Bands
Featured
Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
28.8k
PlaybackListensHours
48h1.3k184
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62088
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.1k825
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.3k292
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.1k670
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k375
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k412
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k150
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k278
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h86197
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k240
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k179
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k234
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.3k298
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.4k447
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.2k717
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h87373
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.6k572
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.6k599
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.7k456
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k249
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.9k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k616
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52163
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13519
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31723
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1978
Sources
Transferrer: Charlie Miller
2:24:06
SBD
Rating:
8.43 / 17 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-11-20.sbd.fix.miller.95660.sbeok.flac16
Source:
Source 1: SBD -> ? -> Cassette -> Sound Devices 744T -> Samplitude DSource 2: SBD -> Master Cassette -> Dat -> CD DSource 3: Nakamichi 300 -> Reels? -> Dat -> CD DSource 4: SBD -> Master Reel -> Cassette -> Dat -> CD
Lineage:
Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- This is an upgrade to shnid=95244 -- Source 2 may have extra cassette gen in it -- There is a tape flip in Looks Like Rain -- This is far from perfect, but is much better than other circulating copies -- Thanks to Matt Smith for the new Set 1 tape -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:30:51
SBD
Rating:
8.67 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-11-20.sbd.miller.95244.sbeok.flac16
Source:
Source 1: SBD -> ? -> Cassette -> CD DSource 2: SBD -> Master Cassette -> Dat -> CD DSource 3: Nakamichi 300 -> Reels? -> Dat -> CD DSource 4: SBD -> Master Reel -> Cassette -> Dat -> CD
Lineage:
CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Sources 1 and 3 from shnid=21727 -- Source 2 may have extra cassette gen in it -- This is far from perfect, but is much better than other circulating copies -- Thanks to Joe B. Jones for his help with the pitch correction
Source 3 of 10
2:19:23
SBD
Rating:
8.91 / 12 ratings
SHNID:
gd78-11-20.sbdpatched.knott.21727.sbeok.shnf
Source:
Soundboard
Lineage:
Set1: SBD> ??> CAS> CD> EAC> WAV; set 2 misc SBD, AUD sources
Taper Notes:
View NotesComplete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws.
Source 4 of 10
1:03:54
SBD
Rating:
9.33 / 9 ratings
Source:
Soundboard with audience patches
Lineage:
Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches
Taper Notes:
View Notescomplete set 2; Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches; via Art Cohen?
Source 5 of 10
1:05:55
SBD
Rating:
9.00 / 8 ratings
SHNID:
gd78-11-20.sbd.mcleod.301.sbeok.shnf
Source:
Soundboard
Lineage:
MR> Cass Master> Lynxone 24 bit A/D converter> CD
Taper Notes:
View Notespartial sets 1,2; revised source: MR> Cass Master> Lynxone 24 bit A/D converter> CD; seed via M. Mcleod; abupt cut in the end of Peggy-o; via P. Lucente to BUDD offer
Taper: Kathy Sublette
1:04:59
Rating:
8.00 / 1 rating
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-11-20.148952.2nd.set.shure.sm57.sublette.miller.clugston.flac2496
Source:
Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Darrin Sacks for the audience (Nakamichi 300) source which supplies a 0:24 patch in the "Shakedown Street > If I Had The World To Give" transition - Sound stage changes after "Jack-A-Roe" (as if Kathy moved from towards the back of the hall, to the front of the venue) - Pitch corrected Mastered by Scott Clugston February 2020
Taper: Kathy Sublette
1:04:59
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-11-20.148951.2nd.set.shure.sm57.sublette.miller.clugston.flac1648
Source:
Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Darrin Sacks for the audience (Nakamichi 300) source which supplies a 0:24 patch in the "Shakedown Street > If I Had The World To Give" transition - Sound stage changes after "Jack-A-Roe" (as if Kathy moved from towards the back of the hall, to the front of the venue) - Pitch corrected Mastered by Scott Clugston February 2020
Taper: seaweed1010
1:39:21
Taper:
seaweed1010
Transferrer:
AndrewF
SHNID:
gd1978-11-20.s1.s2p.aud.seaweed.117661.flac1644
Lineage:
XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011
Taper: See info file
1:05:01
Rating:
9.33 / 3 ratings
Taper:
See info file
Transferrer:
Chris Chappell
SHNID:
gd1978-11-20.mtx-set2.chappell.sb16a.32489.sbeok.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesGeneral Notes: When the LlaMA had to pull the SBDs, one source I never got was the updated multiple SBD source (shnid=21727) that included the first set. Also mentioned is the Scott Jones AUD which runs through Jack-a-roe but is not listed in the db, and I have not seen either source circulate as of late (hint hint). If both sources surface I can then put together the first set as well, so for now this fileset is Sick Bits Vol. 16a and the first set would be Vol. 16b (I'm naming this fileset "a" hoping that there will be a "b"). This SBD is not that bad (fast though), but Jerry's tone gets very big when coupled with the added dimension of the AUD, which, all in all, is fairly decent for the time period. The SBD has some holes and finally cuts for good before the Playin' Reprise. The first set is about 76 mins. in length whereas this second set is about 65 mins. without an encore. One of the strangest second sets in terms of format, song selection, and plain old jamming - they essentially start with Space and play two distinctive jams (the second with Jerry using the Mutron) sandwiched around Drumz before finally settling into Jack A Roe, a 17 month rezi, 8th time played, only version of 1978, and only version which involves a segue. After they stop playing after the Jack A Roe (the only break in the set), Weir can clearly be heard on the SBD laying out the sequence: Playin > Shakedown > World To Give > Playin (it's unclear if he mentions Round & Round) - so this is very much planned, most likely because this is only the 5th Shakedown (no reprise) and the third and final If I Had The World To Give. Also, according to those that were there, Weir was ill for the early part of this set, so they opened with "jam". Thanks to whomever recorded the AUD, to Rob Bertrando for converting it to digital, and Darrin Sacks for encoding and seeding it. Since the SBD source is a mystery, thanks to all of you who had a hand in the lineage. Enjoy! Chappy
Taper: Rob Bertrando
1:04:33
Rating:
8.50 / 4 ratings
Taper:
Rob Bertrando
Transferrer:
Darrin Sacks
SHNID:
gd78-11-20.set2-aud.sacks.302.sbefail.shnf
Source:
Audience Recording: Nak 300's?