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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h58580
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k268
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k309
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k194
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.1k441
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h10k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.7k335
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.2k137
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k246
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h892100
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k198
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.9k691
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.1k154
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.3k155
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2k250
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.5k288
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k231
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.9k264
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h16.8k2.2k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.7k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h37440
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4k530
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.7k1.6k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.1k278
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.8k200
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k195
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k166
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h68386
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8614
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42827
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h644
7d1076
30d59534
2 shows
2 tapes
1979
Sources
Transferrer: Remaster by acetboy
2:33:33
REMASTER
Rating:
10.00 / 2 ratings
Transferrer:
Remaster by acetboy
SHNID:
gd1979-02-11.155704.aud.remaster.acetboy.flac16
Source:
This remaster was created from the shn #16468 files.
Taper Notes:
View NotesThis remaster was created from the shn #16468 files. #16468 is the one and only share of this show. Until now. So, the original share has the two channels 180 degrees out of phase. One side of the waveform is up-side down. You can see this without even zooming in. I thought maybe this would turn out to be mono. But after inverting one channel it was evident that there was a nice audience capture in there, in stereo. The rest of what I do is corrective eq and making sure the channels are even volume wise throughout the frequency spectrum. This recording did capture the show very well. Sometimes it seems like maybe the drums could have been a bit louder. The piano comes through very well. And the bass is very prominent from start to finish. This is the penultimate show with Keith and Donna overall. Last show of the tour. My old computer with Pro Tools LE on it has died. This work was all done in ocenaudio and Harrison Mixbus. Recreating my way of working as learned in PT LE. Everything I work on goes through the same procedure. Old audience recording, or modern digital capture or defeating horrible mastering on official releases. It's all the same. The included screen captures show somewhat how the remaster differs from the original. caveat emptor: The pitch is what it is. Good or bad. Sounds decent to my ears.
Source 2 of 2
2:33:21
Rating:
6.50 / 5 ratings
SHNID:
gd79-02-11.naks.vernon.16468.sbeok.shnf
Source:
Audience Recording: 3 Nak CM-300's
Lineage:
AUD (3 Nak CM-300's >Nak 550) > MC > R > CDR
Taper Notes:
View NotesAUD (3 Nak CM-300's >Nak 550) > MC > R > CDR; via Raoul Duke, encoded by Matt Vernon