Bands
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Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h1.1k150
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h66494
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k898
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k352
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.1k798
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k404
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k431
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k163
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k303
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h928103
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k249
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k187
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k191
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k245
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k329
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k704
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k198
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k414
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.3k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k707
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h84070
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.9k611
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.1k664
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.9k477
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k268
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.7k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k616
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51662
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10316
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1978
Sources
Transferrer: Charlie Miller
2:24:06
SBD
Rating:
8.43 / 17 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-11-20.sbd.fix.miller.95660.sbeok.flac16
Source:
Source 1: SBD -> ? -> Cassette -> Sound Devices 744T -> Samplitude DSource 2: SBD -> Master Cassette -> Dat -> CD DSource 3: Nakamichi 300 -> Reels? -> Dat -> CD DSource 4: SBD -> Master Reel -> Cassette -> Dat -> CD
Lineage:
Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- This is an upgrade to shnid=95244 -- Source 2 may have extra cassette gen in it -- There is a tape flip in Looks Like Rain -- This is far from perfect, but is much better than other circulating copies -- Thanks to Matt Smith for the new Set 1 tape -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:30:51
SBD
Rating:
8.67 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-11-20.sbd.miller.95244.sbeok.flac16
Source:
Source 1: SBD -> ? -> Cassette -> CD DSource 2: SBD -> Master Cassette -> Dat -> CD DSource 3: Nakamichi 300 -> Reels? -> Dat -> CD DSource 4: SBD -> Master Reel -> Cassette -> Dat -> CD
Lineage:
CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Sources 1 and 3 from shnid=21727 -- Source 2 may have extra cassette gen in it -- This is far from perfect, but is much better than other circulating copies -- Thanks to Joe B. Jones for his help with the pitch correction
Source 3 of 10
2:19:23
SBD
Rating:
8.91 / 12 ratings
SHNID:
gd78-11-20.sbdpatched.knott.21727.sbeok.shnf
Source:
Soundboard
Lineage:
Set1: SBD> ??> CAS> CD> EAC> WAV; set 2 misc SBD, AUD sources
Taper Notes:
View NotesComplete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws.
Source 4 of 10
1:03:54
SBD
Rating:
9.33 / 9 ratings
Source:
Soundboard with audience patches
Lineage:
Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches
Taper Notes:
View Notescomplete set 2; Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches; via Art Cohen?
Source 5 of 10
1:05:55
SBD
Rating:
9.00 / 8 ratings
SHNID:
gd78-11-20.sbd.mcleod.301.sbeok.shnf
Source:
Soundboard
Lineage:
MR> Cass Master> Lynxone 24 bit A/D converter> CD
Taper Notes:
View Notespartial sets 1,2; revised source: MR> Cass Master> Lynxone 24 bit A/D converter> CD; seed via M. Mcleod; abupt cut in the end of Peggy-o; via P. Lucente to BUDD offer
Taper: Kathy Sublette
1:04:59
Rating:
8.00 / 1 rating
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-11-20.148952.2nd.set.shure.sm57.sublette.miller.clugston.flac2496
Source:
Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Darrin Sacks for the audience (Nakamichi 300) source which supplies a 0:24 patch in the "Shakedown Street > If I Had The World To Give" transition - Sound stage changes after "Jack-A-Roe" (as if Kathy moved from towards the back of the hall, to the front of the venue) - Pitch corrected Mastered by Scott Clugston February 2020
Taper: Kathy Sublette
1:04:59
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-11-20.148951.2nd.set.shure.sm57.sublette.miller.clugston.flac1648
Source:
Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Darrin Sacks for the audience (Nakamichi 300) source which supplies a 0:24 patch in the "Shakedown Street > If I Had The World To Give" transition - Sound stage changes after "Jack-A-Roe" (as if Kathy moved from towards the back of the hall, to the front of the venue) - Pitch corrected Mastered by Scott Clugston February 2020
Taper: seaweed1010
1:39:21
Taper:
seaweed1010
Transferrer:
AndrewF
SHNID:
gd1978-11-20.s1.s2p.aud.seaweed.117661.flac1644
Lineage:
XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011
Taper: See info file
1:05:01
Rating:
9.33 / 3 ratings
Taper:
See info file
Transferrer:
Chris Chappell
SHNID:
gd1978-11-20.mtx-set2.chappell.sb16a.32489.sbeok.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesGeneral Notes: When the LlaMA had to pull the SBDs, one source I never got was the updated multiple SBD source (shnid=21727) that included the first set. Also mentioned is the Scott Jones AUD which runs through Jack-a-roe but is not listed in the db, and I have not seen either source circulate as of late (hint hint). If both sources surface I can then put together the first set as well, so for now this fileset is Sick Bits Vol. 16a and the first set would be Vol. 16b (I'm naming this fileset "a" hoping that there will be a "b"). This SBD is not that bad (fast though), but Jerry's tone gets very big when coupled with the added dimension of the AUD, which, all in all, is fairly decent for the time period. The SBD has some holes and finally cuts for good before the Playin' Reprise. The first set is about 76 mins. in length whereas this second set is about 65 mins. without an encore. One of the strangest second sets in terms of format, song selection, and plain old jamming - they essentially start with Space and play two distinctive jams (the second with Jerry using the Mutron) sandwiched around Drumz before finally settling into Jack A Roe, a 17 month rezi, 8th time played, only version of 1978, and only version which involves a segue. After they stop playing after the Jack A Roe (the only break in the set), Weir can clearly be heard on the SBD laying out the sequence: Playin > Shakedown > World To Give > Playin (it's unclear if he mentions Round & Round) - so this is very much planned, most likely because this is only the 5th Shakedown (no reprise) and the third and final If I Had The World To Give. Also, according to those that were there, Weir was ill for the early part of this set, so they opened with "jam". Thanks to whomever recorded the AUD, to Rob Bertrando for converting it to digital, and Darrin Sacks for encoding and seeding it. Since the SBD source is a mystery, thanks to all of you who had a hand in the lineage. Enjoy! Chappy
Taper: Rob Bertrando
1:04:33
Rating:
8.50 / 4 ratings
Taper:
Rob Bertrando
Transferrer:
Darrin Sacks
SHNID:
gd78-11-20.set2-aud.sacks.302.sbefail.shnf
Source:
Audience Recording: Nak 300's?