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Today In History
June 13th
7 shows
49 tapes
Years
1995
29.8k
PlaybackListensHours
48h50868
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.6k264
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.3k574
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.1k533
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.9k389
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h3k374
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k172
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.9k948
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k126
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.8k210
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.7k649
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.5k188
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.6k197
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.9k233
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h10k1.2k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k249
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2k278
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.7k1.4k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h14.9k2k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h40842
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h4k515
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k717
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h3k379
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.9k216
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k207
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h53767
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14220
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h32024
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h302
7d956
30d61936
2 shows
2 tapes
1979
5/13/79
Crowd/Tuning
0:35
Sugaree
15:23
"Take A Step Back"
1:47
Mama Tried >
2:31
Mexicali Blues
4:42
Jack-A-Roe
5:21
It's All Over Now
9:42
Candyman
8:02
El Paso
4:48
Row Jimmy
11:19
Jack Straw
6:46
Crowd/Tuning
1:05
Scarlet Begonias >
12:16
Fire On The Mountain
11:27
Estimated Prophet >
12:13
He's Gone >
11:09
Truckin' > Nobody's Fault Jam >
18:38
Drums >
9:22
Space >
3:35
Wharf Rat >
10:25
Around & Around
7:41
Encore Break
1:25
E: US Blues
5:45
FIN
View on archive.org
Sources
Source 1 of 7
2:55:57
SHNID:
gd1979-05-13.177842.nak700.glassberg.menke.miller.clugston.flac2496
Source 2 of 7
2:55:57
SHNID:
gd1979-05-13.177841.nak700.glassberg.menke.miller.clugston.flac1648
Taper: Richie Stankiewicz and Dave Wienman
2:49:57
Rating:
8.00 / 2 ratings
Taper:
Richie Stankiewicz and Dave Wienman
Transferrer:
Richie Stankiewicz
SHNID:
gd1979-05-13.127354.aud.stankiewicz.wienman.flac24
Source:
First Set Nakamichi 550>AKG 222e Recorded by Richie Stankiewicz; Second set Nakamichi 550>Sen 441; Recorded By Dave Wienman
Lineage:
First Set MAC>Nakamichi 1000II>Sound Device USBPre2; Second set 1st Gen>Nakamichi 1000II>Sound Devices USBPre2
Taper Notes:
View Notes24bit/96kHz file-set Various patches made with Barry Glassberg's recording
Taper: Barry Glassberg
2:47:03
Rating:
8.00 / 1 rating
Taper:
Barry Glassberg
Transferrer:
A. Egert and Andy Foust
SHNID:
gd1979-05-13.nak700.glassberg.motb.88261.sbeok.flac24
Source:
Nakamichi CM700's > Sony TC-158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV
Taper Notes:
View NotesEditing Notes: -- Software applied - Wavelab 5.0 > Isotope Ozone Notes: -- Mic Bump during Sugaree -- Mic Bump during Its All Over Now -- Mic Bump during El Paso -- Mic adjustments/sonic anomalies during space -- Crossfades applied at all tape flips and tape pauses
Taper: Barry Glassberg
2:47:02
Rating:
10.00 / 1 rating
Taper:
Barry Glassberg
Transferrer:
A. Egert and Andy Foust
SHNID:
gd1979-05-13.nak700.glassberg.motb.87854.sbeok.flac16
Source:
Nakamichi CM700's > Sony TC-158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV
Taper Notes:
View NotesEditing Notes: -- Software applied - Wavelab 5.0 > Isotope Ozone > Downsampled from 24/96 to 16/44.1 with R8brain Pro Notes: -- Mic Bump during Sugaree -- Mic Bump during Its All Over Now -- Mic Bump during El Paso -- Mic adjustments/ sonic anomalies during space -- Crossfades applied at all tape flips and tape pauses
Taper: Barry Glassberg
2:42:57
Rating:
8.50 / 9 ratings
Taper:
Barry Glassberg
Transferrer:
John Steinthal
SHNID:
gd79-05-13.glassberg.vernon.18873.sbeok.shnf
Source:
Audience Recording
Lineage:
NAK CM700, Sony 158SD
Taper Notes:
View NotesNAK CM700, Sony 158SD Recorded by Barry Glassberg. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon
Taper: Barry Glassberg
2:36:10
Rating:
9.33 / 3 ratings
Taper:
Barry Glassberg
SHNID:
gd1979-05-13.nak700.glassberg.8037.sbeok.shnf
Source:
Nak CM 700 > Sony TCD-D5 > DAT > CD-r (via hhb-800 single wav)
Lineage:
CDR > Cool Edit Pro "Treble Boost Filter" (7.89 db) > CDR-WAV > SHN (MKWACT .97b)
Taper Notes:
View NotesTranscriptors note: The original DAT source was good, but the high end was a bit lacking. I used Cool Edit pro to boost the high end by using FFT filtering (approximately 7.89 db). I found this was a marked improvement on the original sound. You will notice that the bass floor on this recording is a bit lacking (this is true on the original recording), but it picks up after Candyman. If you listen closely, you can here the mikes being moved ever so slightly for the first six numbers. Matt Vernon note: I have compared this with the Glassberg aud digitized by John Steinthal from Barry's master cassettes. This is the same source, though it has been equalized by increasing the treble as described in the info file. The "brighter" sound of this source is more typical of audience recordings that were recorded with Dolby but not played back to decode the Dolby.