The Promised Land | 1979-01-20 | Grateful Dead

View NotesNotes:
-- Recorded By Jerry Moore
-- Whole show without Donna
-- This is a remaster is shnid=86374
-- Thanks to Joe B. Jones for his help with the pitch correction

Digitally Remastered using the Bertha Digital Audio Workstation and its proprietary Audio and Restoration processes. Completed 7/3/2009 by [email protected].

I will only work on the very best Audience recordings due to the difficult nature of the beast. In Jerry Moore's memory I spent even more time than ususal to make this one special and I think Bertha's audio and restoration processes have brought out every bit of the beauty of this recording.

Rest well Brother.

jay ashley

Taper: Jerry Moore

2:44:10

Rating:

gd1979-01-20.fob.nak700.moore.miller.99385.sbeok.flac16

Source:

(FOB/6th Row) Nakamichi 700 (Sony D5/Dolby B) -> Cassette Master

Lineage:

Cassette Master -> Dat -> CD -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Recorded By Jerry Moore
-- Whole show without Donna
-- This is a remaster of shnid=86374
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Jerry Moore

gd1979-01-20.nak700.moore.miller.19413.sbeok.shnf

Source:

NAK 700's > Sony TC-D5M > AUDMC

Lineage:

Sony R500>Prodif Plus>Samplitude 2496 v6.0>Cool Edit Pro v2.0>SHN

Taper Notes:

View NotesCOMMENTS:
Donna was absent
Show was mastered on a Nagra reel-to-reel.

Taper: Eddie Claridge

gd1979-01-20.124861.eywood.flac16

Source:

Source: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; Recorded by Eddie Claridge. Split 30' on the balcony with Sony ECM-280 mics > Sony tc158; EQ'd and turned up the volume with hard limiting, balancing the channels; noise reduction using the hiss from the beginning of disc 1 as a sample; numerous cuts between songs crossfaded to smooth out the flow

Taper Notes:

View NotesRemaster notes:

I EQ'd this show and turned up the volume with hard limiting, balancing the channels as I went, particularly during set 1. I did a little noise reduction using the hiss from the beginning of disc 1 as a sample.  There were numerous cuts between songs, again particularly during set 1, that I crossfaded to smooth out the flow of the show.  The original version of this had the 2 songs at the end of disc 2 repeated on disc 3.  I cut this repeated material right at the first note of The Other One. All in all a particularly good bootleg for 1979, IMHO.  Leave it to the Deadheads.  They really know how to tape.

--}{eywood

Taper: Jerry Moore

gd1979-01-20.110977.nak700-moore.berger.flac24

Source:

source: aud cassette master taped by Jerry Moore from 6th row center;

Lineage:

aud>nak 700's>sony d5 or tc-153; tdk sa-90's, dolby b; transfer: nak dragon/b>hd-p2 24/96>hard drive> adobe audition 2.0 (levels, edits)>cd wave>tlh flac level 8; transferred & seeded by Rob Berger

Taper Notes:

View Notestape flips during Good Lovin' and drums>other one transition

Taper: Jerry Moore

gd1979-01-20.nak700-moore.berger-tallmadge.86374.flac16

Source:

Nak 700's>Sony d5 w/dolby, 6th row center

Lineage:

c.m.>dat>cdr>eac>cd wave>flac

Taper Notes:

View Notesnotes: this is a different transfer than circulating copies.

Taper: Jerry Moore

Mark Cohen, Noah Weiner

SHNID:

gd79-01-20.naks.moore.12575.sbeok.shnf

Source:

Audience Recording: NAK 700's

Lineage:

AUD > MC > DAT > CD NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole

Taper Notes:

View NotesA previous digitization of this show was found to have digital errors (clicks and ticks), thus the redo.

Taper: Eddie Claridge

gd1979-01-20.aud.claridge.wise.312.sbeok.shnf

Source:

Sony ECM-280 mics > Sony tc158 > FOB Cass. Master

Lineage:

FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN

Taper Notes:

View NotesNote the d2, d3 "overlaps".