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June 8th
Years
1995
30k
PlaybackListensHours
48h766105
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h69497
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.8k500
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k364
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.4k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.6k347
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k375
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k154
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k248
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h933103
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k212
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k145
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k203
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k220
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k302
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.3k672
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k183
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k285
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.4k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.7k507
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h81181
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.3k560
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.6k604
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.4k418
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2.1k229
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.3k944
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k363
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h38948
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10815
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23618
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h452
7d1026
30d57334
2 shows
2 tapes
1979
5/13/79
Sugaree
15:18
Take A Step Back
1:45
Mama Tried >
2:29
Mexicali Blues
4:37
Jack-A-Roe
5:18
It's All Over Now
8:40
Candyman
7:57
El Paso
4:44
Row Jimmy
11:11
Jack Straw
6:45
Scarlet Begonias >
12:19
Fire On The Mountain >
11:16
Estimated Prophet >
12:07
He's Gone >
10:54
Truckin' >
8:11
Drums >
3:50
Space >
9:56
Space >
0:14
Wharf Rat >
10:15
Around and Around
8:24
FIN
View on archive.org
Sources
Taper: Richie Stankiewicz and Dave Wienman
2:49:57
Rating:
8.00 / 2 ratings
Taper:
Richie Stankiewicz and Dave Wienman
Transferrer:
Richie Stankiewicz
SHNID:
gd1979-05-13.127354.aud.stankiewicz.wienman.flac24
Source:
First Set Nakamichi 550>AKG 222e Recorded by Richie Stankiewicz; Second set Nakamichi 550>Sen 441; Recorded By Dave Wienman
Lineage:
First Set MAC>Nakamichi 1000II>Sound Device USBPre2; Second set 1st Gen>Nakamichi 1000II>Sound Devices USBPre2
Taper Notes:
View Notes24bit/96kHz file-set Various patches made with Barry Glassberg's recording
Taper: Barry Glassberg
2:47:03
Rating:
8.00 / 1 rating
Taper:
Barry Glassberg
Transferrer:
A. Egert and Andy Foust
SHNID:
gd1979-05-13.nak700.glassberg.motb.88261.sbeok.flac24
Source:
Nakamichi CM700's > Sony TC-158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV
Taper Notes:
View NotesEditing Notes: -- Software applied - Wavelab 5.0 > Isotope Ozone Notes: -- Mic Bump during Sugaree -- Mic Bump during Its All Over Now -- Mic Bump during El Paso -- Mic adjustments/sonic anomalies during space -- Crossfades applied at all tape flips and tape pauses
Taper: Barry Glassberg
2:47:02
Rating:
10.00 / 1 rating
Taper:
Barry Glassberg
Transferrer:
A. Egert and Andy Foust
SHNID:
gd1979-05-13.nak700.glassberg.motb.87854.sbeok.flac16
Source:
Nakamichi CM700's > Sony TC-158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV
Taper Notes:
View NotesEditing Notes: -- Software applied - Wavelab 5.0 > Isotope Ozone > Downsampled from 24/96 to 16/44.1 with R8brain Pro Notes: -- Mic Bump during Sugaree -- Mic Bump during Its All Over Now -- Mic Bump during El Paso -- Mic adjustments/ sonic anomalies during space -- Crossfades applied at all tape flips and tape pauses
Taper: Barry Glassberg
2:42:57
Rating:
8.50 / 9 ratings
Taper:
Barry Glassberg
Transferrer:
John Steinthal
SHNID:
gd79-05-13.glassberg.vernon.18873.sbeok.shnf
Source:
Audience Recording
Lineage:
NAK CM700, Sony 158SD
Taper Notes:
View NotesNAK CM700, Sony 158SD Recorded by Barry Glassberg. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon
Taper: Barry Glassberg
2:36:10
Rating:
9.33 / 3 ratings
Taper:
Barry Glassberg
SHNID:
gd1979-05-13.nak700.glassberg.8037.sbeok.shnf
Source:
Nak CM 700 > Sony TCD-D5 > DAT > CD-r (via hhb-800 single wav)
Lineage:
CDR > Cool Edit Pro "Treble Boost Filter" (7.89 db) > CDR-WAV > SHN (MKWACT .97b)
Taper Notes:
View NotesTranscriptors note: The original DAT source was good, but the high end was a bit lacking. I used Cool Edit pro to boost the high end by using FFT filtering (approximately 7.89 db). I found this was a marked improvement on the original sound. You will notice that the bass floor on this recording is a bit lacking (this is true on the original recording), but it picks up after Candyman. If you listen closely, you can here the mikes being moved ever so slightly for the first six numbers. Matt Vernon note: I have compared this with the Glassberg aud digitized by John Steinthal from Barry's master cassettes. This is the same source, though it has been equalized by increasing the treble as described in the info file. The "brighter" sound of this source is more typical of audience recordings that were recorded with Dolby but not played back to decode the Dolby.