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Today In History
June 10th
Years
1995
29.8k
PlaybackListensHours
48h57177
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k252
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k299
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.4k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k304
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k133
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2k225
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h76687
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k191
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.4k626
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k143
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k232
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k303
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k206
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k251
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.5k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k553
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.4k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k272
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k196
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k197
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k167
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72390
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9815
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41826
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1978
10/21/78
Hamza El Din 1
7:31
Hamza El Din 2
2:57
Ollin Arageed
15:10
The Promised Land
4:21
Sugaree
13:09
Passenger
4:18
Ramble On Rose
7:55
Looks Like Rain
9:32
Stagger Lee
7:04
I Need A Miracle
7:57
Bertha
7:32
Good Lovin'
7:28
It Must Have Been the Roses
8:43
Estimated Prophet
15:12
He's Gone
7:47
Drums
15:36
Space
2:42
Got My Mojo Workin
10:31
The Other One
7:24
Stella Blue
11:55
Sugar Magnolia
8:22
U.S. Blues
6:47
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:16:44
SBD
Rating:
9.20 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-10-21.sbd.miller.89721.sbeok.flac16
Source:
SBD -> Master Reel -> Reel -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC
Taper Notes:
View NotesPatch Info: AKG D224E -> Cassette Master -> Reel -> Reel -> MiniMe -> CD supplies: Sugaree (11:40 - 12:54) He's Gone (7:41 - 9:58) Stella Blue (10:18 - end of track) Sugar Magnolia (0:00 - 0:21) Notes: -- All disc changes are seamless -- Some in between song tuning supplied by shnid=6100 -- Numerous spots of diginoise in I Need A Miracle patched with shnid=6100 -- Many flaws cleaned up -- Dat was labled SBD -> Master Reel -> PCM -> Dat which is wrong -- Patch material supplied by Pat Lee and transferred by Matt Smith -- Patch was recorded by Reinhart Holwein on a Sony TC-158 cassette deck -- Lee Oskar plays harmonica on Drums through Got My Mojo Workin' and Sugar Mags
Transferrer: Hunter Seamons
3:19:05
SBD
Rating:
8.00 / 1 rating
Transferrer:
Hunter Seamons
SHNID:
gd1978-10-21.mtx.seamons.94852.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes***30th Anniversary Matrix*** ---------------------------------------------------- SBD: Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] January 28, 2008 [Cuts:] Sugaree (11:40 - 12:54) He's Gone (7:41 - 9:58) Stella Blue (10:18 - end of track) Sugar Magnolia (0:00 - 0:21) Notes: -- All disc changes are seamless -- Some in between song tuning supplied by shnid=6100 -- Numerous spots of diginoise in I Need A Miracle patched with shnid=6100 -- Many flaws cleaned up ---------------------------------------------------- AUD: MOTB Release: 0015 16/44. Release Date: 2008-09-25 Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 [Cuts:] "He's Gone" patched at 3:43 - 4:07 "Stella Blue" patched at 0:03 - 0:12 "Sugar Magnolia" patched at 7:44 - 8:24 --------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, to Reinhart Hohlwein for recording the show, and to Bob Menke, Derek McCabe, and Jeff Thomas for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) September 28, 2008 Notes: 1) There were occasional, brief "phasing" sounds in the SBD, yet not in the AUD, particularly during Hamza el Din Song #1, Promised Land (and after the song), and I Need a Miracle. Most of this seems to be from Miller's patching of the source with SHNID 6100, which sounded differently when mixed with the AUD, or on it's own. 2) There is a noticeable tonal shift in the AUD during Hamza el Din Song #1 from the mic being moved around. 3) There were cuts in the SBD and AUD between songs, whereupon only one source plays in the matrix. 4) Interestingly, Lee Oskar's harp is more audible on the AUD than the SBD, which is good. 5) As noted above, unfortunate cuts in the AUD right after a stellar Other One and a raging Sugar Magnolia, so the roaring crowd is just a little low during those parts. Cut in the AUD for the tail end of the recording as well.
Source 3 of 11
3:12:15
SBD
Rating:
10.00 / 2 ratings
SHNID:
gd1978-10-21.sbd.nugs.21248.sbeok.flac16
Source:
SBD>Master Reel>Cassette>DAT>WAV
Taper Notes:
View NotesDespite some minor flaws, this is the best representation of what went down at Winterland in October of 1978 (short of an official Vault release which we can only hope for). All five shows come from soundboard sources of varying degrees of quality. Some sets are spliced together from various sources, with an audience patch at the end of 10/21/78 Stella Blue. There are some cuts due to cassette flips. Special thanks to dug for the sources.
Source 4 of 11
3:09:53
SBD
Rating:
8.94 / 34 ratings
SHNID:
gd78-10-21.sbd.popi.6100.sbeok.shnf
Source:
Soundboard
Lineage:
sbd> mr> dats> wav> shn
Taper Notes:
View Notessbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT seed; see info file for flaw and patch notes
Taper: Mark Severson
2:09:34
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-10-21.148355.1p.2.sony.ecm270.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes
Lineage:
1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the MOTB folks for the shnid94600 (FOB) AKG S224E source which supplies a 0:09 patch in "Looks Like Rain", a 0:23 patch in "He's Gone", as well as a 0:14 patch in "Stella Blue" - "Space" & "Got My Mojo Workin'" with Lee Oskar on harmonica - Pitch corrected - Unfortunately, Mark's masters of both the Egypt and Winterland run of shows were stolen. This is Mark's "car copy" he made which comprises highlights from the 1st set and the 2nd set in its entirety Mastered by Scott Clugston November 2019
Taper: Mark Severson
2:09:34
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-10-21.148354.1p.2.sony.ecm270.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes
Lineage:
1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the MOTB folks for the shnid94600 (FOB) AKG S224E source which supplies a 0:09 patch in "Looks Like Rain", a 0:23 patch in "He's Gone", as well as a 0:14 patch in "Stella Blue" - "Space" & "Got My Mojo Workin'" with Lee Oskar on harmonica - Pitch corrected - Unfortunately, Mark's masters of both the Egypt and Winterland run of shows were stolen. This is Mark's "car copy" he made which comprises highlights from the 1st set and the 2nd set in its entirety Mastered by Scott Clugston November 2019
Taper: Reinhart Hohlwein
3:17:08
REMASTER
Rating:
10.00 / 1 rating
Taper:
Reinhart Hohlwein
Transferrer:
acetboy
SHNID:
gd1978-10-21.166112.aud.remaster.acetboy.flac1644
Source:
This is a remaster of the Reinhart Hohlwein shn #94600 by acetboy
Taper Notes:
View NotesThis is a remaster of shn #94600. When 94600 was created there was no other audience source for patching. So they used the soundboard. There is an alternative audience recording now. So I have used shn #102074 for the 3 patches. This is the info for that share: ============================ Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8) ============================ Thanks to the taper and the MOTB people and all who bring this stuff to share. And the people who shared shn #102074. All of the work I do is in ocenaudio and Harrison Mixbus. Everything I do is basically about levels. Keeping them the same in both channels throughout the frequency range. When I speak of levels I mean RMS levels. Average levels. I also tighten up phase issues when needed. Clear up any gaps that may be found. If original files are high res, I have done most of the work at the higher sample frequency and bit depths. Then towards the end I've converted to 44.1 16 bit. About the screen grabs: One can not see everything I do in these images but it shows something about how the audio has changed between before and after. If I'm working from high res files the before FFT and Spectral images look quite a bit different inherently. But you can still see how they differ otherwise. acetboy 2023-10-21
Taper: Mike Martin and Mark Bunton
3:27:03
Taper:
Mike Martin and Mark Bunton
Transferrer:
Mike Martin
SHNID:
gd1978-10-21.sonyecm280.martin-bunton.102075.flac24
Source:
Two Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape
Lineage:
Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8)
Taper Notes:
View NotesThe tape was flipped during Drums (disc 3 track 1 at 9:46). The tape was again flipped in the Sugar Magnolia > Sunshine Daydream transition. To fill in the missing section 5 seconds from an alternate source recorded by Reinhart Hohlwein (disc 3 track 7 from 0:01 to 0:06) was inserted. These breaks were spliced together with NERO wave editor. NERO wave editor was also used to make volume adjustments and to surgically remove distracting ôclapsö one at a time. Finally the FLAC conversion was performed at level 8. As a note, the Sony ecm-280 cardiod microphone specification page describes the frequency response as 30 to 18KHz. No Eq or Noise reduction used. There is a slight fluttering noise in the master cassettes during the quieter sections. Thanks to John Musgrave for the use of his recording equipment.
Taper: Mike Martin;Mark Bunton
3:27:03
Rating:
10.00 / 2 ratings
Taper:
Mike Martin;Mark Bunton
Transferrer:
Mike Martin
SHNID:
gd1978-10-21.sonyecm280.martin-bunton.102074.flac16
Source:
Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape.
Lineage:
Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8)
Taper Notes:
View NotesThe tape was flipped during Drums (disc 3 track 1 at 9:46). The tape was again flipped in the Sugar Magnolia > Sunshine Daydream transition. To fill in the missing section 5 seconds from an alternate source recorded by Reinhart Hohlwein (disc 3 track 7 from 0:01 to 0:06) was inserted. These breaks were spliced together with NERO wave editor. NERO wave editor was also used to make volume adjustments and to surgically remove distracting 'claps' one at a time. Finally Audacity was used to dither the files to 16 bit and the FLAC conversion was performed at level 8. As a note, the Sony ecm-280 cardiod microphone specification page describes the frequency response as 30 to 18KHz. No Eq or Noise reduction used. There is a slight fluttering noise in the master cassettes during the quieter sections. Thanks to John Musgrave for the use of his recording equipment. Thanks to Bill Fridl for the permission to use his nice photos from these shows Mike Martin September 2009 Pictures - 1978 Bill Fridl. For more Information visit: http://www.grateful-dead-photos.com/shows.html
Taper: Reinhart Hohlwein
3:16:43
Rating:
10.00 / 3 ratings
Taper:
Reinhart Hohlwein
Transferrer:
Bob Menke and Derek McCabe and Jeff Thomas
SHNID:
gd1978-10-21.aud.rhinotrocity5.motb-0015.94600.flac24
Source:
2 x AKG d224e => Sony TC 158 => 3 x Maxell UDXL II
Lineage:
Master Cassette => Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesMastering Notes: Three patches were applied using the following source: gd78-10-21.sbd.miller.89721.flac16 "He's Gone" patched at 3:43 - 4:07 "Stella Blue" patched at 0:03 - 0:12 "Sugar Magnolia" patched at 7:44 - 8:24
Taper: Reinhart Hohlwein
3:16:44
Rating:
9.33 / 4 ratings
Taper:
Reinhart Hohlwein
Transferrer:
Bob Menke and Derek McCabe and Jeff Thomas
SHNID:
gd1978-10-21.aud.rhinotrocity5.motb-0015.94599.flac16
Source:
2 x AKG d224e => Sony TC 158 >> 3 x Maxell UDXL II
Lineage:
Master Cassette >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesMastering Notes: Three patches were applied using the following source: gd78-10-21.sbd.miller.89721.flac16 "He's Gone" patched at 3:43 - 4:07 "Stella Blue" patched at 0:03 - 0:12 "Sugar Magnolia" patched at 7:44 - 8:24