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Today In History
June 12th
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1978
10/20/78
Minglewood Blues
5:49
They Love Each Other
8:15
Cassidy
6:23
Dire Wolf
5:23
El Paso
5:19
Tennessee Jed
9:01
It's All Over Now
8:14
Loser
9:05
Lazy Lightning > Supplication
8:20
Mississippi Half-Step ->
9:27
Franklin's Tower
13:39
Dancin' in the Streets ->
19:54
Drums ->
7:11
Space ->
5:19
Not Fade Away ->
7:31
Black Peter ->
10:37
Around And Around
10:12
Johnny B. Goode
5:13
Shakedown Street
7:46
FIN
View on archive.org
Sources
Transferrer: Matrix by Dave Usborne
2:47:49
SBD
Rating:
8.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1978-10-20.135505.mtx.dusborne.flac16
Source:
2 source matrix by Dusborne;Soundboard (Shnid:92542)Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFFTransfer Info:AIFF -> Samplitude Professional v10.1 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience(shnid:100700) Analog Audience Source: AUD Master Cassettes,Analog
Lineage:
2 x AKG D224e => Sony TC-158 >> MAC,Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein,Transfer By: Bob Menke,Mastering By: Derek McCabe
Taper Notes:
View NotesTagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-14-2016
Transferrer: Charlie Miller
2:47:06
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-10-20.sbd.miller.92542.sbeok.flac16
Source:
SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> DSony R500 (A>D Only) -> Peak -> AIFF D
Lineage:
AIFF -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC)
Taper Notes:
View Notes-- Set 2 is seamless -- Patch material supplied by Pat Lee and transferred by Matt Smith -- Patch was recorded by Reinhart Holwein on a Sony TC-158 cassette deck
Source 3 of 13
2:42:38
SBD
SHNID:
gd1978-10-20.sbd.nugs.21245.sbeok.flac16
Source:
SBD>Master Reel>Cassette>DAT>WAV
Taper Notes:
View NotesDespite some minor flaws, this is the best representation of what went down at Winterland in October of 1978 (short of an official Vault release which we can only hope for). All five shows come from soundboard sources of varying degrees of quality. Some sets are spliced together from various sources, with an audience patch at the end of 10/21/78 Stella Blue. There are some cuts due to cassette flips. Special thanks to dug for the sources.
Source 4 of 13
2:43:08
SBD
Rating:
8.73 / 11 ratings
SHNID:
gd78-10-20.sbd.lai.4159.sbeok.shnf
Source:
Soundboard
Taper Notes:
View NotesSBD; transferred and seeded to etree by Mike Lai, from Bruce Fried DAT
Taper: Dennis Koda
1:32:35
Taper:
Dennis Koda
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020Charlie Miller
SHNID:
gd1978-10-20.150755.s1.s2p.akg-c12a.miller.flac16
Source:
AKG C12A > Cassette Master (Nakamichi 550) > Cassette (Nakamichi 1000/Maxell UDXLI)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Sony ECM-270 > Cassette Master (shnid=148357) supplies: Franklin's Tower (8:20 - end of track) Notes: -- Thanks to Dennis Koda for the cassette -- Thanks to Mark Severson and Scott Clugston for the patch source -- This file set is 16 bit @ 44.1
Taper: Dennis Koda
1:32:35
Taper:
Dennis Koda
Transferrer:
Charlie Miller
SHNID:
gd1978-10-20.150752.akg24.koda.miller.flac2496
Source:
AKG C12A > Cassette Master (Nakamichi 550) > Cassette (Nakamichi 1000/Maxell UDXLI)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Sony ECM-270 > Cassette Master (shnid=148357) supplies: Franklin's Tower (8:20 - end of track) All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020 Notes: -- Thanks to Dennis Koda for the cassette -- Thanks to Mark Severson and Scott Clugston for the patch source
Taper: Mark Severson
2:21:57
Rating:
8.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-10-20.148357.1p.2.sony.ecm270.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes
Lineage:
1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the MOTB folks for the shnid100700 (FOB) AKG S224E source which supplies the first 0:12 of "Mississippi Half-Step" - Thanks to Charlie Miller for the shnid92542 soundboard source which supplies a 0:06 patch in "Drums" - NFA space included in "Not Fade Away" - Pitch corrected - Unfortunately, Mark's masters of both the Egypt and Winterland run of shows were stolen. This is Mark's "car copy" he made which comprises highlights from the 1st set and the 2nd set in its entirety Mastered by Scott Clugston November 2019
Taper: Mark Severson
2:21:57
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-10-20.148356.1p.2.sony.ecm270.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes
Lineage:
1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the MOTB folks for the shnid100700 (FOB) AKG S224E source which supplies the first 0:12 of "Mississippi Half-Step" - Thanks to Charlie Miller for the shnid92542 soundboard source which supplies a 0:06 patch in "Drums" - NFA space included in "Not Fade Away" - Pitch corrected - Unfortunately, Mark's masters of both the Egypt and Winterland run of shows were stolen. This is Mark's "car copy" he made which comprises highlights from the 1st set and the 2nd set in its entirety Mastered by Scott Clugston November 2019
Taper: Reinhart Hohlwein
2:41:25
REMASTER
Taper:
Reinhart Hohlwein
Transferrer:
acetboy
SHNID:
gd1978-10-20.166111.aud.remaster.acetboy.flac1644
Source:
2 x AKG D224e => Sony TC-158 >> MAC
Lineage:
MOTB Release: 0021 24/96
Taper Notes:
View NotesThis is a remaster of shn #100700. There are small patch's in FT and NFA from the soundboard not mentioned in the original notes. I have smoothed them out and disguised them a bit more here. Thanks to the taper and the MOTB people and all who bring this stuff to share. All of the work I do is in ocenaudio and Harrison Mixbus. Everything I do is basically about levels. Keeping them the same in both channels throughout the frequency range. When I speak of levels I mean RMS levels. Average levels. I also tighten up phase issues when needed. Clear up any gaps that may be found. If original files are high res, I have done most of the work at the higher sample frequency and bit depths. Then towards the end I've converted to 44.1 16 bit. About the screen grabs: One can not see everything I do in these images but it shows something about how the audio has changed between before and after. If I'm working from high res files the before FFT and Spectral images look quite a bit different inherently. But you can still see how they differ otherwise. acetboy 2023-10-20
Taper: Mike Martin and Mark Bunton
2:42:38
Taper:
Mike Martin and Mark Bunton
Transferrer:
Mike Martin
SHNID:
gd1978-10-20.sonyecm280.martin-bunton.102073.flac24
Source:
Two Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape
Lineage:
Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave
Taper Notes:
View NotesThe tape was flipped during Franklins Tower (disc 2 track 2 at 6:51). The tape was again flipped in the Space > Not Fade Away transition (disc 3 track 4 at 0:12). These breaks were spliced together with NERO wave editor. NERO was also used to make volume adjustments and to surgically remove distracting ôclapsö one at a time. As a note, the Sony ecm-280 cardiod microphone specification page describes the frequency response as 30 to 18KHz. No Eq or Noise reduction used. There is a slight fluttering noise in the master cassettes during the quieter sections. Thanks to John Musgrave for the use of his recording equipment. Mike Martin July 2009
Taper: Mike Martin;Mark Bunton;Chuck
2:42:38
Rating:
10.00 / 2 ratings
Taper:
Mike Martin;Mark Bunton;Chuck
Transferrer:
Mike Martin
SHNID:
gd1978-10-20.sonyecm280.martin-bunton.102072.flac16
Source:
Recorded by: Mike Martin and Mark Bunton with Chuck helping out. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape.
Lineage:
Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8)
Taper Notes:
View NotesThe tape was flipped during Franklins Tower (disc 2 track 2 at 6:51). The tape was again flipped in the Space > Not Fade Away transition (disc 3 track 4 at 0:12). These breaks were spliced together with NERO wave editor. NERO wave editor was also used to make volume adjustments and to surgically remove distracting claps one at a time. Finally Audacity was used to dither the files to 16 bit and then the FLAC conversion was performed at level 8. As a note, the Sony ecm-280 cardiod microphone specification page describes the frequency response as 30 to 18KHz. No Eq or Noise reduction used. There is a slight fluttering noise in the master cassettes during the quieter sections. Thanks to John Musgrave for the use of his recording equipment. Thanks to Bill Fridl for the permission to use his nice photos from these shows Mike Martin September 2009
Taper: Reinhart Holwein
2:41:16
Taper:
Reinhart Holwein
Transferrer:
Bob Menke and Derek McCabe
SHNID:
gd1978-10-20.fob.akgd224e.holwein.motb.100700.flac24
Source:
2 x AKG D224e => Sony TC-158 >> MAC
Lineage:
MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper: Reinhart Holwein
2:41:14
Taper:
Reinhart Holwein
Transferrer:
Bob Menke and Derek McCabe
SHNID:
gd1978-10-20.fob.akgd224e.holwein.motb.100698.flac16
Source:
2 x AKG D224e => Sony TC-158 >> MAC
Lineage:
MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1]
Taper Notes:
View Notes16 bit version