RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h52069
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.4k221
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h2.8k367
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.5k594
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h4.5k592
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.8k369
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k362
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.4k165
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h7.2k856
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1.1k123
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.7k203
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h5.1k592
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k183
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.5k185
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k224
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h9.2k1.1k
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k244
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h1.9k266
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9.2k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h16.1k2.1k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37238
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.9k497
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.3k708
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.9k375
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k205
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.7k195
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k194
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h49662
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14720
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h31823
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h171
7d1268
30d63237
2 shows
2 tapes
1979
5/13/79
Crowd/Tuning
0:35
Sugaree
15:23
"Take A Step Back"
1:47
Mama Tried >
2:31
Mexicali Blues
4:42
Jack-A-Roe
5:21
It's All Over Now
9:42
Candyman
8:02
El Paso
4:48
Row Jimmy
11:19
Jack Straw
6:46
Crowd/Tuning
1:05
Scarlet Begonias >
12:16
Fire On The Mountain
11:27
Estimated Prophet >
12:13
He's Gone >
11:09
Truckin' > Nobody's Fault Jam >
18:38
Drums >
9:22
Space >
3:35
Wharf Rat >
10:25
Around & Around
7:41
Encore Break
1:25
E: US Blues
5:45
FIN
View on archive.org
Sources
Source 1 of 7
2:55:57
SHNID:
gd1979-05-13.177842.nak700.glassberg.menke.miller.clugston.flac2496
Source 2 of 7
2:55:57
SHNID:
gd1979-05-13.177841.nak700.glassberg.menke.miller.clugston.flac1648
Taper: Richie Stankiewicz and Dave Wienman
2:49:57
Rating:
8.00 / 2 ratings
Taper:
Richie Stankiewicz and Dave Wienman
Transferrer:
Richie Stankiewicz
SHNID:
gd1979-05-13.127354.aud.stankiewicz.wienman.flac24
Source:
First Set Nakamichi 550>AKG 222e Recorded by Richie Stankiewicz; Second set Nakamichi 550>Sen 441; Recorded By Dave Wienman
Lineage:
First Set MAC>Nakamichi 1000II>Sound Device USBPre2; Second set 1st Gen>Nakamichi 1000II>Sound Devices USBPre2
Taper Notes:
View Notes24bit/96kHz file-set Various patches made with Barry Glassberg's recording
Taper: Barry Glassberg
2:47:03
Rating:
8.00 / 1 rating
Taper:
Barry Glassberg
Transferrer:
A. Egert and Andy Foust
SHNID:
gd1979-05-13.nak700.glassberg.motb.88261.sbeok.flac24
Source:
Nakamichi CM700's > Sony TC-158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV
Taper Notes:
View NotesEditing Notes: -- Software applied - Wavelab 5.0 > Isotope Ozone Notes: -- Mic Bump during Sugaree -- Mic Bump during Its All Over Now -- Mic Bump during El Paso -- Mic adjustments/sonic anomalies during space -- Crossfades applied at all tape flips and tape pauses
Taper: Barry Glassberg
2:47:02
Rating:
10.00 / 1 rating
Taper:
Barry Glassberg
Transferrer:
A. Egert and Andy Foust
SHNID:
gd1979-05-13.nak700.glassberg.motb.87854.sbeok.flac16
Source:
Nakamichi CM700's > Sony TC-158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV
Taper Notes:
View NotesEditing Notes: -- Software applied - Wavelab 5.0 > Isotope Ozone > Downsampled from 24/96 to 16/44.1 with R8brain Pro Notes: -- Mic Bump during Sugaree -- Mic Bump during Its All Over Now -- Mic Bump during El Paso -- Mic adjustments/ sonic anomalies during space -- Crossfades applied at all tape flips and tape pauses
Taper: Barry Glassberg
2:42:57
Rating:
8.50 / 9 ratings
Taper:
Barry Glassberg
Transferrer:
John Steinthal
SHNID:
gd79-05-13.glassberg.vernon.18873.sbeok.shnf
Source:
Audience Recording
Lineage:
NAK CM700, Sony 158SD
Taper Notes:
View NotesNAK CM700, Sony 158SD Recorded by Barry Glassberg. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon
Taper: Barry Glassberg
2:36:10
Rating:
9.33 / 3 ratings
Taper:
Barry Glassberg
SHNID:
gd1979-05-13.nak700.glassberg.8037.sbeok.shnf
Source:
Nak CM 700 > Sony TCD-D5 > DAT > CD-r (via hhb-800 single wav)
Lineage:
CDR > Cool Edit Pro "Treble Boost Filter" (7.89 db) > CDR-WAV > SHN (MKWACT .97b)
Taper Notes:
View NotesTranscriptors note: The original DAT source was good, but the high end was a bit lacking. I used Cool Edit pro to boost the high end by using FFT filtering (approximately 7.89 db). I found this was a marked improvement on the original sound. You will notice that the bass floor on this recording is a bit lacking (this is true on the original recording), but it picks up after Candyman. If you listen closely, you can here the mikes being moved ever so slightly for the first six numbers. Matt Vernon note: I have compared this with the Glassberg aud digitized by John Steinthal from Barry's master cassettes. This is the same source, though it has been equalized by increasing the treble as described in the info file. The "brighter" sound of this source is more typical of audience recordings that were recorded with Dolby but not played back to decode the Dolby.