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Today In History
June 10th
Years
1995
29.8k
PlaybackListensHours
48h57378
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h1.9k244
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k303
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k201
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.1k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.4k298
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k128
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h1.9k220
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h72282
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.6k185
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.2k608
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.1k138
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k224
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k306
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k205
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.8k242
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.2k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.1k1.5k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.1k552
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10k1.3k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2k266
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k195
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k194
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k171
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72389
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9314
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43727
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h664
7d885
30d57633
2 shows
2 tapes
1979
10/31/79
Crowd / Tuning
1:08
China Cat Sunflower >
7:37
I Know You Rider
7:05
Crowd / Tuning
3:27
Cassidy
4:47
Crowd / Tuning
2:26
Crowd / Take A Step Back / Weir's Quiz #1
5:37
Me and My Uncle >
3:06
Big River
5:46
Crowd / Tuning / Take A Step Back
4:55
Althea
8:08
Crowd / Tuning
1:27
Lost Sailor >
6:24
Saint Of Circumstance
5:45
Crowd / Tuning / Weir's Quiz #2
3:29
Shakedown Street
17:23
Crowd / Tuning
1:55
Passenger
5:11
Crowd / Tuning
1:41
Ramble On Rose
7:52
Crowd / Tuning
2:18
Estimated Prophet >
14:33
Eyes Of The World >
15:53
Space >
3:15
Drums > #
7:58
Space >
6:40
Wharf Rat >
10:04
Truckin' >
10:42
Crowd / Tuning
1:57
Johnny B. Goode
4:48
FIN
View on archive.org
Sources
Transferrer: All sources digitized by Rob Eaton Digital Transfers and Mastering by Charlie Miller [email protected] December 9, 2025
2:55:22
SBDREMASTER
Rating:
10.00 / 1 rating
Transferrer:
All sources digitized by Rob Eaton Digital Transfers and Mastering by Charlie Miller [email protected] December 9, 2025
SHNID:
gd1979-10-31.175516.sbd.remaster.eaton.miller.flac1644
Source:
Set 1: SBD > Cassette Master > Reel > DAT > CD Set 2: SBD > Cassette Master > DAT
Lineage:
Transfer Info: Set 1: CD > EAC > Samplitude Pro v8.0 > FLAC Set 2: DAT (Sony TC-D8) > M-Audio Dio2448 > Samplitude Pro v8.0 > FLAC Remastering Info: FLAC > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- This is a remaster of shnid=29410 -- All sources used were provided by Rob Eaton -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
2:55:11
SBD
Rating:
8.73 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd79-10-31.sbd.miller.29410.sbeok.flacf
Source:
Soundboard
Lineage:
Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD; Set 2: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k)
Taper Notes:
View Notes<b>flac16</b>; Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD Set 2: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller
Taper: See info file
3:09:52
SBD
Rating:
9.33 / 9 ratings
Taper:
See info file
Transferrer:
drgoodseeds
SHNID:
gd1979-10-31.mtx.groves.91040.sbeok.flac16
Source:
SBD and Audience Matrix Mix
Lineage:
See info file
Taper Notes:
View NotesSource Info: SBD: Set One: SBD -> Cassette Master -> Cassette -> Dat -> CD. This is not Charlie's source. I thought my source sounded a bit brighter so I used it. Set Two: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Seeded by Mr. Charlie Miller. shnid #29410 Audience: Nakamichi CM700's > Sony TCD5 > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV. Taped by Barry Glassberg, transfered by A. Egert and mastered by SIRMick. shnid # 86239 Tech Notes: I won't bore you with a bucnh of of useless info about what I did. My thoughts on a good Matrix is they are like hybrid vigour. When you mix two animals of high quality but very different characteristics, the resulting offspring is typically stronger than the parents. I hope I achieved this result. Any questions or comments feel free to email me at [email protected] Enjoy and peace. Jim
Transferrer: Jay Ashley
2:56:55
SBDREMASTER
Rating:
8.86 / 7 ratings
Transferrer:
Jay Ashley
SHNID:
gd1979-10-31.sbd-bertha.ashley.17360.shnf
Source:
Bertha Remaster of a combination of soundboard and audience sources see info file
Lineage:
See info file
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on April 3, 2003. The first sounds like it was from a different source than the second set. The channels were reversed on the first set, as well. The channels were corrected prior to processing. Because of the difference in sound quality between the first and second sets, they were processed separately. The objective, as well as improving the sonic quality, was to match the sound from set to set, as close as possible. The last 20 minutes of the show is patched from a Soundboard/Audience source and was also processed separately. The patches on d1t01 and d3t03 were done by others prior to receiving the show. From Charlie's original text file: MSC>Reel>DAT>CD-R (*)MSC>Cass.>DAT>CD-R (+)MAC w/ Nak 700's>Sony TC-158>DAT>CD-R Original source supplied by: [email protected]
Source 5 of 11
2:48:28
SBD
Rating:
8.13 / 15 ratings
SHNID:
gd79-10-31.sbd-aud.shephard.9372.sbefail.shnf
Source:
Soundboard and Audience composite
Lineage:
Set 1:SBD> MR> C> DAT> CD; Set 2 SBD> MR> Dick Latvala's Cass> DAT> CD and AUDMC (Nak 700's> Sony TC158)> DAT> CD
Taper Notes:
View NotesD1 (set 1) SBD> MR> C> DAT> CD; D2 (set 2a) SBD> MR> Dick Latvala's Cass> DAT> CD; D3 (set 2b) AUDMC (Nak 700's> Sony TC158)> DAT> CD; Seeded to etree by Dave Shepard, w/ thanks to Chuck Reynolds; also to abgd
Transferrer: Alasdair MacDonald
3:04:50
SBD
Rating:
8.00 / 1 rating
Transferrer:
Alasdair MacDonald
SHNID:
gd1979-10-31.pset2.sbd.macdonald.7921.shnf
Source:
Soundboard
Lineage:
SB>MR>Dick Latvala's cass>DAT>CD>EAC>CDWAV>.shn & CD-R.
Taper Notes:
View NotesFrom 1:33 to 5:58 of Shakedown Street there is a level drop in the Right channel. I used some FFT filters in Cool Edit Pro to make a version where the volume drop is less jarring - however there is a significant increase in the hiss in the Right channel. The original file is named d2t01 (clearly this is d2 of what would be a 3CD show - whether or not discs 1 & 3 circulate) - and the amended version is named d2t01-alternate. If you have the .shns, you have a choice of which version to burn to audio CD. I also retracked the Eyes>Space>Drums sequence.
Taper: Recorded and Transferred by Rob Eaton
3:03:31
Taper:
Recorded and Transferred by Rob Eaton
Transferrer:
Additional Mastering by Charlie Miller [email protected] February 25, 2021
SHNID:
gd1979-10-31.151982.fob.nak100.cm.eaton.miller.flac16
Source:
(FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350)
Lineage:
Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k). Additional Mastering Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Barry Glassberg and the MOTB guys for the patch source -- 151882 24 > 16 @ 44.1
Taper: Recorded, Transferred by Rob Eaton
3:03:32
Taper:
Recorded, Transferred by Rob Eaton
Transferrer:
Additional Mastering by Charlie Miller [email protected] February 25, 2021
SHNID:
gd1979-10-31.151882.nak100.eaton.miller.flac2496
Source:
(FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350)
Lineage:
Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) Additional Mastering Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Barry Glassberg and the MOTB guys for the patch source
Taper: Gerry Moskal
2:50:19
Taper:
Gerry Moskal
Transferrer:
Brian Mandel
SHNID:
gd1979-10-31.sonyECM.moskal.mandel.96606.flac16
Lineage:
Master Cassette Transfer -> RR -> Cassette; Transfer/flac Conversion: Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac
Taper Notes:
View NotesAnother Taper Named Gerry Project Known flaws Levels fluctuate throughout the whole show, some audience participation in spots, d3t04 cut,d3t05 cuts in.. Notes: * Special Thanks to Gerry for Taping this and sharing his masters with me, these were transferd from Gerry's Reel's in the Mid 1980's when tape trading & collecting had a social aspect to it. If you are familiar with Hot Tuna 5-8-74 Gym S.U.N.Y. Stonybrook, NY , Gerry Taped it as well as many other great shows ..enjoy.. ** My cassette was not labled with location but Gerry taped 11/2/79 Behind Stage Right 30' 300 Section elevation , this could be from same lcoation. The Band had a set of PA's above the drumers
Taper: Barry Glassberg
3:03:17
Taper:
Barry Glassberg
Transferrer:
A. Egert and SIRMick
SHNID:
gd1979-10-31.aud.glassberg.motb.87523.sbeok.flac24
Source:
Nakamichi CM-700's > Sony TC-158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV
Taper Notes:
View NotesMastering Notes: software use: Adobe Audition, Sound Forge, Wavelab (with iZotope Ozone and BBE Sonic Maximizer) * there is a tape flip after Weir asks the question, the answer is missing from this recording. He says "... and the answer is, one leg's both the same." # tape flip in Drums has been crossfaded The volume from 0:32 of s2t15 through to the end of the show was significantly lower in the left channel. I boosted it by around 6.5 decibels. This section sounds slightly inferior to the rest of the show.
Taper: Barry Glassberg
3:10:34
Rating:
9.00 / 2 ratings
Taper:
Barry Glassberg
Transferrer:
A. Egert
SHNID:
gd1979-10-31.nakcm700-glassberg.motb39.egert-sirmick.86239.flac16
Source:
Nakamichi CM700's > Sony TCD5 > MAC 50ft. DFC Hand-Held
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV
Taper Notes:
View NotesMastering Notes: software use: - Adobe Audition, Sound Forge, Wavelab (with iZotope Ozone and BBE Sonic Maximizer) downsampled with Wavelab and dithered with iZotope Ozone (MBIT+ setting) - @ At the start of Chinacat the enthusiam of the crowd almost completely drown out the music and vocals. To bring the music up I have made a matrix from 0:29 to 1:36. The sbd source used is SBD -> Cassette Master -> Reel -> Dat -> CD (shnid 29410) - * There is a tape flip after Weir asks the question, the answer is missing from this recording. He says "... and the answer is, one leg's both the same." - # Tape flip in Drums has been crossfaded - The volume from 0:32 of d3t05 through to the end of the show was significantly lower in the left channel. - I boosted it by around 6.5 decibels. This section sounds slightly inferior to the rest of the show. Seamless join between discs 2 & 3