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June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1978
10/18/78
Sugaree
16:10
Me & My Uncle ->
3:06
Big River
6:26
Peggy-O
9:35
Looks Like Rain
9:24
Stagger Lee
8:39
New Minglewood Blues
8:08
Candyman
8:29
The Music Never Stopped
8:12
Tuning
1:05
Bertha ->
7:06
Good Lovin'
8:37
From the Heart of Me
4:37
Ship of Fools
7:26
Samson & Delilah
8:52
Terrapin Station ->
12:46
Playing in the Band ->
11:14
Drums ->
4:02
Space ->*
8:09
Mind Left Body Jam ->*
3:48
Wharf Rat ->
11:02
Truckin'
12:49
I Need a Miracle
5:53
FIN
View on archive.org
Sources
Transferrer: Matrix by Dave Usborne
3:05:35
SBD
Rating:
6.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1978-10-18.135504.mtx.dusborne.flac16
Source:
2 source matrix by Dusborne;Soundboard (Shnid:89335)Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC,All Transfers and Mastering By Charlie Miller;Audience (shnid:100701)Analog Audience Source: AUD Master Cassettes (MAC)Analog
Lineage:
2 x AKG D224e => Sony TC-158 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg AudioGate >> WAV [24/96],Taped By: Reinhart Holwein,Transfer By: Bob Menke Mastering By: Adam Egert
Taper Notes:
View NotesTagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-14-2016
Transferrer: Charlie Miller
3:04:20
SBD
Rating:
9.00 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-10-18.sbd.miller.89335.sbeok.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC
Taper Notes:
View Notes-- Set 2 is seamless -- Many flaws cleaned up -- Drums/Space with Lee Oskar on harmonica -- This source does not have cuts in PITB and I Need A Miracle -- Mojo Jam during the Mind Left Body Jam -- Patch material supplied by Pat Lee and transferred by Matt Smith -- Patch was recorded by Reinhart Holwein on a Sony TC-158 cassette
Source 3 of 7
2:54:08
SBD
SHNID:
gd1978-10-18.sbd.nugs.21244.sbeok.flac16
Source:
SBD>Master Reel>Cassette>DAT>WAV
Taper Notes:
View NotesDespite some minor flaws, this is the best representation of what went down at Winterland in October of 1978 (short of an official Vault release which we can only hope for). All five shows come from soundboard sources of varying degrees of quality. Some sets are spliced together from various sources, with an audience patch at the end of 10/21/78 Stella Blue. There are some cuts due to cassette flips.
Source 4 of 7
2:55:25
SBD
Rating:
9.13 / 30 ratings
SHNID:
gd78-10-18.sbd.shakedown.298.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Master Reel > PCM-1 > DAT > CD> EAC > SHN
Taper Notes:
View NotesSBD > Master Reel > PCM-1 > DAT > CD> EAC > SHN; via [email protected]; known flaws (from MR): Sugaree, Miracle cut; PITB, WR spliced
Taper: Reinhart Holwein
2:53:34
REMASTER
Rating:
10.00 / 1 rating
Taper:
Reinhart Holwein
Transferrer:
acetboy
SHNID:
gd1978-10-18.166110.aud.remaster.acetboy.flac1644
Source:
This is a remaster of the Reinhart Holwein shn #100701
Taper Notes:
View NotesThis is a remaster of shn #100701. Thanks to the taper and the MOTB people and all who bring this stuff to share. All of the work I do is in ocenaudio and Harrison Mixbus. Everything I do is basically about levels. Keeping them the same in both channels throughout the frequency range. When I speak of levels I mean RMS levels. Average levels. I also tighten up phase issues when needed. Clear up any gaps that may be found. If original files are high res, I have done most of the work at the higher sample frequency and bit depths. Then towards the end I've converted to 44.1 16 bit. There is a very short patch from the soundboard during Wharf Rat. I've adjusted it a bit to draw less attention to itself. lol If there was another audience recording now I would have used that for the patch. About the screen grabs: One can not see everything I do in these images but it shows something about how the audio has changed between before and after. If I'm working from high res files the before FFT and Spectral images look quite a bit different inherently. But you can still see how they differ otherwise. acetboy 2023-10-18
Taper: Reinhart Holwein
2:53:21
Taper:
Reinhart Holwein
Transferrer:
Bob Menke and Adam Egert
SHNID:
gd1978-10-18.fob.akgd224e.holwein.motb-0093.100702.flac16
Source:
2 x AKG D224e => Sony TC-158 >> MAC
Lineage:
MAC >> Nakamichi CR-7a => Korg MR-1000>> DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1]
Taper: Reinhart Holwein
2:53:21
Rating:
9.00 / 2 ratings
Taper:
Reinhart Holwein
Transferrer:
Bob Menke and Adam Egert
SHNID:
gd1978-10-18.fob.akgd224e.holwein.motb-0093.100701.flac24
Source:
2 x AKG D224e => Sony TC-158 >> MAC
Lineage:
MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg AudioGate >> WAV [24/96]