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Bands
Grateful Dead
Today In History
June 12th
Years
1995
30.1k
PlaybackListensHours
48h55474
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.5k186
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.1k421
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.4k314
7d5.9k756
30d38.5k5.1k
57 shows
539 tapes
1991
36.3k
PlaybackListensHours
48h4.9k613
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h7.5k939
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h3k367
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k131
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.6k297
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h991112
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k216
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4.3k509
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.4k179
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k152
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.4k305
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.4k273
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k212
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k264
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h10.4k1.4k
7d47.4k6.5k
30d292.7k40.4k
64 shows
419 tapes
1976
61.3k
PlaybackListensHours
48h19.9k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h23325
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k502
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h10.3k1.4k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k253
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.7k185
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k192
7d12.9k1.3k
30d46.3k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.3k172
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h56472
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8212
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h48931
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h524
7d1368
30d63237
2 shows
2 tapes
1978
Sources
Transferrer: Matrix by Dave Usborne
3:05:35
SBD
Rating:
6.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1978-10-18.135504.mtx.dusborne.flac16
Source:
2 source matrix by Dusborne;Soundboard (Shnid:89335)Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC,All Transfers and Mastering By Charlie Miller;Audience (shnid:100701)Analog Audience Source: AUD Master Cassettes (MAC)Analog
Lineage:
2 x AKG D224e => Sony TC-158 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg AudioGate >> WAV [24/96],Taped By: Reinhart Holwein,Transfer By: Bob Menke Mastering By: Adam Egert
Taper Notes:
View NotesTagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-14-2016
Transferrer: Charlie Miller
3:04:20
SBD
Rating:
9.00 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-10-18.sbd.miller.89335.sbeok.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC
Taper Notes:
View Notes-- Set 2 is seamless -- Many flaws cleaned up -- Drums/Space with Lee Oskar on harmonica -- This source does not have cuts in PITB and I Need A Miracle -- Mojo Jam during the Mind Left Body Jam -- Patch material supplied by Pat Lee and transferred by Matt Smith -- Patch was recorded by Reinhart Holwein on a Sony TC-158 cassette
Source 3 of 7
2:54:08
SBD
SHNID:
gd1978-10-18.sbd.nugs.21244.sbeok.flac16
Source:
SBD>Master Reel>Cassette>DAT>WAV
Taper Notes:
View NotesDespite some minor flaws, this is the best representation of what went down at Winterland in October of 1978 (short of an official Vault release which we can only hope for). All five shows come from soundboard sources of varying degrees of quality. Some sets are spliced together from various sources, with an audience patch at the end of 10/21/78 Stella Blue. There are some cuts due to cassette flips.
Source 4 of 7
2:55:25
SBD
Rating:
9.13 / 30 ratings
SHNID:
gd78-10-18.sbd.shakedown.298.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Master Reel > PCM-1 > DAT > CD> EAC > SHN
Taper Notes:
View NotesSBD > Master Reel > PCM-1 > DAT > CD> EAC > SHN; via [email protected]; known flaws (from MR): Sugaree, Miracle cut; PITB, WR spliced
Taper: Reinhart Holwein
2:53:34
REMASTER
Rating:
10.00 / 1 rating
Taper:
Reinhart Holwein
Transferrer:
acetboy
SHNID:
gd1978-10-18.166110.aud.remaster.acetboy.flac1644
Source:
This is a remaster of the Reinhart Holwein shn #100701
Taper Notes:
View NotesThis is a remaster of shn #100701. Thanks to the taper and the MOTB people and all who bring this stuff to share. All of the work I do is in ocenaudio and Harrison Mixbus. Everything I do is basically about levels. Keeping them the same in both channels throughout the frequency range. When I speak of levels I mean RMS levels. Average levels. I also tighten up phase issues when needed. Clear up any gaps that may be found. If original files are high res, I have done most of the work at the higher sample frequency and bit depths. Then towards the end I've converted to 44.1 16 bit. There is a very short patch from the soundboard during Wharf Rat. I've adjusted it a bit to draw less attention to itself. lol If there was another audience recording now I would have used that for the patch. About the screen grabs: One can not see everything I do in these images but it shows something about how the audio has changed between before and after. If I'm working from high res files the before FFT and Spectral images look quite a bit different inherently. But you can still see how they differ otherwise. acetboy 2023-10-18
Taper: Reinhart Holwein
2:53:21
Taper:
Reinhart Holwein
Transferrer:
Bob Menke and Adam Egert
SHNID:
gd1978-10-18.fob.akgd224e.holwein.motb-0093.100702.flac16
Source:
2 x AKG D224e => Sony TC-158 >> MAC
Lineage:
MAC >> Nakamichi CR-7a => Korg MR-1000>> DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1]
Taper: Reinhart Holwein
2:53:21
Rating:
9.00 / 2 ratings
Taper:
Reinhart Holwein
Transferrer:
Bob Menke and Adam Egert
SHNID:
gd1978-10-18.fob.akgd224e.holwein.motb-0093.100701.flac24
Source:
2 x AKG D224e => Sony TC-158 >> MAC
Lineage:
MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg AudioGate >> WAV [24/96]