Bands
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Bands
Grateful Dead
Today In History
June 12th
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1979
Sources
Transferrer: Charlie Miller
46:19
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1979-12-27.set1.sbd.miller.81601.sbeok.flac16
Source:
SBD -> Cassette Master -> Dat -> CD
Lineage:
CD -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View Notes-- Thanks to Paul Scotton for the disc
Taper: Matt Smith for the 1st generation reel source
2:26:24
Taper:
Matt Smith for the 1st generation reel source
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1979-12-27.167336.nak700.smith.miller.clugston.flac2496
Source:
Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506)
Lineage:
1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the 1st generation reel source, as well as the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the AKG d1000e source which supplies some crowd and beginning of "Samson & Delilah" (1:02 total) - 1st generation reels dubbed directly after the show - Pitch corrected Mastered by Scott Clugston March 2024
Taper: Matt Smith for the 1st generation reel source
2:26:24
Rating:
4.00 / 2 ratings
Taper:
Matt Smith for the 1st generation reel source
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1979-12-27.167335.nak700.smith.miller.clugston.flac1648
Source:
Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506)
Lineage:
1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the 1st generation reel source, as well as the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the AKG d1000e source which supplies some crowd and beginning of "Samson & Delilah" (1:02 total) - 1st generation reels dubbed directly after the show - Pitch corrected Mastered by Scott Clugston March 2024
Taper: Scott Wiseman
2:17:24
Taper:
Scott Wiseman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-27.154876.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:19 patch in "Peggy O", first 0:08 of "Deal", a 0:46 patch in the post Saint Of Circumstance "Jam", as well as a 0:46 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2021
Taper: Scott Wiseman
2:17:24
Taper:
Scott Wiseman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-27.154875.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:19 patch in "Peggy O", first 0:08 of "Deal", a 0:46 patch in the post Saint Of Circumstance "Jam", as well as a 0:46 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2021
Taper: Mark Severson
2:24:15
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-27.144776.fob.akg.d1000e.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid89199 Sony ECM-250 source which supplies the final 0:49 of "El Paso", as well as a 0:12 patch in "Drums" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:24:15
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-27.144775.fob.akg.d1000e.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid89199 Sony ECM-250 source which supplies the final 0:49 of "El Paso", as well as a 0:12 patch in "Drums" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston January 2019
Taper: Joani Walker
2:25:09
Rating:
9.33 / 4 ratings
Taper:
Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1979-12-27.senn421.walker-scotton.miller.89199.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 700 -> Cassette Master -> Dat -> CD (shnid=15081) supplies: Jam (5:32 - 5:46) Notes: -- Disc change is seamless -- Recorded By Joani Walker -- Thanks to Joani Walker and Paul Scotton for the tapes
Taper: Mason B. Taylor
2:18:19
Taper:
Mason B. Taylor
SHNID:
gd1979-12-27.128618.naks.mason.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"
Taper: Ira Frisch
2:25:28
Taper:
Ira Frisch
Transferrer:
David Minches
SHNID:
gd1979-12-27.senn421.frisch.minches.83944.sbeok.flac16
Source:
2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 > MAC
Lineage:
MAC > Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC
Taper: Steve Rolfe
2:25:43
Rating:
7.71 / 9 ratings
Taper:
Steve Rolfe
SHNID:
gd79-12-27.rolfe.vernon.15081.sbeok.shnf
Source:
Audience Recording
Lineage:
nak 700's > d5 > DAT > cdr
Taper Notes:
View Notesnak 700's > d5 > DAT > cdr taped by Steve Rolfe via Dave Minor, encoding Matt Vernon
Transferrer: Scott Clugston
4:38:47
Rating:
10.00 / 1 rating
Transferrer:
Scott Clugston
SHNID:
gd1979-12-27.aud.clugston.5593.shnf
Source:
Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > DBX encoded Reel to Reel > DBX decoded > Panasonic SV3700 DAT > CDR