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Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57378
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h1.9k244
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k303
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k201
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.1k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.4k298
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k128
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h1.9k220
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h72282
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.6k185
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.2k608
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.1k138
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k224
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k306
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k205
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.8k242
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.2k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.1k1.5k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.1k552
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10k1.3k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2k266
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k195
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k194
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k171
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72389
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9314
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43727
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h664
7d885
30d57633
2 shows
2 tapes
1979
12/1/79
Jack Straw ->
5:37
Sugaree
17:07
Me And My Uncle ->
2:54
Big River
6:50
Loser
9:03
Easy To Love You
3:48
New Minglewood Blues
7:31
Althea
12:00
The Music Never Stopped
8:55
China Cat Sunflower ->
6:07
I Know You Rider
7:38
Looks Like Rain
8:43
He's Gone ->
15:59
Gloria Jam ->
7:20
C C Rider ->
7:08
Jam ->
4:46
Drums ->
11:20
Not Fade Away ->
9:07
Black Peter ->
11:19
Sugar Magnolia
8:25
One More Saturday Night
4:51
FIN
View on archive.org
Sources
Transferrer: Recording, Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller [email protected] November 30, 2020
3:00:11
SBD
Transferrer:
Recording, Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller [email protected] November 30, 2020
SHNID:
gd1979-12-01.151468.s1.aud.s2.sbd.cm.miller.t.flac16
Lineage:
Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k). Additional Mastering: WAV > Adobe Auditon 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for sharing his recording -- Rob patched out of Andre Martineau's deck (reel-to-reel) -- Thanks to Bob Wagner and Scott Clugston for the patch source -- Thanks to Joe B. Jones for the pitch correction settings -- 150983 24 -> 16 @ 44.1
Taper: Rob Eaton
3:00:11
SBD
Taper:
Rob Eaton
Transferrer:
Recording, Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller [email protected] November 30, 2020
SHNID:
gd1979-12-01.150983.aud-sbd.eaton-miller.flac1644
Lineage:
Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k)
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for sharing his recording -- Rob patched out of Andre Martineau's deck (reel-to-reel) -- Thanks to Bob Wagner and Scott Clugston for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
2:56:28
SBD
Rating:
9.52 / 22 ratings
Transferrer:
Charlie Miller
SHNID:
gd1979-12-01.sbd.miller.96408.sbeok.flac16
Source:
SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k)
Lineage:
Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller
Transferrer: Charlie Miller
2:57:26
SBD
Rating:
8.83 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd79-12-01.sbd.miller.29429.sbeok.flacf
Source:
Soundboard
Lineage:
SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k)
Taper Notes:
View Notes<b>flac16</b>; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller
Source 5 of 14
2:54:36
SBD
Rating:
9.00 / 15 ratings
SHNID:
gd79-12-01.sbd.barbella.6022.sbeok.shnf
Source:
Soundboard
Lineage:
set 1: SBD> Rm> Cass> Dat> CD> EAC> SHN, Set 2: SBD> Rm> Dat> CD> EAC> SHN
Taper Notes:
View Notes* missing Easy To Love You. Looks Like Rain-open splice for about 10 seconds These are the shns for Skip Jenkin's vine (launched Oct. '01) EAC and SHN transfer by Steve Barbella EAC v.9 secure test and copy extraction-no errors reported SHN via MKW v.97 (seekable) Skip's Notes: I've always been frustrated that certain shows don't circulate in their entirety. At the top of the list was 12/1/79 until yesterday when, through the generosity of Charlie Miller, I received a very nice copy of the complete show including the elusive first set. It was always my understanding that a soundboard of the first set did not exist but . . . here it is.
Source 6 of 14
1:46:10
SBD
Rating:
9.17 / 24 ratings
SHNID:
gd79-12-01.sbd.set2.clugston.319.sbefail.shnf
Source:
Soundboard
Lineage:
MSR > Cassette > DAT > CDR
Taper Notes:
View Notesset 2; MSR > Cassette > DAT > CDR; via S. Clugston, L. Revell; note reportedly no 10s dropout in LLR
Taper: Bob Wagner
3:05:59
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-01.148532.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB)Audience Cassettes ; Nakamichi 700 mics (mounted on railing in front of the soundboard)> Sony TC-158 (see notes)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Bob was the 2nd deck in line for the 1st Set, patched out of a Technics RS-1506. Bob's TC-158 was the lead deck for the 2nd Set - Thanks to Jake Feinberg and Andrew F for the shnid31330 (FOB) audience source which supplies a patch from the 0:06 mark of "China Cat Sunflower" thru the beginning of "I Know You Rider" (7:27 total), as well as a 0:16 patch in "Drums" - There were technical issues (bad connection?)in the left channel during virtually all of "China Cat Sunflower" and the beginning of "I Know You Rider", necessitating the patch. Patch source was pitch corrected and massaged slightly to better match Bob's source - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Bob Wagner
3:05:59
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-01.148531.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB)Audience Cassettes ; Nakamichi 700 mics (mounted on railing in front of the soundboard)> Sony TC-158 (see notes)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Bob was the 2nd deck in line for the 1st Set, patched out of a Technics RS-1506. Bob's TC-158 was the lead deck for the 2nd Set - Thanks to Jake Feinberg and Andrew F for the shnid31330 (FOB) audience source which supplies a patch from the 0:06 mark of "China Cat Sunflower" thru the beginning of "I Know You Rider" (7:27 total), as well as a 0:16 patch in "Drums" - There were technical issues (bad connection?)in the left channel during virtually all of "China Cat Sunflower" and the beginning of "I Know You Rider", necessitating the patch. Patch source was pitch corrected and massaged slightly to better match Bob's source - Pitch corrected Mastered by Scott Clugston December 2019
Source 9 of 14
3:03:24
Rating:
10.00 / 2 ratings
SHNID:
gd1979-12-01.161627.mtx.seamons.ht156.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 31, 2022
Taper Notes:
View NotesNotes: A nice, robust sounding '79 SBD tape with some hiss. Some light trimming of the AUD between songs in the first set. Hard cuts were cross faded. Reduced a momentary increase in levels in the left channel of the AUD during Loser. Briefly faded out the left channel of the AUD during Althea to remove a moment of heavy static. Not really noticeable in the matrix. Numerous subtle clicks and pops were removed throughout the show in both sources, more often in the left channel of the AUD. A much more painstaking cleanup process than usual. Very light EQ for the soundboard source. Used additional EQ to remove momentary heavy hiss in the AUD source near the beginning of China Cat Sunflower, and then after the #31330 AUD patch for I Know You Rider. Wagner's recording had some initial issues here in set 2. 24-second SBD cut in Looks Like Rain, 7-second cut in Drums, and 8-second cut before Sunshine Daydream now patched. The SBD sound seems to improve after the Looks Like Rain cut onward, just in time for the big jams - a little more dynamic and clarity.
Taper: Unknown
2:55:55
Rating:
10.00 / 1 rating
Transferrer:
Bob Morris
Source:
Low-gen Audience Cassette (Maxell UDXLII-C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 > CD Wave Editor > Trader's Little Helper > Flac16 Transfer, edit, pitch correction by Bob Morris, May 2012
Taper: Joel Barnehama
3:10:21
Rating:
7.00 / 2 ratings
Taper:
Joel Barnehama
Transferrer:
David Minches
SHNID:
gd1979-12-01.senn-barnehama.minches.82489.flac16
Source:
2 Sennheiser 421s> Nakamichi 550
Lineage:
Master played back on Nak Dragon> Digital Audio Labs Card Deluxe (24/96)>Adobe Audition> (dither/downsample)> FLAC encoding
Taper: See info files for details
3:35:03
Taper:
See info files for details
Transferrer:
Dan Haugh
SHNID:
gd1979-12-01.dts.haugh.34294.flac
Source:
Soundboard and Audience Matrix (see info file)
Lineage:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View NotesGeneral Notes: When the AUD source surfaced on bt.etree, I contacted Am-Dig to see about putting the coloborative effort into editing a matrix of this incredible show in Pittsburgh, PA. So a 5.1 and matrix will be available. The FOB AUD is an excellent recording for '79 and the SBD is balanced with everyone in the mix. There is some slight phase mostly noticeable in the first set, and it would appear the SBD source is slightly different for the second set. Pitch-wise it appears the first set is a little slow whereas the second set SBD is in pitch. The AUD is definately picking up the main PA (as opposed to a "mouth" recording which is up close and catching the stage/monitor mix) so the result is added ambience to an otherwise sterile SBD. Luckily Charlie Miller's redux of the SBD source recently helped alot since there is much less hiss in this new SBD source. This show is simply jammin', featuring the first and only Gloria Jam (10-16-81 first time with vocals) and the breakout of C.C. Rider. I also have never heard any other version of Looks Like Rain with a "stormy" intro. The first set is tight and energetic, a sign of things to come in a highly creative second set. Since disc 3 was going to be short, I decided to make an excerpt matrix of a show 10 days later that features a start from nothing Saint O. The groovy Saint intro is very unique and well worth multiple listens. 12-1-79 Reviews from archive.org: - "This is one of the classic shows from the 70's and just an incredible jam all the way through. This one is a must for any collector." - "I can only wonder how stoked the boys were to have Brent as the new guy... Gloria Jam smokes and that next "jam" is a completely different work of art." - "This show stands out in the early Brent era as one of the best. He's Gone>Gloria>CC Rider jam is about as exploratory as the band ever got in the post '76 era. In fact, it is eerily ?reminiscent of the kinds of things the band was doing in '73-74. The China>Rider, Rain to open the second set are dead on versions too." 12-11-79 Reviews from archive.org: - "That complete stop between Sailor > Saint and the sweet Saint beginning is one of the coolest moments I have ever heard from The Guyz. It is definitely a five star attraction. I played it over and over and over the other night because it was sooo unusual." - "Just for the pause (complete stop) between Lost Sailor and the EXTREMELY juicy sweet beginning of St. of Circumstance - It is a must! I love this era of The Grateful Dead. Thick, mellow, alive and jazzy."
Taper: See info files for details
3:41:10
Rating:
8.50 / 4 ratings
Taper:
See info files for details
Transferrer:
Chris Chappell
SHNID:
gd1979-12-01.sick-bits-15.matrix.chappell.31946.flac16
Source:
Soundboard and Audience Matrix (see info file)
Lineage:
See info file for details
Taper: Unknown, perhpas Scott Jones
3:07:15
Rating:
7.60 / 5 ratings
Transferrer:
Andrew F
Lineage:
CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend
Taper Notes:
View NotesI'm not certain, but this is likely the AUD tape made by Scott Jones, with Shure mics into a Sony TC-158 cassette deck (he taped both nights). It clearly sounds like it was made within the first fifteen rows or so, and is an excellent recording for this period. Over the years, we've all heard the excellent sbd tapes of this great show. Now here it is from the audience perspective, which is thrilling to hear. Enjoy this tremendous tape! With a big tip of the cap to Jake Feinberg for sharing these discs. :)