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Bands
Grateful Dead
Today In History
June 9th
9 shows
89 tapes
Years
1995
29.8k
PlaybackListensHours
48h62484
7d4k544
30d29.8k4.2k
49 shows
341 tapes
1994
8.4k
PlaybackListensHours
48h1.6k201
7d1.4k195
30d8.4k1.2k
85 shows
460 tapes
1993
38.1k
PlaybackListensHours
48h2.9k361
7d8k1.1k
30d38.1k5k
83 shows
656 tapes
1992
35.9k
PlaybackListensHours
48h2.2k291
7d4k503
30d35.9k4.8k
57 shows
539 tapes
1991
38.5k
PlaybackListensHours
48h3.1k455
7d11k1.5k
30d38.5k5.2k
78 shows
973 tapes
1990
34.4k
PlaybackListensHours
48h8.8k1.1k
7d5.6k731
30d34.4k4.5k
78 shows
1,139 tapes
1989
46.7k
PlaybackListensHours
48h2.3k283
7d7.2k909
30d46.7k5.8k
78 shows
1,017 tapes
1988
21.1k
PlaybackListensHours
48h1.1k127
7d2.7k310
30d21.1k2.4k
82 shows
882 tapes
1987
33.6k
PlaybackListensHours
48h1.7k193
7d5.2k565
30d33.6k3.7k
88 shows
1,025 tapes
1986
12k
PlaybackListensHours
48h66074
7d1.9k211
30d12k1.4k
47 shows
683 tapes
1985
21.3k
PlaybackListensHours
48h1.3k155
7d3.9k464
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h2.4k283
7d2.8k363
30d15.3k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.1k153
7d3.2k413
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.7k457
30d41.6k5.2k
63 shows
753 tapes
1981
49.2k
PlaybackListensHours
48h1.4k172
7d4.6k599
30d49.2k6.2k
92 shows
868 tapes
1980
69.6k
PlaybackListensHours
48h5.3k589
7d11.8k1.3k
30d69.6k8.1k
91 shows
794 tapes
1979
24.5k
PlaybackListensHours
48h1.4k204
7d2.8k389
30d24.5k3.4k
79 shows
600 tapes
1978
53.2k
PlaybackListensHours
48h1.7k227
7d11k1.4k
30d53.2k7.3k
87 shows
592 tapes
1977
286k
PlaybackListensHours
48h19.5k2.7k
7d35.1k4.7k
30d286k39.4k
64 shows
419 tapes
1976
49.6k
PlaybackListensHours
48h5.3k761
7d14.8k2.1k
30d49.6k6.7k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h58958
7d1.7k157
30d6.2k638
25 shows
63 tapes
1974
98.7k
PlaybackListensHours
48h7.3k960
7d9.1k1.1k
30d98.7k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.3k674
7d9.2k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
69.8k
PlaybackListensHours
48h2.2k274
7d6.8k831
30d69.8k8.5k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.6k172
7d4.5k500
30d33.5k3.8k
82 shows
357 tapes
1970
44.4k
PlaybackListensHours
48h2.1k232
7d16.6k1.7k
30d44.4k4.7k
101 shows
376 tapes
1969
25.9k
PlaybackListensHours
48h1.8k298
7d5.7k931
30d25.9k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h887120
7d991122
30d6.7k831
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13718
7d26437
30d1.5k202
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h26614
7d76858
30d7.9k532
32 shows
78 tapes
1965
579
PlaybackListensHours
48h332
7d925
30d57934
2 shows
2 tapes
1978
Sources
Transferrer: Charlie Miller
2:24:06
SBD
Rating:
8.43 / 17 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-11-20.sbd.fix.miller.95660.sbeok.flac16
Source:
Source 1: SBD -> ? -> Cassette -> Sound Devices 744T -> Samplitude DSource 2: SBD -> Master Cassette -> Dat -> CD DSource 3: Nakamichi 300 -> Reels? -> Dat -> CD DSource 4: SBD -> Master Reel -> Cassette -> Dat -> CD
Lineage:
Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- This is an upgrade to shnid=95244 -- Source 2 may have extra cassette gen in it -- There is a tape flip in Looks Like Rain -- This is far from perfect, but is much better than other circulating copies -- Thanks to Matt Smith for the new Set 1 tape -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:30:51
SBD
Rating:
8.67 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-11-20.sbd.miller.95244.sbeok.flac16
Source:
Source 1: SBD -> ? -> Cassette -> CD DSource 2: SBD -> Master Cassette -> Dat -> CD DSource 3: Nakamichi 300 -> Reels? -> Dat -> CD DSource 4: SBD -> Master Reel -> Cassette -> Dat -> CD
Lineage:
CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Sources 1 and 3 from shnid=21727 -- Source 2 may have extra cassette gen in it -- This is far from perfect, but is much better than other circulating copies -- Thanks to Joe B. Jones for his help with the pitch correction
Source 3 of 10
2:19:23
SBD
Rating:
8.91 / 12 ratings
SHNID:
gd78-11-20.sbdpatched.knott.21727.sbeok.shnf
Source:
Soundboard
Lineage:
Set1: SBD> ??> CAS> CD> EAC> WAV; set 2 misc SBD, AUD sources
Taper Notes:
View NotesComplete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws.
Source 4 of 10
1:03:54
SBD
Rating:
9.33 / 9 ratings
Source:
Soundboard with audience patches
Lineage:
Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches
Taper Notes:
View Notescomplete set 2; Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches; via Art Cohen?
Source 5 of 10
1:05:55
SBD
Rating:
9.00 / 8 ratings
SHNID:
gd78-11-20.sbd.mcleod.301.sbeok.shnf
Source:
Soundboard
Lineage:
MR> Cass Master> Lynxone 24 bit A/D converter> CD
Taper Notes:
View Notespartial sets 1,2; revised source: MR> Cass Master> Lynxone 24 bit A/D converter> CD; seed via M. Mcleod; abupt cut in the end of Peggy-o; via P. Lucente to BUDD offer
Taper: Kathy Sublette
1:04:59
Rating:
8.00 / 1 rating
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-11-20.148952.2nd.set.shure.sm57.sublette.miller.clugston.flac2496
Source:
Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Darrin Sacks for the audience (Nakamichi 300) source which supplies a 0:24 patch in the "Shakedown Street > If I Had The World To Give" transition - Sound stage changes after "Jack-A-Roe" (as if Kathy moved from towards the back of the hall, to the front of the venue) - Pitch corrected Mastered by Scott Clugston February 2020
Taper: Kathy Sublette
1:04:59
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-11-20.148951.2nd.set.shure.sm57.sublette.miller.clugston.flac1648
Source:
Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Darrin Sacks for the audience (Nakamichi 300) source which supplies a 0:24 patch in the "Shakedown Street > If I Had The World To Give" transition - Sound stage changes after "Jack-A-Roe" (as if Kathy moved from towards the back of the hall, to the front of the venue) - Pitch corrected Mastered by Scott Clugston February 2020
Taper: seaweed1010
1:39:21
Taper:
seaweed1010
Transferrer:
AndrewF
SHNID:
gd1978-11-20.s1.s2p.aud.seaweed.117661.flac1644
Lineage:
XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011
Taper: See info file
1:05:01
Rating:
9.33 / 3 ratings
Taper:
See info file
Transferrer:
Chris Chappell
SHNID:
gd1978-11-20.mtx-set2.chappell.sb16a.32489.sbeok.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesGeneral Notes: When the LlaMA had to pull the SBDs, one source I never got was the updated multiple SBD source (shnid=21727) that included the first set. Also mentioned is the Scott Jones AUD which runs through Jack-a-roe but is not listed in the db, and I have not seen either source circulate as of late (hint hint). If both sources surface I can then put together the first set as well, so for now this fileset is Sick Bits Vol. 16a and the first set would be Vol. 16b (I'm naming this fileset "a" hoping that there will be a "b"). This SBD is not that bad (fast though), but Jerry's tone gets very big when coupled with the added dimension of the AUD, which, all in all, is fairly decent for the time period. The SBD has some holes and finally cuts for good before the Playin' Reprise. The first set is about 76 mins. in length whereas this second set is about 65 mins. without an encore. One of the strangest second sets in terms of format, song selection, and plain old jamming - they essentially start with Space and play two distinctive jams (the second with Jerry using the Mutron) sandwiched around Drumz before finally settling into Jack A Roe, a 17 month rezi, 8th time played, only version of 1978, and only version which involves a segue. After they stop playing after the Jack A Roe (the only break in the set), Weir can clearly be heard on the SBD laying out the sequence: Playin > Shakedown > World To Give > Playin (it's unclear if he mentions Round & Round) - so this is very much planned, most likely because this is only the 5th Shakedown (no reprise) and the third and final If I Had The World To Give. Also, according to those that were there, Weir was ill for the early part of this set, so they opened with "jam". Thanks to whomever recorded the AUD, to Rob Bertrando for converting it to digital, and Darrin Sacks for encoding and seeding it. Since the SBD source is a mystery, thanks to all of you who had a hand in the lineage. Enjoy! Chappy
Taper: Rob Bertrando
1:04:33
Rating:
8.50 / 4 ratings
Taper:
Rob Bertrando
Transferrer:
Darrin Sacks
SHNID:
gd78-11-20.set2-aud.sacks.302.sbefail.shnf
Source:
Audience Recording: Nak 300's?