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June 7th
Years
1995
29.5k
PlaybackListensHours
48h770107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h64391
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h3.9k518
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.9k359
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.2k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k342
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k374
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k157
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.3k253
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h920102
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k212
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k147
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.6k206
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k223
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k303
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6.1k652
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k289
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.4k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.6k502
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h74876
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.6k595
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k230
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k364
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h43052
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10514
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23618
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1979
4/22/79
//He's Gone >
5:31
Drum//s >
18:56
The Other One >
11:07
Wharf Rat >
10:02
Around & Around//
2:50
FIN
View on archive.org
Sources
Transferrer: Composite by Scott Clugston
3:27:18
SBD
Rating:
10.00 / 1 rating
Transferrer:
Composite by Scott Clugston
SHNID:
gd1979-04-22.148569.sbd.composite.clugston.flac16
Source:
composite of 3 sources, compiled, patched and tweeked to represent the best available sources (imo) as of 12/19
Taper Notes:
View NotesNotes: - This is a composite of 3 sources, compiled, patched and tweeked to represent the best available sources (imo) as of 12/19 - Thanks to all the folks responsible for these recordings - 1st set (source A) from the Brian Schley collection (shnid134401) is unaltered (thanks Jamie) - 2nd set Bennet/Smith/Morris (source B)(shnid12001) was quite fast, the channel orientation was incorrect, the tape flips were obscured and had multiple drop outs. This 2nd set source was pitch corrected, channel corrected, the drop outs patched and the entire .wav was eq'ed - 2nd set partial Betty board (source C) was pitch corrected and channel corrected - Thanks to Mark Severson and the folks responsible for the shnid145139 (FOB) Sony ECM270 source which supplies a 0:20 patch in the "Drums > The Other One" transition - Noodle into Other One included in "The Other One" Mastered by Scott Clugston December 2019
Transferrer: Matrix by Dave Usborne
3:43:13
SBD
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1979-04-22.137822.mtx.dusborne.flac16
Source:
4 source matrix by dusborne; Soundboard Set 1 (shnid:134401) Source: SBD > ? > Cassette,Transfer: XLII (c.1981) > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644; Soundboard Set 2 (shnid:12001) SBD MC> C> DAT> CDR> WAV> SHN; Audience 1 (shnid:91346), Recorded by Mark Severson; 2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90)Mics mounted on 2 poles, 3'-5' apart; 20' in front of sound board, Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0>(dither/downsample)> FLAC; Audience 2 (shnid:105309),Taped By: Rhineheart Holwein, Transfer By: Bob Menke; Mastering By: Derek McCabe,Analog
Lineage:
2 x AKG d2243 >> Sony TC-D5 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper: Brian Schley
1:15:57
SBD
Rating:
10.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1979-04-22.134401.set1.sbd.unk.Schley.flac1644
Source:
1st Set, Source: SBD > ? > Cassette, from the Brian Schley tape collection.
Lineage:
XLII (c.1981) > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. 09/2015
Taper Notes:
View NotesNote: This sounds clearer than the 1st Set SBD version currently circulating, and makes a decent match with 2nd Set from ID-12001.
Transferrer: Tim Deibert
48:20
SBD
Rating:
9.50 / 4 ratings
Transferrer:
Tim Deibert
SHNID:
gd1979-04-22.set2-partial.sbd.deibert.12895.sbeok.shnf
Lineage:
master reel > PCM-1 > DAT-1 > SHN
Taper Notes:
View NotesNOTES: * Sound Forge 6.0 volume raised to +2.7 dB. * Sound Forge 6.0 peak normalization @ 99%. shntool was used to place tracks on sector boundaries
Source 5 of 11
3:26:02
SBD
Rating:
7.87 / 62 ratings
SHNID:
gd79-04-22.sbd.bennett.12001.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> ?> C> C> WAV> SHN
Taper Notes:
View NotesComplete; Mixed sbd sources; Set 1 Source: SBD>?>C>C>WAV>SHN Set 2 Source: SBD MC>C>DAT>CDR>WAV>SHN; See info file for details; via Dave Morris, Jeffrey Smith; Seeded to etree by Jim Bennett
Transferrer: Willy Munder
4:23:14
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Willy Munder
SHNID:
gd1979-04-22..s2.sbd.munder.9424.sbeok.shnf
Source:
SBD>MR>??>DAT>CDR
Taper Notes:
View Notes-There is some 'minor' right channel static in spots throughout the first disc. This show was sent to me as (A-) and I think that is accurate despite the static. -He's Gone fades out and Drums fades in. -First show with Brent Mydland -I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing. EAC/SHN by Willy [email protected]
Taper: Betty Cantor;Tim Dalton
48:26
Taper:
Betty Cantor;Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-04-22.148708.2p.betty.pcm.dalton.miller.clugston.flac16
Source:
Betty's 7" Master Soundboard Ree1s > PCM > PCM
Lineage:
Tim Dalton's PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe CC 2019 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Emphasis corrected - Channel corrected - Pitch corrected - Noodle into Other One included in "The Other One" Mastered by Scott Clugston January 2020
Taper: Mark Severson
3:43:03
Rating:
8.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-04-22.145140.fob.sony.ecm270.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB)Audience Cassette ; Sony ECM-270 mics (DFC, split, mounted on poles 5' apart, 20' in front of soundboard) > Sony TC-158SD (2 x Maxell UDXLII, 1 x TDK SA-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rhinehart Holwein and all the folks responsible for the shnid105309 AKG D224E source which supplies a 0:53 patch in "Fire On The Mountain", as well as a 0:03 patch in "Drums" - Noodle into The Other One included in "The Other One" - Brent's debut - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2019
Taper: Mark Severson
3:43:03
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-04-22.145139.fob.sony.ecm270.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB)Audience Cassette ; Sony ECM-270 mics (DFC, split, mounted on poles 5' apart, 20' in front of soundboard) > Sony TC-158SD (2 x Maxell UDXLII, 1 x TDK SA-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rhinehart Holwein and all the folks responsible for the shnid105309 AKG D224E source which supplies a 0:53 patch in "Fire On The Mountain", as well as a 0:03 patch in "Drums" - Noodle into The Other One included in "The Other One" - Brent's debut - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2019
Taper: Reinhart Holwein
3:24:31
Rating:
9.00 / 4 ratings
Taper:
Reinhart Holwein
Transferrer:
Bob Menke and Derek McCabe
SHNID:
gd1979-04-22.fob.holwein.menke.motb.0116.105309.flac16
Source:
2 x AKG d2243 >> Sony TC-D5 >> MAC; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog
Lineage:
MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper: Mark Severson
3:38:46
Rating:
8.55 / 11 ratings
Taper:
Mark Severson
Transferrer:
David Minches
SHNID:
gd1979-04-22.aud.severson.minches.91346.flac1644
Source:
2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90)
Lineage:
Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
Taper Notes:
View Notes* [12:21 - 13:10] patched from source (12001): SBD MC>C>DAT>CDR>WAV>SHN equalized to match audience master