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Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h57778
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.9k242
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h2.4k308
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h1.6k208
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h2.9k417
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h8.9k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k294
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k125
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.9k217
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h69279
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k181
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h5k584
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k157
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k133
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.7k216
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h2.7k311
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.4k200
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k241
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h17.3k2.3k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h10.6k1.5k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h33435
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h4.1k552
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h9.7k1.3k
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2k258
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k192
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.8k194
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.1k174
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h73792
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9715
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h40826
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h664
7d1076
30d59434
2 shows
2 tapes
1979
5/13/79
Tuning
0:35
Sugaree
15:21
Take A Step Back
1:45
Mama Tried >
2:31
Mexicali Blues
4:39
Jack-A-Roe
5:22
It's All Over Now
9:33
Candyman
8:00
El Paso
4:49
Row Jimmy
11:13
Jack Straw
6:44
Tuning
1:05
Scarlet Begonias >
12:13
Fire On The Mountain
11:26
Estimated Prophet >
12:02
He's Gone >
11:09
Truckin' >
8:14
Nobody's Fault Jam >
1:18
Truckin' ->
1:45
Space >
7:12
Dru // ms >
1:34
Space >
3:24
Wharf Rat >
10:21
Around and Around
9:05
U.S. Blues
5:43
FIN
View on archive.org
Sources
Taper: Richie Stankiewicz and Dave Wienman
2:49:57
Rating:
8.00 / 2 ratings
Taper:
Richie Stankiewicz and Dave Wienman
Transferrer:
Richie Stankiewicz
SHNID:
gd1979-05-13.127354.aud.stankiewicz.wienman.flac24
Source:
First Set Nakamichi 550>AKG 222e Recorded by Richie Stankiewicz; Second set Nakamichi 550>Sen 441; Recorded By Dave Wienman
Lineage:
First Set MAC>Nakamichi 1000II>Sound Device USBPre2; Second set 1st Gen>Nakamichi 1000II>Sound Devices USBPre2
Taper Notes:
View Notes24bit/96kHz file-set Various patches made with Barry Glassberg's recording
Taper: Barry Glassberg
2:47:03
Rating:
8.00 / 1 rating
Taper:
Barry Glassberg
Transferrer:
A. Egert and Andy Foust
SHNID:
gd1979-05-13.nak700.glassberg.motb.88261.sbeok.flac24
Source:
Nakamichi CM700's > Sony TC-158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV
Taper Notes:
View NotesEditing Notes: -- Software applied - Wavelab 5.0 > Isotope Ozone Notes: -- Mic Bump during Sugaree -- Mic Bump during Its All Over Now -- Mic Bump during El Paso -- Mic adjustments/sonic anomalies during space -- Crossfades applied at all tape flips and tape pauses
Taper: Barry Glassberg
2:47:02
Rating:
10.00 / 1 rating
Taper:
Barry Glassberg
Transferrer:
A. Egert and Andy Foust
SHNID:
gd1979-05-13.nak700.glassberg.motb.87854.sbeok.flac16
Source:
Nakamichi CM700's > Sony TC-158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV
Taper Notes:
View NotesEditing Notes: -- Software applied - Wavelab 5.0 > Isotope Ozone > Downsampled from 24/96 to 16/44.1 with R8brain Pro Notes: -- Mic Bump during Sugaree -- Mic Bump during Its All Over Now -- Mic Bump during El Paso -- Mic adjustments/ sonic anomalies during space -- Crossfades applied at all tape flips and tape pauses
Taper: Barry Glassberg
2:42:57
Rating:
8.50 / 9 ratings
Taper:
Barry Glassberg
Transferrer:
John Steinthal
SHNID:
gd79-05-13.glassberg.vernon.18873.sbeok.shnf
Source:
Audience Recording
Lineage:
NAK CM700, Sony 158SD
Taper Notes:
View NotesNAK CM700, Sony 158SD Recorded by Barry Glassberg. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon
Taper: Barry Glassberg
2:36:10
Rating:
9.33 / 3 ratings
Taper:
Barry Glassberg
SHNID:
gd1979-05-13.nak700.glassberg.8037.sbeok.shnf
Source:
Nak CM 700 > Sony TCD-D5 > DAT > CD-r (via hhb-800 single wav)
Lineage:
CDR > Cool Edit Pro "Treble Boost Filter" (7.89 db) > CDR-WAV > SHN (MKWACT .97b)
Taper Notes:
View NotesTranscriptors note: The original DAT source was good, but the high end was a bit lacking. I used Cool Edit pro to boost the high end by using FFT filtering (approximately 7.89 db). I found this was a marked improvement on the original sound. You will notice that the bass floor on this recording is a bit lacking (this is true on the original recording), but it picks up after Candyman. If you listen closely, you can here the mikes being moved ever so slightly for the first six numbers. Matt Vernon note: I have compared this with the Glassberg aud digitized by John Steinthal from Barry's master cassettes. This is the same source, though it has been equalized by increasing the treble as described in the info file. The "brighter" sound of this source is more typical of audience recordings that were recorded with Dolby but not played back to decode the Dolby.