Bands
Featured
Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h53271
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k194
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.9k384
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k280
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.4k550
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k947
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.9k351
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k130
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.5k283
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h949107
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k209
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k505
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k173
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k152
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k292
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k258
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k257
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.4k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h18.4k2.4k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h21323
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k487
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k241
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k179
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k164
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h56572
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h46830
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h554
7d895
30d58534
2 shows
2 tapes
1979
Sources
Transferrer: Kevin Tobin
3:30:34
SBD
Rating:
4.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1979-12-31.mtx.tobin.126184.flac16
Source:
Matrix 3 Source Mix - SBD1 (shnid=17281) SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko + AUD1 (shn id 88768) Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 + SBD2 (no shn id) low generation video - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 3 Source Mix(48%-SBD/52%-AUD) * with John Cipollina NOTE: If the encore is moved to either disc 1 or 2, all of set 3 will fit on one 80 minute cd. --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 26-NOV-2013 - Trader Little Helper - Tagged 26-NOV-2013 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0.5 AUD 0 SET TWO Stereo Matrix SBD -0.5 AUD 0 -------------------------------------------------------- Audio Patches 1) Between Franklin's Tower and Mama Tried, 1 minute and 42.840 seconds were missing from the soundboard and were filled in with audio from the video. 2) Also between Franklin's Tower and Mama Tried, 2 minute and 06.265 seconds were missing from the audience and were filled in with audio from the video. 3) Between Mexicali Blues and Tennessee Jed, 1 minute and 37.467 seconds were missing from the soundboard and were filled in with audio from the video. 4) Also between Mexicali Blues and Tennessee Jed, 1 minute and 24.163 seconds were missing from the soundboard and were filled in with audio from the video. 5) Between Tennessee Jed and Looks Like Rain, 25.352 seconds were missing from the soundboard and were filled in with audio from the video. 6) At the end of Looks Like Rain, 2 minute and 05.111 seconds were missing from the soundboard and were filled in with audio from the video. 7) At the beginning of set 2, 4 minute and 08.290 seconds were missing from the soundboard and were filled in with audio from the video. This includes most of the NYE countdown. 8) At the beginning of set 2, 3 minute and 54.454 seconds were missing from the audience and were filled in with audio from the video. This includes most of the NYE countdown. 9) Between I Know You Rider and Samson and Delilah, 1 minute and 23.919 seconds were missing from the soundboard and were filled in with audio from the video. 10) Also between I Know You Rider and Samson and Delilah, 1 minute and 17.265 seconds were missing from the audience and were filled in with audio from the video. 11) Also between I Know You Rider and Samson and Delilah, 58.092 seconds were missing from the soundboard and were filled in with audio from the audience. 12) Between Samson and Delilah and Ship Of Fools, 9 minute and 20.028 seconds were missing from the soundboard and were filled in with audio from the video. This includes all of Ship Of Fools. 13) Between Ship Of Fools and Lost Sailor, 47.016 seconds were missing from the audience and were filled in with audio from the video. 14) About 5 minutes into Lost Sailor, 07.653 seconds were missing from the soundboard and were filled in with audio from the video. 15) About 8 minutes into Drums, 1 minute and 02.277 seconds were missing from the soundboard and were filled in with audio from the video. 16) About 3 minutes into Not Fade Away, 01.293 seconds were missing from the soundboard and were filled in with audio from the video. 17) About 6 minutes into Stella Blue, 04.141 seconds were missing from the soundboard and were filled in with audio from the video. 18) At the end of Stella Blue, 16.164 seconds were missing from the soundboard and were filled in with audio from the video. 19) At the start of Good Loving, 04.111 seconds were missing from the soundboard and were filled in with audio from the video. 20) About 5 minutes into Good Lovin', 41.417 seconds were missing from the soundboard and were filled in with audio from the video. 21) About 7 minutes into Good Lovin', 2 minutes and 45.285 seconds were missing from the soundboard and were filled in with audio from the video. 22) SBD2 was used as the timing reference as the sbd 1 was very fast (about 2 seconds\minute) and the audience was slow (about 1 second\minute). All 3 sources will be used in upcoming matrix and dts project. Brokedown House Production
Transferrer: Kevin Tobin
3:30:34
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1979-12-31.upg-sbd.Tobin.126183.flac16
Source:
SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko (original shn 17281) - patches and pitch correction by Kevin Tobin
Taper Notes:
View Notes* with John Cipollina NOTE: If the encore is moved to either disc 1 or 2, all of set 3 will fit on one 80 minute cd. Also patched with SBD2 (no shnid) Audio from video project used to patch the soundboard. audio patches 1) Between Franklin's Tower and Mama Tried, 1 minute and 42.840 seconds were missing from the soundboard and were filled in with audio from the sbd2. 2) Between Mexicali Blues and Tennessee Jed, 1 minute and 37.467 seconds were missing from the soundboard and were filled in with audio from the sbd2. 3) Also between Mexicali Blues and Tennessee Jed, 1 minute and 24.163 seconds were missing from the soundboard and were filled in with audio from the aud. 4) Between Tennessee Jed and Looks Like Rain, 25.352 seconds were missing from the soundboard and were filled in with audio from the sbd2. 5) At the end of Looks Like Rain, 2 minute and 05.111 seconds were missing from the soundboard and were filled in with audio from the sbd2. 6) At the beginning of set 2, 4 minute and 08.290 seconds were missing from the soundboard and were filled in with audio from the sbd2. This includes most of the NYE countdown. 7) Between I Know You Rider and Samson and Delilah, 1 minute and 23.919 seconds were missing from the soundboard and were filled in with audio from the sbd2. 8) Also between I Know You Rider and Samson and Delilah, 1 minute and 17.265 seconds were missing from the audience and were filled in with audio from the sbd2. 9) Also between I Know You Rider and Samson and Delilah, 58.092 seconds were missing from the soundboard and were filled in with audio from the audience. 10) Between Samson and Delilah and Ship Of Fools, 9 minute and 20.028 seconds were missing from the soundboard and were filled in with audio from the sbd2. This includes all of Ship Of Fools. 11) About 5 minutes into Lost Sailor, 07.653 seconds were missing from the soundboard and were filled in with audio from the sbd2. 12) About 8 minutes into Drums, 1 minute and 02.277 seconds were missing from the soundboard and were filled in with audio from the sbd2. 13) About 3 minutes into Not Fade Away, 01.293 seconds were missing from the soundboard and were filled in with audio from the sbd2. 14) About 6 minutes into Stella Blue, 04.141 seconds were missing from the soundboard and were filled in with audio from the sbd2. 15) At the end of Stella Blue, 16.164 seconds were missing from the soundboard and were filled in with audio from the sbd2. 16) At the start of Good Loving, 04.111 seconds were missing from the soundboard and were filled in with audio from the sbd2. 17) About 5 minutes into Good Lovin', 41.417 seconds were missing from the soundboard and were filled in with audio from the sbd2. 18) About 7 minutes into Good Lovin', 2 minutes and 45.285 seconds were missing from the soundboard and were filled in with audio from the sbd2. 19) SBD2 was used as the timing reference as the sbd 1 was very fast (about 2 seconds\minute) and the audience was slow (about 1 second\minute). All 3 sources will be used in upcoming matrix and dts project. Brokedown House Production
Source 3 of 16
3:27:11
SBD
Rating:
8.00 / 8 ratings
SHNID:
gd79-12-31.sbd.hinko.17281.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > ?? > Cassette > CD with AUD patches
Taper Notes:
View NotesSBD > ?? > Cassette > CD with AUD patches via Darryl Hinko
Taper: Bob Menke
3:36:24
Rating:
8.00 / 1 rating
Taper:
Bob Menke
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1979-12-31.172201.nak700.menke.miller.clugston.flac2496
Source:
Bob Menke's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-158 (Dolby B)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 .wav > Adobe Audition CC 2025 (DDi codec) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Menke for the master cassette recording and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Scott Wiseman and Charlie Miller for the AKG SE-5 source which supplies a 0:14 patch in "Drums" - "Sugar Magnolia" at midnight - Not Fade Away space included in "Not Fade Away" - "Not Fade Away", "Stella Blue" and "Sunshine Daydream" with John Cipollina on guitar - Pitch corrected Mastered by Scott Clugston June 2025
Taper: Bob Menke
3:36:24
Taper:
Bob Menke
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1979-12-31.172200.nak700.menke.miller.clugston.flac1648
Source:
Bob Menke's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-158 (Dolby B)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 .wav > Adobe Audition CC 2025 (DDi codec) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Menke for the master cassette recording and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Scott Wiseman and Charlie Miller for the AKG SE-5 source which supplies a 0:14 patch in "Drums" - "Sugar Magnolia" at midnight - Not Fade Away space included in "Not Fade Away" - "Not Fade Away", "Stella Blue" and "Sunshine Daydream" with John Cipollina on guitar - Pitch corrected Mastered by Scott Clugston June 2025
Taper: David Biggar
3:32:55
Taper:
David Biggar
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1979-12-31.167561.nak700.biggar.smith.miller.clugston.flac2496
Source:
Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506)
Lineage:
1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to David Biggar for the 1st generation reel source - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson and the folks responsible for the Sony ECM 270 source which supplies a 0:09 patch in "Space" - Motorcycle sounds and "Truckin'" over the PA before the New Year's Countdown - Not Fade Away space included in "Not Fade Away" - 1st generation reels dubbed directly after the show - Pitch verified Mastered by Scott Clugston April 2024
Taper: David Biggar
3:32:55
Taper:
David Biggar
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1979-12-31.167560.nak700.biggar.smith.miller.clugston.flac1648
Source:
Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506)
Lineage:
1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to David Biggar for the 1st generation reel source - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson and the folks responsible for the Sony ECM 270 source which supplies a 0:09 patch in "Space" - Motorcycle sounds and "Truckin'" over the PA before the New Year's Countdown - Not Fade Away space included in "Not Fade Away" - 1st generation reels dubbed directly after the show - Pitch verified Mastered by Scott Clugston April 2024
Taper: Scott Wiseman
3:28:30
Taper:
Scott Wiseman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-31.154882.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the Sony ECM-270 source which supplies a 0:29 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2021
Taper: Scott Wiseman
3:28:30
Taper:
Scott Wiseman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-31.154881.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the Sony ECM-270 source which supplies a 0:29 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2021
Taper: Mark Severson
3:44:41
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-31.144796.fob.sony.ecm270.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, 35' from stage, several feet left of the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Typical of a New Year's show, there are balloon pops/hand claps and whatnot throughout, particularly at the start of the 2nd Set - Thanks to Steve Rolfe and Matt Vernon for the shnid88768 Sony ECM-250 source which supplies a 0:08 patch in "Drums" - John Cipollina on guitar for "Not Fade Away", "Stella Blue" and "Sunshine Daydream" - NFA space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Mark Severson
3:44:41
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-31.144795.fob.sony.ecm270.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, 35' from stage, several feet left of the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Typical of a New Year's show, there are balloon pops/hand claps and whatnot throughout, particularly at the start of the 2nd Set - Thanks to Steve Rolfe and Matt Vernon for the shnid88768 Sony ECM-250 source which supplies a 0:08 patch in "Drums" - John Cipollina on guitar for "Not Fade Away", "Stella Blue" and "Sunshine Daydream" - NFA space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Joani Walker
3:40:28
Rating:
8.67 / 7 ratings
Taper:
Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1979-12-31.sonyecm-walker.walker-scotton-miller.88768.flac16
Source:
Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 700 -> Cassette Master -> Dat -> CD (shnid=18589) supplies: Drums (6:13 - 6:29) Notes: -- Seamless disc change between Set 3 and Encore -- Move Encore to end of 1st or 2nd Set to fit show onto 3 discs -- Recorded By Joani Walker -- Thanks to Joani Walker and Paul Scotton for the tapes -- Patch source recorded by Steve Rolfe
Taper: Steve Rolfe
3:39:52
Rating:
8.50 / 8 ratings
Taper:
Steve Rolfe
SHNID:
gd79-12-31.rolfe.vernon.18589.sbeok.shnf
Source:
Audience Recording
Lineage:
Nak 700's > d5 > DAT > cdr
Taper Notes:
View NotesNak 700's > d5 > DAT > cdr recorded by Steve Rolfe via Dave Minor encoded and patched by Matt Vernon
Taper: Steve Rolfe
7:01:29
Taper:
Steve Rolfe
Transferrer:
Derald Gorinsky
SHNID:
gd1979-12-31.aud.gorinsky.6031.shnf
Source:
AUD > NAK 700s >Sony TC-158 > MC > DAT > CDR > EAC (calibrated, secure mode, test and copy) > SHN
Taper Notes:
View NotesKnown Flaws: Cut in Not Fade Away at 11:21
Taper: Steve Rolfe
3:27:10
REMASTER
Taper:
Steve Rolfe
Transferrer:
Scott Clugston
SHNID:
gd1979-12-31.nak700.rolfe.clugston.5477.sbeok.shnf
Source:
Master Audience Cassette: Nakamichi CM700 mics > Sony TC-158 cassette deck
Lineage:
cassette > DAT > CDR; CD Remastering, EAC'ed / SHN'ed
Taper Notes:
View Notes* with John Cipollina
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:31:00
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1979-12-31.156628.5.1.tobin.flac1648
Source:
5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-MAY-2022 - Trader Little Helper - Tagged 04-MAY-2022 - Tag&Rename --------------------------------------------------------- Audio Patches 1) Between Franklin's Tower and Mama Tried, 1 minute and 42.840 seconds were missing from the soundboard and were filled in with audio from the video. 2) Also between Franklin's Tower and Mama Tried, 2 minute and 06.265 seconds were missing from the audience and were filled in with audio from the video. 3) Between Mexicali Blues and Tennessee Jed, 1 minute and 37.467 seconds were missing from the soundboard and were filled in with audio from the video. 4) Also between Mexicali Blues and Tennessee Jed, 1 minute and 24.163 seconds were missing from the soundboard and were filled in with audio from the video. 5) Between Tennessee Jed and Looks Like Rain, 25.352 seconds were missing from the soundboard and were filled in with audio from the video. 6) At the end of Looks Like Rain, 2 minute and 05.111 seconds were missing from the soundboard and were filled in with audio from the video. 7) At the beginning of set 2, 4 minute and 08.290 seconds were missing from the soundboard and were filled in with audio from the video. This includes most of the NYE countdown. 8) At the beginning of set 2, 3 minute and 54.454 seconds were missing from the audience and were filled in with audio from the video. This includes most of the NYE countdown. 9) Between I Know You Rider and Samson and Delilah, 1 minute and 23.919 seconds were missing from the soundboard and were filled in with audio from the video. 10) Also between I Know You Rider and Samson and Delilah, 1 minute and 17.265 seconds were missing from the audience and were filled in with audio from the video. 11) Also between I Know You Rider and Samson and Delilah, 58.092 seconds were missing from the soundboard and were filled in with audio from the audience. 12) Between Samson and Delilah and Ship Of Fools, 9 minute and 20.028 seconds were missing from the soundboard and were filled in with audio from the video. This includes all of Ship Of Fools. 13) Between Ship Of Fools and Lost Sailor, 47.016 seconds were missing from the audience and were filled in with audio from the video. 14) About 5 minutes into Lost Sailor, 07.653 seconds were missing from the soundboard and were filled in with audio from the video. 15) About 8 minutes into Drums, 1 minute and 02.277 seconds were missing from the soundboard and were filled in with audio from the video. 16) About 3 minutes into Not Fade Away, 01.293 seconds were missing from the soundboard and were filled in with audio from the video. 17) About 6 minutes into Stella Blue, 04.141 seconds were missing from the soundboard and were filled in with audio from the video. 18) At the end of Stella Blue, 16.164 seconds were missing from the soundboard and were filled in with audio from the video. 19) At the start of Good Loving, 04.111 seconds were missing from the soundboard and were filled in with audio from the video. 20) About 5 minutes into Good Lovin', 41.417 seconds were missing from the soundboard and were filled in with audio from the video. 21) About 7 minutes into Good Lovin', 2 minutes and 45.285 seconds were missing from the soundboard and were filled in with audio from the video. 22) SBD2 was used as the timing reference as the sbd 1 was very fast (about 2 secondsminute) and the audience was slow (about 1 secondminute). All 3 sources will be used in upcoming matrix and dts project.