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June 8th
Years
1995
30k
PlaybackListensHours
48h766105
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h70598
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.7k496
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k365
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.4k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.7k351
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k377
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k153
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k248
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h929103
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k213
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k144
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k203
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k216
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k300
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.3k674
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k181
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k283
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.5k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.7k506
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h82483
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.4k564
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.5k589
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.4k413
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2k223
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.2k939
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k360
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h37646
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10815
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23518
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h412
7d1026
30d57334
2 shows
2 tapes
1979
12/26/79
Tuning
0:42
Cold Rain and Snow
7:36
C C Rider
6:48
Dire Wolf
4:40
Me and My Uncle >
3:00
Big River
6:40
Brown Eyed Women
5:32
New Minglewood Blues
7:10
Friend Of The Devil
9:48
Looks Like Rain
9:12
Alabama Getaway >
7:00
The Promised Land
4:22
Tuning
1:59
Uncle John's Band >
10:10
Estimated Prophet >
15:05
Caution Jam >
5:17
He's Gone >
10:22
The Other One >
8:32
Drums >
10:20
Space >
6:03
Not Fade Away >
11:55
Brokedown Palace >
4:54
Around and Around >
3:59
Johnny B. Goode
6:04
Shakedown Street >
13:52
Uncle John's Band
2:52
Wharf Rat
0:07
Brokedown Palace
4:18
Black Throated Wind
7:06
New Minglewood Blues
3:34
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] June 23, 2020
1:48:34
SBD
Rating:
8.00 / 2 ratings
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 23, 2020
SHNID:
gd1979-12-26.150235.s2.sbd.miller.flac1648
Source:
SBD > Master Reel > DAT (48k)
Lineage:
DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC
Taper Notes:
View NotesNotes: -- Reel flips covered by a cassette master > dat
Transferrer: Jamie Waddell
2:53:29
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Jamie Waddell
SHNID:
gd1979-12-26.sbd.evans.gems.81323.sbeok.flac16
Source:
DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0
Taper: Mark Severson
3:04:24
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-26.144774.fob.sony.ecm270.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid89187 Sony ECM-250 source which supplies an 0:11 patch in "The Other One", as well as a 0:15 patch in "Uncle John's Band Reprise" - Technical issues for most of "Cold Rain & Snow" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston January 2019
Taper: Mark Severson
3:04:24
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-26.144773.fob.sony.ecm270.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid89187 Sony ECM-250 source which supplies an 0:11 patch in "The Other One", as well as a 0:15 patch in "Uncle John's Band Reprise" - Technical issues for most of "Cold Rain & Snow" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston January 2019
Taper: Joani Walker
3:18:59
Rating:
9.38 / 19 ratings
Taper:
Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1979-12-26.sonyECM250.walker-scotton.miller.89187.sbeok.flac16
Source:
Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16
Taper Notes:
View NotesPatch Info: SBD -> Master Reel -> Dat -> CD supplies: He's Gone (10:08 - 10:20) Nakamichi 700 -> Cassette Master -> Dat -> CD (shnid=16092) supplies: Space (1:08 - 1:23) Sony Mics -> Cassette Master -> ? -> CD -> Samplitude supplies: Complete Soundcheck Notes: -- Set 2 is seamless -- Recorded By Joani Walker -- Soundcheck recorded by David Gans -- Thanks to Joani Walker and Paul Scotton for the tapes
Source 6 of 9
1:50:47
Rating:
10.00 / 1 rating
SHNID:
gd1979-12-26.154873.s2.mtx.seamons.ht138.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro
Lineage:
FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging
Taper Notes:
View NotesNotes: The soundboard source was pitch corrected. Joani Walker's tape (#89187) starts the matrix and patches the AUD for the first notes of Uncle John's Band, a brief cut in He's Gone, a cut at the He's Gone > Other One transition (mostly patched), a cut at the end of Not Fade Away, and a cut at the end of Brokedown Palace. These gaps were all around 5 seconds or less. Mason's recording was preferred for the matrix because it was more immersive sounding and blended nicer with the soundboard, despite it being a first generation "safety tape." A brief clicking noise was reduced during Drums. Both SBD and Mason's AUD sources only had the second set.
Taper: Mason B. Taylor
1:50:41
Rating:
8.00 / 2 ratings
Taper:
Mason B. Taylor
SHNID:
gd1979-12-26.128505.naks.mason.set2.flac16
Source:
Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; first generation "safety tape" transferred on a Nakamichi CR-7A
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"
Source 8 of 9
9:21
Rating:
4.67 / 3 ratings
SHNID:
gd79-12-26.aud.soundcheck.miller.17418.sbeok.shnf
Source:
Audience Recording
Lineage:
AUD> Cm> ?> Cass> MiniDisc> Samplitude> SHN
Taper Notes:
View NotesAUD>Cm>?>Cass>MiniDisc>Samplitude>SHN Soundcheck via Charlie Miller
Taper: Steve Rolfe
3:21:03
Rating:
6.00 / 4 ratings
Taper:
Steve Rolfe
SHNID:
gd79-12-26.rolfe.vernon.16092.sbeok.shnf
Source:
Audience Recording
Lineage:
Nak 700's > d5 > DAT > cdr
Taper Notes:
View NotesNak 700's > d5 > DAT > cdr taped by Steve Rolfe via Dave Minor encoded by Matt Vernon with Soundcheck.