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Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h53772
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2k258
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.2k284
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.3k175
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3k423
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9.4k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.7k328
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k134
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.1k244
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h920103
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k197
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.5k645
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.1k148
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k151
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k245
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.4k275
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k224
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.8k251
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h15.6k2.1k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.5k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h35037
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.7k495
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.2k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2k259
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.6k182
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k194
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k161
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h64582
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9014
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h40725
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h544
7d1076
30d59534
2 shows
2 tapes
1979
5/13/79
Sugaree
14:50
Take A Step Back
0:51
Mama Tried
2:29
Mexicali Blues
4:37
Jackaroe
5:25
It's All Over Now
8:44
Candyman
7:30
El Paso
4:21
Row Jimmy
11:39
Jack Straw
6:43
Scarlet Begonias
12:38
Fire on the Mountain
11:24
Estimated Prophet
12:07
He's Gone
11:07
Truckin'
7:10
Nobody's Fault But Mine
4:21
Jam
6:59
Drums
9:24
Space
3:35
Wharf Rat
10:21
Around and Around
8:08
U.S. Blues
5:34
FIN
View on archive.org
Sources
Taper: Richie Stankiewicz and Dave Wienman
2:49:57
Rating:
8.00 / 2 ratings
Taper:
Richie Stankiewicz and Dave Wienman
Transferrer:
Richie Stankiewicz
SHNID:
gd1979-05-13.127354.aud.stankiewicz.wienman.flac24
Source:
First Set Nakamichi 550>AKG 222e Recorded by Richie Stankiewicz; Second set Nakamichi 550>Sen 441; Recorded By Dave Wienman
Lineage:
First Set MAC>Nakamichi 1000II>Sound Device USBPre2; Second set 1st Gen>Nakamichi 1000II>Sound Devices USBPre2
Taper Notes:
View Notes24bit/96kHz file-set Various patches made with Barry Glassberg's recording
Taper: Barry Glassberg
2:47:03
Rating:
8.00 / 1 rating
Taper:
Barry Glassberg
Transferrer:
A. Egert and Andy Foust
SHNID:
gd1979-05-13.nak700.glassberg.motb.88261.sbeok.flac24
Source:
Nakamichi CM700's > Sony TC-158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV
Taper Notes:
View NotesEditing Notes: -- Software applied - Wavelab 5.0 > Isotope Ozone Notes: -- Mic Bump during Sugaree -- Mic Bump during Its All Over Now -- Mic Bump during El Paso -- Mic adjustments/sonic anomalies during space -- Crossfades applied at all tape flips and tape pauses
Taper: Barry Glassberg
2:47:02
Rating:
10.00 / 1 rating
Taper:
Barry Glassberg
Transferrer:
A. Egert and Andy Foust
SHNID:
gd1979-05-13.nak700.glassberg.motb.87854.sbeok.flac16
Source:
Nakamichi CM700's > Sony TC-158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV
Taper Notes:
View NotesEditing Notes: -- Software applied - Wavelab 5.0 > Isotope Ozone > Downsampled from 24/96 to 16/44.1 with R8brain Pro Notes: -- Mic Bump during Sugaree -- Mic Bump during Its All Over Now -- Mic Bump during El Paso -- Mic adjustments/ sonic anomalies during space -- Crossfades applied at all tape flips and tape pauses
Taper: Barry Glassberg
2:42:57
Rating:
8.50 / 9 ratings
Taper:
Barry Glassberg
Transferrer:
John Steinthal
SHNID:
gd79-05-13.glassberg.vernon.18873.sbeok.shnf
Source:
Audience Recording
Lineage:
NAK CM700, Sony 158SD
Taper Notes:
View NotesNAK CM700, Sony 158SD Recorded by Barry Glassberg. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon
Taper: Barry Glassberg
2:36:10
Rating:
9.33 / 3 ratings
Taper:
Barry Glassberg
SHNID:
gd1979-05-13.nak700.glassberg.8037.sbeok.shnf
Source:
Nak CM 700 > Sony TCD-D5 > DAT > CD-r (via hhb-800 single wav)
Lineage:
CDR > Cool Edit Pro "Treble Boost Filter" (7.89 db) > CDR-WAV > SHN (MKWACT .97b)
Taper Notes:
View NotesTranscriptors note: The original DAT source was good, but the high end was a bit lacking. I used Cool Edit pro to boost the high end by using FFT filtering (approximately 7.89 db). I found this was a marked improvement on the original sound. You will notice that the bass floor on this recording is a bit lacking (this is true on the original recording), but it picks up after Candyman. If you listen closely, you can here the mikes being moved ever so slightly for the first six numbers. Matt Vernon note: I have compared this with the Glassberg aud digitized by John Steinthal from Barry's master cassettes. This is the same source, though it has been equalized by increasing the treble as described in the info file. The "brighter" sound of this source is more typical of audience recordings that were recorded with Dolby but not played back to decode the Dolby.