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Bands
Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h63986
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.7k223
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.2k387
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.2k292
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k458
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.2k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k304
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k138
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k199
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h72180
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k174
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3.1k372
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k160
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k143
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k176
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.4k497
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k231
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.9k251
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h20k2.8k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.5k942
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h43846
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h6.6k882
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.4k819
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.3k293
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k190
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.9k206
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.6k258
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h898120
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13117
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h28316
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h412
7d1076
30d59434
2 shows
2 tapes
1979
Sources
Transferrer: Charlie Miller
46:19
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1979-12-27.set1.sbd.miller.81601.sbeok.flac16
Source:
SBD -> Cassette Master -> Dat -> CD
Lineage:
CD -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View Notes-- Thanks to Paul Scotton for the disc
Taper: Matt Smith for the 1st generation reel source
2:26:24
Taper:
Matt Smith for the 1st generation reel source
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1979-12-27.167336.nak700.smith.miller.clugston.flac2496
Source:
Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506)
Lineage:
1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the 1st generation reel source, as well as the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the AKG d1000e source which supplies some crowd and beginning of "Samson & Delilah" (1:02 total) - 1st generation reels dubbed directly after the show - Pitch corrected Mastered by Scott Clugston March 2024
Taper: Matt Smith for the 1st generation reel source
2:26:24
Rating:
4.00 / 2 ratings
Taper:
Matt Smith for the 1st generation reel source
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1979-12-27.167335.nak700.smith.miller.clugston.flac1648
Source:
Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506)
Lineage:
1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the 1st generation reel source, as well as the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the AKG d1000e source which supplies some crowd and beginning of "Samson & Delilah" (1:02 total) - 1st generation reels dubbed directly after the show - Pitch corrected Mastered by Scott Clugston March 2024
Taper: Scott Wiseman
2:17:24
Taper:
Scott Wiseman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-27.154876.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:19 patch in "Peggy O", first 0:08 of "Deal", a 0:46 patch in the post Saint Of Circumstance "Jam", as well as a 0:46 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2021
Taper: Scott Wiseman
2:17:24
Taper:
Scott Wiseman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-27.154875.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:19 patch in "Peggy O", first 0:08 of "Deal", a 0:46 patch in the post Saint Of Circumstance "Jam", as well as a 0:46 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2021
Taper: Mark Severson
2:24:15
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-27.144776.fob.akg.d1000e.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid89199 Sony ECM-250 source which supplies the final 0:49 of "El Paso", as well as a 0:12 patch in "Drums" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:24:15
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-27.144775.fob.akg.d1000e.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid89199 Sony ECM-250 source which supplies the final 0:49 of "El Paso", as well as a 0:12 patch in "Drums" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston January 2019
Taper: Joani Walker
2:25:09
Rating:
9.33 / 4 ratings
Taper:
Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1979-12-27.senn421.walker-scotton.miller.89199.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 700 -> Cassette Master -> Dat -> CD (shnid=15081) supplies: Jam (5:32 - 5:46) Notes: -- Disc change is seamless -- Recorded By Joani Walker -- Thanks to Joani Walker and Paul Scotton for the tapes
Taper: Mason B. Taylor
2:18:19
Taper:
Mason B. Taylor
SHNID:
gd1979-12-27.128618.naks.mason.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"
Taper: Ira Frisch
2:25:28
Taper:
Ira Frisch
Transferrer:
David Minches
SHNID:
gd1979-12-27.senn421.frisch.minches.83944.sbeok.flac16
Source:
2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 > MAC
Lineage:
MAC > Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC
Taper: Steve Rolfe
2:25:43
Rating:
7.71 / 9 ratings
Taper:
Steve Rolfe
SHNID:
gd79-12-27.rolfe.vernon.15081.sbeok.shnf
Source:
Audience Recording
Lineage:
nak 700's > d5 > DAT > cdr
Taper Notes:
View Notesnak 700's > d5 > DAT > cdr taped by Steve Rolfe via Dave Minor, encoding Matt Vernon
Transferrer: Scott Clugston
4:38:47
Rating:
10.00 / 1 rating
Transferrer:
Scott Clugston
SHNID:
gd1979-12-27.aud.clugston.5593.shnf
Source:
Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > DBX encoded Reel to Reel > DBX decoded > Panasonic SV3700 DAT > CDR