first show and I remember (vaguely) these noises as being firecrackers of some sort. You can hear the crowd 'boo' the noises. I really tried not to put 'drums' at the start of d3, but this was a headache show to track because the pre drums run of songs was so long. If you have any alternate tracking ideas feel free to let me know or just post it in the etree 'comments' area.