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Today In History
June 14th
10 shows
102 tapes
Years
1995
29.9k
PlaybackListensHours
48h47665
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.3k381
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k311
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k323
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.8k372
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.9k382
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k354
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k163
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.6k957
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h971110
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.8k325
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.8k562
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.3k161
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k186
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k229
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k985
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.4k199
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.8k248
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.8k1.4k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h10.9k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47548
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.7k467
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.9k650
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h3k375
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k176
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.7k210
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.7k268
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h832102
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12118
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22017
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h352
7d886
30d60836
2 shows
2 tapes
1979
12/28/79
Crowd/Tuning
2:09
Sugaree
16:33
Mama Tried > Mexicali Blues
8:03
Row Jimmy
14:49
It's All Over Now
8:32
High Time
7:05
The Music Never Stopped
8:40
Alabama Getaway > Greatest Story Ever Told
12:01
Terrapin Station >
14:02
Playin' In The Band >
17:30
Drums >
7:07
Space >
2:22
Uncle John's Band >
9:36
I Need A Miracle >
4:04
Bertha >
6:31
Good Lovin'
7:05
Encore Break
1:32
E1: Casey Jones
6:52
E2: One More Saturday Night
4:56
FIN
View on archive.org
Sources
Transferrer: Charlie Miller and Scott Clugston
2:39:55
SBD
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1979-12-28.140833.sbd.pcm.miller.clugston.fixed.flac1644
Source:
Master Soundboard Reels > PCM
Taper Notes:
View NotesNotes: - Thanks to Charlie Miller for the PCM source - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid103117 Sennheiser 421 source which supplies a 0:32 patch in "Drums" - Thanks to Charlie Miller for the shnid134499 soundboard source which supplies a 0:0.191 and a 0:0.168 patch to repair 2 dropouts in Sugaree at 2:51 and 8:04 Mastered by Scott Clugston January 21, 2018
Transferrer: Charlie Miller and Scott Clugston
2:39:55
SBD
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1979-12-28.140817.sbd.pcm.miller.clugston.flac1644
Source:
Master Soundboard Reels > PCM
Taper Notes:
View NotesNotes: - Thanks to Charlie Miller for the PCM source - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid103117 Sennheiser 421 source which supplies a 0:32 patch in "Drums" Mastered by Scott Clugston January 21, 2018
Transferrer: Charlie Miller
2:37:27
SBD
Rating:
9.60 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1979-12-28.134499.sbd.miller.flac16
Source:
SBD -> Cassette Master -> CD
Lineage:
CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Hunter Seamons
2:35:27
SBD
Rating:
9.86 / 15 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1979-12-28.mtx.seamons.94267.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD: Source: SBD > MR > PCM > DAT > WAV > FLAC. DAT provided by B.Koucky/B.Fried. Transfer/mastering: DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transferred and mastered by ChrisL. Seeded by the Green Mountain Bros. at bt.etree.org, September 2007. ---------------------------------------------------- AUD: Taper: Steve Rolfe 1st row balcony left side about a 1/4 to 1/3 back from the stage. Source: nak 700's > d5 > DAT > cdr Encoding: CDR > EAC(secure) > Cool Edit > CDWAV > mkwact > shn(seekable) by [email protected] Thanks to Dave Minor for the cd's Part of The Music Never Stopped Project 2003 ----------------------------------------------------- Thank you to Chris Ladner, Bill Koucky, and B. Fried for the SBD transfer; to Steve Rolfe for recording the show; to Matt Vernon for the AUD transfer; and to Dave Minor for the CD's that beheld the AUD. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 30, 2008 Notes: 1) Fades were used to create a "seamless" (i.e. continuous) AUD track. 2) The transition between discs is seamless. 3) Show notes by Eric F. Wybenga, from his book, "Dead to the Core": "This show opens with an all-time Sugaree and picks up from there. The second set is sick from start to end, starting with a very clearly sung and played Alabama>Greatest and a Terrapin>Playin' that's nothing short of phenomenal. Jerry's singing in the Terrapin is very sensitive, and the band jams it out fully before going into a Playin' of historic proportions, highlighted by Brent's lush, otherworldly synth runs. The post-Drums cascade is a series of momentum-building, flawless transitions between exciting versions of Uncle John's, Miracle, Bertha, and Good Lovin'. The Casey Jones encore, like the rest of the show, has that little bit more that kicks it into another realm. This one's hot, a must-have."
Transferrer: Chris Ladner
2:37:04
SBD
Rating:
10.00 / 6 ratings
Transferrer:
Chris Ladner
SHNID:
gd1979-12-28.sbd.ladner.gmb.87394.sbeok.flac16
Source:
SBD > MR > PCM > DAT
Lineage:
DAT > WAV > FLAC
Taper Notes:
View NotesComments: Slight hiss suggesting an unlisted cassette generation.
Taper: Bruce Fried
2:36:00
SBD
Rating:
10.00 / 2 ratings
Taper:
Bruce Fried
Transferrer:
Mike Lai
SHNID:
gd1979-12-28.sbd-fried.lai.19918.shnf
Source:
Soundboard
Taper Notes:
View Notestransferred and seeded to etree by mike lai. thanks to dr. bruce fried for lending me his dat. any questions or info send to [email protected] stellablue.etree.org sector boundary errors fixed with shntool and new md5 generated 2003-10-12.
Source 7 of 17
2:36:00
SBD
Rating:
9.38 / 56 ratings
SHNID:
gd79-12-28.sbd.lai.4145.sbefail.shnf
Source:
Soundboard
Taper Notes:
View NotesSBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; 7/26/01 update: d2t1 md5 had been missing here, complete md5s now shown
Taper: David Biggar
2:39:29
Taper:
David Biggar
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1979-12-28.167366.nak700.biggar.smith.miller.clugston.flac2496
Source:
Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506)
Lineage:
1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to David Biggar for the 1st generation reel source - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the AKG d1000e source which supplies a 1:47 patch in "Drums - 1st generation reels dubbed directly after the show - Pitch corrected Mastered by Scott Clugston March 2024
Taper: David Biggar
2:39:29
Taper:
David Biggar
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1979-12-28.167365.nak700.biggar.smith.miller.clugston.flac1648
Source:
Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506)
Lineage:
1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to David Biggar for the 1st generation reel source - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the AKG d1000e source which supplies a 1:47 patch in "Drums - 1st generation reels dubbed directly after the show - Pitch corrected Mastered by Scott Clugston March 2024
Taper: Scott Wiseman
2:30:09
Taper:
Scott Wiseman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-28.154878.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK KR 90 except Casey Jones and One More Saturday Night - Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the Sennheiser 421 source which supplies a 0:13 patch in the post "Playin' in the Band" jam, as well as a 0:09 patch in "Space" - Pitch corrected Mastered by Scott Clugston October 2021
Taper: Scott Wiseman
2:30:09
Taper:
Scott Wiseman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-28.154877.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK KR 90 except Casey Jones and One More Saturday Night - Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the Sennheiser 421 source which supplies a 0:13 patch in the post "Playin' in the Band" jam, as well as a 0:09 patch in "Space" - Pitch corrected Mastered by Scott Clugston October 2021
Taper: Mark Severson
2:39:40
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-28.144778.fob.akg.d1000e.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid103117 Sennheiser 421 source which supplies a 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:39:40
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-28.144777.fob.akg.d1000e.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid103117 Sennheiser 421 source which supplies a 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Paul Scotton and Joani Walker
2:39:07
Rating:
9.00 / 4 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1979-12-28.senn421.walker-scotton.miller.pitch-corrected.103117.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> Adobe Audition v1.5 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- This is a re-master of shnid=89273 -- Recorded By Joani Walker -- Thanks to Paul Scotton and Joani Walker for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Joani Walker
2:41:47
Rating:
9.00 / 5 ratings
Taper:
Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1979-12-28.senn421.walker-scotton.miller.89273.sbeok.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 700 -> Cassette Master -> Dat -> CD supplies: Playing In The Band (16:24 - 16:36) Notes: -- Set 2 is seamless -- Recorded By Joani Walker -- Thanks to Paul Scotton and Joani Walker for the tapes
Taper: Mason B. Taylor
2:38:56
Taper:
Mason B. Taylor
SHNID:
gd1979-12-28.128624.naks.mason.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"
Taper: Steve Rolfe
2:37:10
Rating:
9.33 / 7 ratings
Taper:
Steve Rolfe
SHNID:
gd79-12-28.rolfe.vernon.16117.sbeok.shnf
Source:
Audience Recording
Lineage:
nak 700's > d5 > DAT > cdr
Taper Notes:
View Notesnak 700's > d5 > DAT > cdr taped by Steve Rolfe via Dave Minor encoded by Matt Vernon