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Bands
Grateful Dead
Today In History
June 8th
Years
1995
30k
PlaybackListensHours
48h766105
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h70598
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.7k496
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k365
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.4k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.7k351
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k377
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k153
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k248
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h929103
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k213
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k144
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k203
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k216
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k300
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.3k674
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k181
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k283
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.5k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.7k506
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h82483
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.4k564
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.5k589
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.4k413
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2k223
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.2k939
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k360
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h37646
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10815
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23518
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h412
7d1026
30d57334
2 shows
2 tapes
1978
Sources
Transferrer: Charlie Miller
2:24:06
SBD
Rating:
8.43 / 17 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-11-20.sbd.fix.miller.95660.sbeok.flac16
Source:
Source 1: SBD -> ? -> Cassette -> Sound Devices 744T -> Samplitude DSource 2: SBD -> Master Cassette -> Dat -> CD DSource 3: Nakamichi 300 -> Reels? -> Dat -> CD DSource 4: SBD -> Master Reel -> Cassette -> Dat -> CD
Lineage:
Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- This is an upgrade to shnid=95244 -- Source 2 may have extra cassette gen in it -- There is a tape flip in Looks Like Rain -- This is far from perfect, but is much better than other circulating copies -- Thanks to Matt Smith for the new Set 1 tape -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:30:51
SBD
Rating:
8.67 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-11-20.sbd.miller.95244.sbeok.flac16
Source:
Source 1: SBD -> ? -> Cassette -> CD DSource 2: SBD -> Master Cassette -> Dat -> CD DSource 3: Nakamichi 300 -> Reels? -> Dat -> CD DSource 4: SBD -> Master Reel -> Cassette -> Dat -> CD
Lineage:
CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Sources 1 and 3 from shnid=21727 -- Source 2 may have extra cassette gen in it -- This is far from perfect, but is much better than other circulating copies -- Thanks to Joe B. Jones for his help with the pitch correction
Source 3 of 10
2:19:23
SBD
Rating:
8.91 / 12 ratings
SHNID:
gd78-11-20.sbdpatched.knott.21727.sbeok.shnf
Source:
Soundboard
Lineage:
Set1: SBD> ??> CAS> CD> EAC> WAV; set 2 misc SBD, AUD sources
Taper Notes:
View NotesComplete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws.
Source 4 of 10
1:03:54
SBD
Rating:
9.33 / 9 ratings
Source:
Soundboard with audience patches
Lineage:
Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches
Taper Notes:
View Notescomplete set 2; Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches; via Art Cohen?
Source 5 of 10
1:05:55
SBD
Rating:
9.00 / 8 ratings
SHNID:
gd78-11-20.sbd.mcleod.301.sbeok.shnf
Source:
Soundboard
Lineage:
MR> Cass Master> Lynxone 24 bit A/D converter> CD
Taper Notes:
View Notespartial sets 1,2; revised source: MR> Cass Master> Lynxone 24 bit A/D converter> CD; seed via M. Mcleod; abupt cut in the end of Peggy-o; via P. Lucente to BUDD offer
Taper: Kathy Sublette
1:04:59
Rating:
8.00 / 1 rating
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-11-20.148952.2nd.set.shure.sm57.sublette.miller.clugston.flac2496
Source:
Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Darrin Sacks for the audience (Nakamichi 300) source which supplies a 0:24 patch in the "Shakedown Street > If I Had The World To Give" transition - Sound stage changes after "Jack-A-Roe" (as if Kathy moved from towards the back of the hall, to the front of the venue) - Pitch corrected Mastered by Scott Clugston February 2020
Taper: Kathy Sublette
1:04:59
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-11-20.148951.2nd.set.shure.sm57.sublette.miller.clugston.flac1648
Source:
Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Darrin Sacks for the audience (Nakamichi 300) source which supplies a 0:24 patch in the "Shakedown Street > If I Had The World To Give" transition - Sound stage changes after "Jack-A-Roe" (as if Kathy moved from towards the back of the hall, to the front of the venue) - Pitch corrected Mastered by Scott Clugston February 2020
Taper: seaweed1010
1:39:21
Taper:
seaweed1010
Transferrer:
AndrewF
SHNID:
gd1978-11-20.s1.s2p.aud.seaweed.117661.flac1644
Lineage:
XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011
Taper: See info file
1:05:01
Rating:
9.33 / 3 ratings
Taper:
See info file
Transferrer:
Chris Chappell
SHNID:
gd1978-11-20.mtx-set2.chappell.sb16a.32489.sbeok.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesGeneral Notes: When the LlaMA had to pull the SBDs, one source I never got was the updated multiple SBD source (shnid=21727) that included the first set. Also mentioned is the Scott Jones AUD which runs through Jack-a-roe but is not listed in the db, and I have not seen either source circulate as of late (hint hint). If both sources surface I can then put together the first set as well, so for now this fileset is Sick Bits Vol. 16a and the first set would be Vol. 16b (I'm naming this fileset "a" hoping that there will be a "b"). This SBD is not that bad (fast though), but Jerry's tone gets very big when coupled with the added dimension of the AUD, which, all in all, is fairly decent for the time period. The SBD has some holes and finally cuts for good before the Playin' Reprise. The first set is about 76 mins. in length whereas this second set is about 65 mins. without an encore. One of the strangest second sets in terms of format, song selection, and plain old jamming - they essentially start with Space and play two distinctive jams (the second with Jerry using the Mutron) sandwiched around Drumz before finally settling into Jack A Roe, a 17 month rezi, 8th time played, only version of 1978, and only version which involves a segue. After they stop playing after the Jack A Roe (the only break in the set), Weir can clearly be heard on the SBD laying out the sequence: Playin > Shakedown > World To Give > Playin (it's unclear if he mentions Round & Round) - so this is very much planned, most likely because this is only the 5th Shakedown (no reprise) and the third and final If I Had The World To Give. Also, according to those that were there, Weir was ill for the early part of this set, so they opened with "jam". Thanks to whomever recorded the AUD, to Rob Bertrando for converting it to digital, and Darrin Sacks for encoding and seeding it. Since the SBD source is a mystery, thanks to all of you who had a hand in the lineage. Enjoy! Chappy
Taper: Rob Bertrando
1:04:33
Rating:
8.50 / 4 ratings
Taper:
Rob Bertrando
Transferrer:
Darrin Sacks
SHNID:
gd78-11-20.set2-aud.sacks.302.sbefail.shnf
Source:
Audience Recording: Nak 300's?