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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h53271
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k194
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.9k384
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k280
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.4k550
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k947
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.9k351
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k130
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.5k283
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h949107
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k209
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k505
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k173
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k152
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k292
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k258
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k257
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.4k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h18.4k2.4k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h21323
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k487
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k241
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k179
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k164
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h56572
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h46830
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h554
7d895
30d58534
2 shows
2 tapes
1979
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] June 23, 2020
1:48:34
SBD
Rating:
8.00 / 2 ratings
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 23, 2020
SHNID:
gd1979-12-26.150235.s2.sbd.miller.flac1648
Source:
SBD > Master Reel > DAT (48k)
Lineage:
DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC
Taper Notes:
View NotesNotes: -- Reel flips covered by a cassette master > dat
Transferrer: Jamie Waddell
2:53:29
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Jamie Waddell
SHNID:
gd1979-12-26.sbd.evans.gems.81323.sbeok.flac16
Source:
DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0
Taper: Mark Severson
3:04:24
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-26.144774.fob.sony.ecm270.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid89187 Sony ECM-250 source which supplies an 0:11 patch in "The Other One", as well as a 0:15 patch in "Uncle John's Band Reprise" - Technical issues for most of "Cold Rain & Snow" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston January 2019
Taper: Mark Severson
3:04:24
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-26.144773.fob.sony.ecm270.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid89187 Sony ECM-250 source which supplies an 0:11 patch in "The Other One", as well as a 0:15 patch in "Uncle John's Band Reprise" - Technical issues for most of "Cold Rain & Snow" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston January 2019
Taper: Joani Walker
3:18:59
Rating:
9.38 / 19 ratings
Taper:
Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1979-12-26.sonyECM250.walker-scotton.miller.89187.sbeok.flac16
Source:
Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16
Taper Notes:
View NotesPatch Info: SBD -> Master Reel -> Dat -> CD supplies: He's Gone (10:08 - 10:20) Nakamichi 700 -> Cassette Master -> Dat -> CD (shnid=16092) supplies: Space (1:08 - 1:23) Sony Mics -> Cassette Master -> ? -> CD -> Samplitude supplies: Complete Soundcheck Notes: -- Set 2 is seamless -- Recorded By Joani Walker -- Soundcheck recorded by David Gans -- Thanks to Joani Walker and Paul Scotton for the tapes
Source 6 of 9
1:50:47
Rating:
10.00 / 1 rating
SHNID:
gd1979-12-26.154873.s2.mtx.seamons.ht138.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro
Lineage:
FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging
Taper Notes:
View NotesNotes: The soundboard source was pitch corrected. Joani Walker's tape (#89187) starts the matrix and patches the AUD for the first notes of Uncle John's Band, a brief cut in He's Gone, a cut at the He's Gone > Other One transition (mostly patched), a cut at the end of Not Fade Away, and a cut at the end of Brokedown Palace. These gaps were all around 5 seconds or less. Mason's recording was preferred for the matrix because it was more immersive sounding and blended nicer with the soundboard, despite it being a first generation "safety tape." A brief clicking noise was reduced during Drums. Both SBD and Mason's AUD sources only had the second set.
Taper: Mason B. Taylor
1:50:41
Rating:
8.00 / 2 ratings
Taper:
Mason B. Taylor
SHNID:
gd1979-12-26.128505.naks.mason.set2.flac16
Source:
Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; first generation "safety tape" transferred on a Nakamichi CR-7A
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"
Source 8 of 9
9:21
Rating:
4.67 / 3 ratings
SHNID:
gd79-12-26.aud.soundcheck.miller.17418.sbeok.shnf
Source:
Audience Recording
Lineage:
AUD> Cm> ?> Cass> MiniDisc> Samplitude> SHN
Taper Notes:
View NotesAUD>Cm>?>Cass>MiniDisc>Samplitude>SHN Soundcheck via Charlie Miller
Taper: Steve Rolfe
3:21:03
Rating:
6.00 / 4 ratings
Taper:
Steve Rolfe
SHNID:
gd79-12-26.rolfe.vernon.16092.sbeok.shnf
Source:
Audience Recording
Lineage:
Nak 700's > d5 > DAT > cdr
Taper Notes:
View NotesNak 700's > d5 > DAT > cdr taped by Steve Rolfe via Dave Minor encoded by Matt Vernon with Soundcheck.