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Today In History
June 13th
Years
1995
29.8k
PlaybackListensHours
48h49065
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.6k256
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.3k579
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.2k546
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.9k381
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h3k370
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k172
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.7k925
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k126
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.8k207
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.6k640
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.5k188
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.6k193
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.8k230
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h9.8k1.2k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k245
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2.1k278
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.6k1.3k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h15.2k2k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h39341
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h4k509
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k714
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h3k376
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.8k207
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k205
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h51664
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14621
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30423
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h322
7d956
30d61936
2 shows
2 tapes
1979
12/1/79
Jack Straw
5:28
Sugaree
17:13
Me & My Uncle
2:52
Big River
6:55
Loser
8:47
Minglewood Blues
7:35
Althea
12:09
The Music Never Stopped
9:01
China Cat Sunflower
6:01
I Know You Rider
8:15
Looks like Rain
7:55
He's Gone > Gloria Jam
23:19
CC Rider
12:01
Drums
3:34
Drums
7:12
Not Fade Away
9:10
Black Peter
11:39
Sugar Magnolia
10:29
E: One More Saturday Night
5:01
FIN
View on archive.org
Sources
Transferrer: Recording, Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller [email protected] November 30, 2020
3:00:11
SBD
Transferrer:
Recording, Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller [email protected] November 30, 2020
SHNID:
gd1979-12-01.151468.s1.aud.s2.sbd.cm.miller.t.flac16
Lineage:
Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k). Additional Mastering: WAV > Adobe Auditon 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for sharing his recording -- Rob patched out of Andre Martineau's deck (reel-to-reel) -- Thanks to Bob Wagner and Scott Clugston for the patch source -- Thanks to Joe B. Jones for the pitch correction settings -- 150983 24 -> 16 @ 44.1
Taper: Rob Eaton
3:00:11
SBD
Taper:
Rob Eaton
Transferrer:
Recording, Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller [email protected] November 30, 2020
SHNID:
gd1979-12-01.150983.aud-sbd.eaton-miller.flac1644
Lineage:
Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k)
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for sharing his recording -- Rob patched out of Andre Martineau's deck (reel-to-reel) -- Thanks to Bob Wagner and Scott Clugston for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
2:56:28
SBD
Rating:
9.52 / 22 ratings
Transferrer:
Charlie Miller
SHNID:
gd1979-12-01.sbd.miller.96408.sbeok.flac16
Source:
SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k)
Lineage:
Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller
Transferrer: Charlie Miller
2:57:26
SBD
Rating:
8.83 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd79-12-01.sbd.miller.29429.sbeok.flacf
Source:
Soundboard
Lineage:
SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k)
Taper Notes:
View Notes<b>flac16</b>; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller
Source 5 of 14
2:54:36
SBD
Rating:
9.00 / 15 ratings
SHNID:
gd79-12-01.sbd.barbella.6022.sbeok.shnf
Source:
Soundboard
Lineage:
set 1: SBD> Rm> Cass> Dat> CD> EAC> SHN, Set 2: SBD> Rm> Dat> CD> EAC> SHN
Taper Notes:
View Notes* missing Easy To Love You. Looks Like Rain-open splice for about 10 seconds These are the shns for Skip Jenkin's vine (launched Oct. '01) EAC and SHN transfer by Steve Barbella EAC v.9 secure test and copy extraction-no errors reported SHN via MKW v.97 (seekable) Skip's Notes: I've always been frustrated that certain shows don't circulate in their entirety. At the top of the list was 12/1/79 until yesterday when, through the generosity of Charlie Miller, I received a very nice copy of the complete show including the elusive first set. It was always my understanding that a soundboard of the first set did not exist but . . . here it is.
Source 6 of 14
1:46:10
SBD
Rating:
9.17 / 24 ratings
SHNID:
gd79-12-01.sbd.set2.clugston.319.sbefail.shnf
Source:
Soundboard
Lineage:
MSR > Cassette > DAT > CDR
Taper Notes:
View Notesset 2; MSR > Cassette > DAT > CDR; via S. Clugston, L. Revell; note reportedly no 10s dropout in LLR
Taper: Bob Wagner
3:05:59
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-01.148532.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB)Audience Cassettes ; Nakamichi 700 mics (mounted on railing in front of the soundboard)> Sony TC-158 (see notes)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Bob was the 2nd deck in line for the 1st Set, patched out of a Technics RS-1506. Bob's TC-158 was the lead deck for the 2nd Set - Thanks to Jake Feinberg and Andrew F for the shnid31330 (FOB) audience source which supplies a patch from the 0:06 mark of "China Cat Sunflower" thru the beginning of "I Know You Rider" (7:27 total), as well as a 0:16 patch in "Drums" - There were technical issues (bad connection?)in the left channel during virtually all of "China Cat Sunflower" and the beginning of "I Know You Rider", necessitating the patch. Patch source was pitch corrected and massaged slightly to better match Bob's source - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Bob Wagner
3:05:59
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-01.148531.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB)Audience Cassettes ; Nakamichi 700 mics (mounted on railing in front of the soundboard)> Sony TC-158 (see notes)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Bob was the 2nd deck in line for the 1st Set, patched out of a Technics RS-1506. Bob's TC-158 was the lead deck for the 2nd Set - Thanks to Jake Feinberg and Andrew F for the shnid31330 (FOB) audience source which supplies a patch from the 0:06 mark of "China Cat Sunflower" thru the beginning of "I Know You Rider" (7:27 total), as well as a 0:16 patch in "Drums" - There were technical issues (bad connection?)in the left channel during virtually all of "China Cat Sunflower" and the beginning of "I Know You Rider", necessitating the patch. Patch source was pitch corrected and massaged slightly to better match Bob's source - Pitch corrected Mastered by Scott Clugston December 2019
Source 9 of 14
3:03:24
Rating:
10.00 / 2 ratings
SHNID:
gd1979-12-01.161627.mtx.seamons.ht156.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 31, 2022
Taper Notes:
View NotesNotes: A nice, robust sounding '79 SBD tape with some hiss. Some light trimming of the AUD between songs in the first set. Hard cuts were cross faded. Reduced a momentary increase in levels in the left channel of the AUD during Loser. Briefly faded out the left channel of the AUD during Althea to remove a moment of heavy static. Not really noticeable in the matrix. Numerous subtle clicks and pops were removed throughout the show in both sources, more often in the left channel of the AUD. A much more painstaking cleanup process than usual. Very light EQ for the soundboard source. Used additional EQ to remove momentary heavy hiss in the AUD source near the beginning of China Cat Sunflower, and then after the #31330 AUD patch for I Know You Rider. Wagner's recording had some initial issues here in set 2. 24-second SBD cut in Looks Like Rain, 7-second cut in Drums, and 8-second cut before Sunshine Daydream now patched. The SBD sound seems to improve after the Looks Like Rain cut onward, just in time for the big jams - a little more dynamic and clarity.
Taper: Unknown
2:55:55
Rating:
10.00 / 1 rating
Transferrer:
Bob Morris
Source:
Low-gen Audience Cassette (Maxell UDXLII-C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 > CD Wave Editor > Trader's Little Helper > Flac16 Transfer, edit, pitch correction by Bob Morris, May 2012
Taper: Joel Barnehama
3:10:21
Rating:
7.00 / 2 ratings
Taper:
Joel Barnehama
Transferrer:
David Minches
SHNID:
gd1979-12-01.senn-barnehama.minches.82489.flac16
Source:
2 Sennheiser 421s> Nakamichi 550
Lineage:
Master played back on Nak Dragon> Digital Audio Labs Card Deluxe (24/96)>Adobe Audition> (dither/downsample)> FLAC encoding
Taper: See info files for details
3:35:03
Taper:
See info files for details
Transferrer:
Dan Haugh
SHNID:
gd1979-12-01.dts.haugh.34294.flac
Source:
Soundboard and Audience Matrix (see info file)
Lineage:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View NotesGeneral Notes: When the AUD source surfaced on bt.etree, I contacted Am-Dig to see about putting the coloborative effort into editing a matrix of this incredible show in Pittsburgh, PA. So a 5.1 and matrix will be available. The FOB AUD is an excellent recording for '79 and the SBD is balanced with everyone in the mix. There is some slight phase mostly noticeable in the first set, and it would appear the SBD source is slightly different for the second set. Pitch-wise it appears the first set is a little slow whereas the second set SBD is in pitch. The AUD is definately picking up the main PA (as opposed to a "mouth" recording which is up close and catching the stage/monitor mix) so the result is added ambience to an otherwise sterile SBD. Luckily Charlie Miller's redux of the SBD source recently helped alot since there is much less hiss in this new SBD source. This show is simply jammin', featuring the first and only Gloria Jam (10-16-81 first time with vocals) and the breakout of C.C. Rider. I also have never heard any other version of Looks Like Rain with a "stormy" intro. The first set is tight and energetic, a sign of things to come in a highly creative second set. Since disc 3 was going to be short, I decided to make an excerpt matrix of a show 10 days later that features a start from nothing Saint O. The groovy Saint intro is very unique and well worth multiple listens. 12-1-79 Reviews from archive.org: - "This is one of the classic shows from the 70's and just an incredible jam all the way through. This one is a must for any collector." - "I can only wonder how stoked the boys were to have Brent as the new guy... Gloria Jam smokes and that next "jam" is a completely different work of art." - "This show stands out in the early Brent era as one of the best. He's Gone>Gloria>CC Rider jam is about as exploratory as the band ever got in the post '76 era. In fact, it is eerily ?reminiscent of the kinds of things the band was doing in '73-74. The China>Rider, Rain to open the second set are dead on versions too." 12-11-79 Reviews from archive.org: - "That complete stop between Sailor > Saint and the sweet Saint beginning is one of the coolest moments I have ever heard from The Guyz. It is definitely a five star attraction. I played it over and over and over the other night because it was sooo unusual." - "Just for the pause (complete stop) between Lost Sailor and the EXTREMELY juicy sweet beginning of St. of Circumstance - It is a must! I love this era of The Grateful Dead. Thick, mellow, alive and jazzy."
Taper: See info files for details
3:41:10
Rating:
8.50 / 4 ratings
Taper:
See info files for details
Transferrer:
Chris Chappell
SHNID:
gd1979-12-01.sick-bits-15.matrix.chappell.31946.flac16
Source:
Soundboard and Audience Matrix (see info file)
Lineage:
See info file for details
Taper: Unknown, perhpas Scott Jones
3:07:15
Rating:
7.60 / 5 ratings
Transferrer:
Andrew F
Lineage:
CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend
Taper Notes:
View NotesI'm not certain, but this is likely the AUD tape made by Scott Jones, with Shure mics into a Sony TC-158 cassette deck (he taped both nights). It clearly sounds like it was made within the first fifteen rows or so, and is an excellent recording for this period. Over the years, we've all heard the excellent sbd tapes of this great show. Now here it is from the audience perspective, which is thrilling to hear. Enjoy this tremendous tape! With a big tip of the cap to Jake Feinberg for sharing these discs. :)