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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.1k149
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h66695
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.6k894
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k355
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.1k802
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k402
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k430
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k162
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k304
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h922103
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k248
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k184
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k189
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k244
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k326
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k693
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k200
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k409
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.3k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k701
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h81767
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k602
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.1k666
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.9k479
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k266
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.7k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k614
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51562
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10316
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1979
12/28/79
Tuning
0:46
Sugaree
16:23
Mama Tried >
2:28
Mexicali Blues
5:38
Row Jimmy
13:36
It's All Over Now
8:19
High Time
7:02
The Music Never Stopped
8:50
Tuning
1:11
Alabama Getaway >
6:44
Greatest Story Ever Told
5:31
Terrapin Station >
14:06
Playin' In The Band > Jam >
17:27
Drums >
7:47
Space >
2:20
Uncle John's Band >
9:38
I Need A Miracle >
4:04
Bertha >
6:31
Good Lovin'
7:10
Casey Jones
5:03
One More Saturday Night
4:53
FIN
View on archive.org
Sources
Transferrer: Charlie Miller and Scott Clugston
2:39:55
SBD
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1979-12-28.140833.sbd.pcm.miller.clugston.fixed.flac1644
Source:
Master Soundboard Reels > PCM
Taper Notes:
View NotesNotes: - Thanks to Charlie Miller for the PCM source - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid103117 Sennheiser 421 source which supplies a 0:32 patch in "Drums" - Thanks to Charlie Miller for the shnid134499 soundboard source which supplies a 0:0.191 and a 0:0.168 patch to repair 2 dropouts in Sugaree at 2:51 and 8:04 Mastered by Scott Clugston January 21, 2018
Transferrer: Charlie Miller and Scott Clugston
2:39:55
SBD
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1979-12-28.140817.sbd.pcm.miller.clugston.flac1644
Source:
Master Soundboard Reels > PCM
Taper Notes:
View NotesNotes: - Thanks to Charlie Miller for the PCM source - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid103117 Sennheiser 421 source which supplies a 0:32 patch in "Drums" Mastered by Scott Clugston January 21, 2018
Transferrer: Charlie Miller
2:37:27
SBD
Rating:
9.60 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1979-12-28.134499.sbd.miller.flac16
Source:
SBD -> Cassette Master -> CD
Lineage:
CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Hunter Seamons
2:35:27
SBD
Rating:
9.86 / 15 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1979-12-28.mtx.seamons.94267.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD: Source: SBD > MR > PCM > DAT > WAV > FLAC. DAT provided by B.Koucky/B.Fried. Transfer/mastering: DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transferred and mastered by ChrisL. Seeded by the Green Mountain Bros. at bt.etree.org, September 2007. ---------------------------------------------------- AUD: Taper: Steve Rolfe 1st row balcony left side about a 1/4 to 1/3 back from the stage. Source: nak 700's > d5 > DAT > cdr Encoding: CDR > EAC(secure) > Cool Edit > CDWAV > mkwact > shn(seekable) by [email protected] Thanks to Dave Minor for the cd's Part of The Music Never Stopped Project 2003 ----------------------------------------------------- Thank you to Chris Ladner, Bill Koucky, and B. Fried for the SBD transfer; to Steve Rolfe for recording the show; to Matt Vernon for the AUD transfer; and to Dave Minor for the CD's that beheld the AUD. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 30, 2008 Notes: 1) Fades were used to create a "seamless" (i.e. continuous) AUD track. 2) The transition between discs is seamless. 3) Show notes by Eric F. Wybenga, from his book, "Dead to the Core": "This show opens with an all-time Sugaree and picks up from there. The second set is sick from start to end, starting with a very clearly sung and played Alabama>Greatest and a Terrapin>Playin' that's nothing short of phenomenal. Jerry's singing in the Terrapin is very sensitive, and the band jams it out fully before going into a Playin' of historic proportions, highlighted by Brent's lush, otherworldly synth runs. The post-Drums cascade is a series of momentum-building, flawless transitions between exciting versions of Uncle John's, Miracle, Bertha, and Good Lovin'. The Casey Jones encore, like the rest of the show, has that little bit more that kicks it into another realm. This one's hot, a must-have."
Transferrer: Chris Ladner
2:37:04
SBD
Rating:
10.00 / 6 ratings
Transferrer:
Chris Ladner
SHNID:
gd1979-12-28.sbd.ladner.gmb.87394.sbeok.flac16
Source:
SBD > MR > PCM > DAT
Lineage:
DAT > WAV > FLAC
Taper Notes:
View NotesComments: Slight hiss suggesting an unlisted cassette generation.
Taper: Bruce Fried
2:36:00
SBD
Rating:
10.00 / 2 ratings
Taper:
Bruce Fried
Transferrer:
Mike Lai
SHNID:
gd1979-12-28.sbd-fried.lai.19918.shnf
Source:
Soundboard
Taper Notes:
View Notestransferred and seeded to etree by mike lai. thanks to dr. bruce fried for lending me his dat. any questions or info send to [email protected] stellablue.etree.org sector boundary errors fixed with shntool and new md5 generated 2003-10-12.
Source 7 of 17
2:36:00
SBD
Rating:
9.38 / 56 ratings
SHNID:
gd79-12-28.sbd.lai.4145.sbefail.shnf
Source:
Soundboard
Taper Notes:
View NotesSBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; 7/26/01 update: d2t1 md5 had been missing here, complete md5s now shown
Taper: David Biggar
2:39:29
Taper:
David Biggar
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1979-12-28.167366.nak700.biggar.smith.miller.clugston.flac2496
Source:
Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506)
Lineage:
1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to David Biggar for the 1st generation reel source - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the AKG d1000e source which supplies a 1:47 patch in "Drums - 1st generation reels dubbed directly after the show - Pitch corrected Mastered by Scott Clugston March 2024
Taper: David Biggar
2:39:29
Taper:
David Biggar
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1979-12-28.167365.nak700.biggar.smith.miller.clugston.flac1648
Source:
Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506)
Lineage:
1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to David Biggar for the 1st generation reel source - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the AKG d1000e source which supplies a 1:47 patch in "Drums - 1st generation reels dubbed directly after the show - Pitch corrected Mastered by Scott Clugston March 2024
Taper: Scott Wiseman
2:30:09
Taper:
Scott Wiseman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-28.154878.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK KR 90 except Casey Jones and One More Saturday Night - Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the Sennheiser 421 source which supplies a 0:13 patch in the post "Playin' in the Band" jam, as well as a 0:09 patch in "Space" - Pitch corrected Mastered by Scott Clugston October 2021
Taper: Scott Wiseman
2:30:09
Taper:
Scott Wiseman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-28.154877.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK KR 90 except Casey Jones and One More Saturday Night - Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the Sennheiser 421 source which supplies a 0:13 patch in the post "Playin' in the Band" jam, as well as a 0:09 patch in "Space" - Pitch corrected Mastered by Scott Clugston October 2021
Taper: Mark Severson
2:39:40
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-28.144778.fob.akg.d1000e.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid103117 Sennheiser 421 source which supplies a 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:39:40
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-28.144777.fob.akg.d1000e.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid103117 Sennheiser 421 source which supplies a 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Paul Scotton and Joani Walker
2:39:07
Rating:
9.00 / 4 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1979-12-28.senn421.walker-scotton.miller.pitch-corrected.103117.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> Adobe Audition v1.5 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- This is a re-master of shnid=89273 -- Recorded By Joani Walker -- Thanks to Paul Scotton and Joani Walker for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Joani Walker
2:41:47
Rating:
9.00 / 5 ratings
Taper:
Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1979-12-28.senn421.walker-scotton.miller.89273.sbeok.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 700 -> Cassette Master -> Dat -> CD supplies: Playing In The Band (16:24 - 16:36) Notes: -- Set 2 is seamless -- Recorded By Joani Walker -- Thanks to Paul Scotton and Joani Walker for the tapes
Taper: Mason B. Taylor
2:38:56
Taper:
Mason B. Taylor
SHNID:
gd1979-12-28.128624.naks.mason.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"
Taper: Steve Rolfe
2:37:10
Rating:
9.33 / 7 ratings
Taper:
Steve Rolfe
SHNID:
gd79-12-28.rolfe.vernon.16117.sbeok.shnf
Source:
Audience Recording
Lineage:
nak 700's > d5 > DAT > cdr
Taper Notes:
View Notesnak 700's > d5 > DAT > cdr taped by Steve Rolfe via Dave Minor encoded by Matt Vernon