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Bands
Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.3k165
7d1.1k147
30d29.8k4.1k
49 shows
343 tapes
1994
11.4k
PlaybackListensHours
48h1.6k254
7d3.2k469
30d11.4k1.6k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h1.7k231
7d6.1k807
30d37.2k4.9k
83 shows
656 tapes
1992
43.7k
PlaybackListensHours
48h2.6k353
7d6.7k894
30d43.7k5.8k
57 shows
539 tapes
1991
41.1k
PlaybackListensHours
48h2.7k354
7d9.1k1.2k
30d41.1k5.5k
78 shows
973 tapes
1990
47.2k
PlaybackListensHours
48h4.9k694
7d11.1k1.4k
30d47.2k6.1k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.1k270
7d6.1k752
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.2k138
7d2.7k313
30d19.6k2.3k
82 shows
882 tapes
1987
39.4k
PlaybackListensHours
48h4.5k557
7d10.4k1.2k
30d39.4k4.4k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h86399
7d2.1k240
30d12.1k1.4k
47 shows
684 tapes
1985
22.6k
PlaybackListensHours
48h6.2k709
7d3.8k444
30d22.6k2.7k
73 shows
1,357 tapes
1984
25.1k
PlaybackListensHours
48h2.4k299
7d10.2k1.2k
30d25.1k3.1k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h938119
7d2.9k375
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.3k163
7d2.9k357
30d41.7k5.2k
63 shows
753 tapes
1981
30.2k
PlaybackListensHours
48h1.9k238
7d4.3k544
30d30.2k3.8k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h4.1k469
7d12.3k1.5k
30d68.1k7.9k
91 shows
794 tapes
1979
21k
PlaybackListensHours
48h1.1k152
7d3.5k485
30d21k2.9k
79 shows
608 tapes
1978
38k
PlaybackListensHours
48h1.6k212
7d4.1k561
30d38k5.1k
87 shows
592 tapes
1977
263k
PlaybackListensHours
48h7.7k1.1k
7d21.8k3k
30d263k36.4k
64 shows
418 tapes
1976
85k
PlaybackListensHours
48h15.1k2.1k
7d35k4.6k
30d85k11.5k
45 shows
298 tapes
1975
6.1k
PlaybackListensHours
48h43145
7d61164
30d6.1k619
25 shows
63 tapes
1974
88.2k
PlaybackListensHours
48h3.1k401
7d8.1k1k
30d88.2k11.2k
42 shows
324 tapes
1973
88.1k
PlaybackListensHours
48h3.9k519
7d16.4k2.3k
30d88.1k11.3k
75 shows
445 tapes
1972
61.4k
PlaybackListensHours
48h2.5k313
7d5.1k654
30d61.4k7.5k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h1.5k161
7d3.7k417
30d33.1k3.8k
82 shows
357 tapes
1970
38.5k
PlaybackListensHours
48h1.2k149
7d3.5k413
30d38.5k4.1k
101 shows
376 tapes
1969
27.3k
PlaybackListensHours
48h1.5k238
7d2.8k384
30d27.3k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h78195
7d1.1k143
30d7.5k947
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12317
7d22933
30d1.6k222
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h42926
7d79154
30d7.9k530
32 shows
78 tapes
1965
623
PlaybackListensHours
48h322
7d937
30d62337
2 shows
2 tapes
1979
Sources
Transferrer: Charlie Miller & Bill Tetzeli
2:10:57
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller & Bill Tetzeli
SHNID:
gd1979-12-30.sbd.ladner.tetzeli.fix-4797.35219.reflac.flac16
Source:
SBD>MC>DAT>CD
Taper Notes:
View NotesIn order to make this source seamless I first had to fix the patch job from the end of space to the end of Truckin'. The AUD source from LlaMA is actually very good - don't let the one reviewer who gave it 3 stars fool you. I redid the patch in CE PRO, retracked d2t05, d3t01 and d3t02 and used shntool to clean up the sector boundaries. The SHNs were converted to FLAC. Overlapping fade tracks were added to the end of CD 2 and the beginning of CD 3 for those wishing to burn to CD. For seamless playback simply remove the fade tracks.
Source 2 of 11
2:11:14
SBD
Rating:
8.55 / 11 ratings
SHNID:
gd79-12-30.sbd.ladner.4797.sbeok.shnf
Source:
Soundboard
Taper: David Biggar
2:20:26
Taper:
David Biggar
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1979-12-30.167451.nak700.biggar.smith.miller.clugston.flac2496
Source:
Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506)
Lineage:
1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to David Biggar for the 1st generation reel source - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - 1st generation reels dubbed directly after the show - Pitch corrected Mastered by Scott Clugston April 2024
Taper: David Biggar
2:20:26
Taper:
David Biggar
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1979-12-30.167450.nak300.vita.miller.clugston.flac1648
Source:
Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506)
Lineage:
1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to David Biggar for the 1st generation reel source - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - 1st generation reels dubbed directly after the show - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Scott Wiseman
2:14:29
Taper:
Scott Wiseman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-30.154880.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the Sennheiser 421 source which supplies a 0:02 patch in "Supplication", a 0:24 patch in "Deal", "Scarlet Begonias > Fire On The Mountain", the first 0:48 of "Let It Grow", as well as a 3:21 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2021
Taper: Scott Wiseman
2:14:29
Taper:
Scott Wiseman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-30.154879.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the Sennheiser 421 source which supplies a 0:02 patch in "Supplication", a 0:24 patch in "Deal", "Scarlet Begonias > Fire On The Mountain", the first 0:48 of "Let It Grow", as well as a 3:21 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2021
Taper: Mark Severson
2:18:28
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-30.144786.fob.sony.ecm270.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Steve Rolfe and Matt Vernon for the shnid18221 Nakamichi 700 source which supplies a 0:08 patch in "Supplication", as well as a 0:14 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:18:28
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-30.144785.fob.sony.ecm270.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Steve Rolfe and Matt Vernon for the shnid18221 Nakamichi 700 source which supplies a 0:08 patch in "Supplication", as well as a 0:14 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2019
Taper: Joani Walker
2:17:37
Rating:
10.00 / 2 ratings
Taper:
Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1979-12-30.senn421.walker-scotton.miller.89259.sbeok.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 700 -> Cassette Master -> Dat -> CD supplies: Drums (4:35 - 5:02) Notes: -- Encore on end of 1st Set to fit show onto 2 discs -- Seamless disc change between Set 2 and Encore -- Recorded By Joani Walker -- Patch source recorded by Steve Rolfe -- Thanks to Joani Walker and Paul Scotton for the tapes
Taper: Mark Severson
2:16:34
Rating:
6.00 / 1 rating
Taper:
Mark Severson
Transferrer:
David Minches
SHNID:
gd1979-12-30.sonyecm.severson.minches.90677.sbeok.flac16
Source:
2 Sony ECM-270s on stand 35' from stage> Sony TC-D5 (2 Maxell UD XL-IIs)
Lineage:
Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
Taper: Steve Rolfe
2:17:40
Rating:
6.00 / 1 rating
Taper:
Steve Rolfe
SHNID:
gd79-12-30.rolfe.vernon.18221.sbeok.shnf
Source:
Audience Recording
Lineage:
Nak 700's > d5 > DAT > cdr
Taper Notes:
View NotesNak 700's > d5 > DAT > cdr taped by Steve Rolfe via Dave Minor, encoding Matt Vernon