Not Fade Away | 1978-09-14 | Grateful Dead | Relisten

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Grateful Dead

Years Recent Top Venues Songs Tours

Today In History

Years

1978

Winterland Arena

San Francisco, CA, USA

Pauley Pavilion, UCLA

Los Angeles, CA, USA

Golden Hall, Community Concorse

San Diego, CA, USA

Golden Hall, Community Concorse

San Diego, CA, USA

Dallas County Convention Center Arena

Dallas, TX, USA

Houston, TX, USA

Memorial Coliseum, Mississippi State Fairgrounds

Jackson, MS, USA

Atlanta, GA, USA

Nashville Municipal Auditorium

Nashville, TN, USA

Boutwell Auditorium

Birmingham, AL, USA

Curtis Hixon Convention Hall

Jai-Alai Fronton

Veterans Coliseum

Capitol Theater

Passaic, NJ, USA

Landover, MD, USA

Community War Memorial Auditorium

Rochester, NY, USA

Cleveland Music Hall

Cleveland, OH, USA

Chicago, IL, USA

Rambler Room, Loyola College

Chicago, IL, USA

Chicago, IL, USA

Boston Music Hall

Boston, MA, USA

Boston Music Hall

Boston, MA, USA

Winterland Arena

San Francisco, CA, USA

Winterland Arena

San Francisco, CA, USA

Winterland Arena

San Francisco, CA, USA

Winterland Arena

San Francisco, CA, USA

Winterland Arena

San Francisco, CA, USA

Giza Sound and Light Theater

Giza Sound and Light Theater

Giza Sound and Light Theater

Gizah Sound and Light Theater

East Rutherford, NJ, USA

Red Rocks Amphitheatre

Morrison, CO, USA

Red Rocks Amphitheatre

Morrison, CO, USA

Studio (Shakedown Street Rehearsal)

Red Rocks Amphitheatre

Morrison, CO, USA

Red Rocks Amphitheatre

Morrison, CO, USA

Omaha Civic Auditorium

St. Paul Civic Center

St. Paul, MN, USA

Arrowhead Stadium

Kansas City, MO, USA

Autzen Stadium, U. of Oregon

Eugene, OR, USA

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

Chicago, IL, USA

Chicago, IL, USA

Providence Civic Center

Providence, RI, USA

Philadelphia, PA, USA

Springfield Civic Center

Springfield, MA, USA

Veterans Memorial Coliseum

New Haven, CT, USA

Onondaga County War Memorial

Syracuse, NY, USA

Field House, Rensselaer Polytechnic Institute

Patrick Field House, U. of Vermont

Burlington, VT, USA

Thompson Arena, Dartmouth College

Hanover, NH, USA

Horton Field House, Illinois State U.

Normal, IL, USA

Nashville Municipal Auditorium

Nashville, TN, USA

Rupp Arena, Lexington Center

Lexington, KY, USA

Veterans' Memorial Hall

Columbus, OH, USA

Pittsburgh, PA, USA

Huntington Civic Center

Huntington, WV, USA

William and Mary College Hall

Williamsburg, VA, USA

Cassell Coliseum, Virginia Polytechnic U.

Blacksburg, VA, USA

Cameron Indoor Stadium, Duke U.

Durham, NC, USA

Atlanta, GA, USA

Atlanta, GA, USA

Veteran's Memorial Coliseum

Jacksonville, FL, USA

The Sportatorium

Pembroke Pines, FL, USA

Curtis Hixon Convention Hall

Cassell Coliseum, Virginia Polytechnic

Uni Dome, U. of Northern Iowa

Cedar Falls, IA, USA

Milwaukee Auditorium

Milwaukee, WI, USA

Dane County Coliseum

Madison, WI, USA

Chicago, IL, USA

Chicago, IL, USA

Chicago, IL, USA

McArthur Court, U. of Oregon

Eugene, OR, USA

Stockton Civic Auditorium

Stockton, CA, USA

Sacramento Memorial Auditorium

Sacramento, CA, USA

Fresno, CA, USA

Bakersfield Memorial Auditorium

Bakersfield, CA, USA

Arlington Theater

Santa Barbara, CA, USA

Shrine Auditorium

Los Angeles, CA, USA

Shrine Auditorium

Los Angeles, CA, USA

Golden Hall, Community Concorse

San Diego, CA, USA

Golden Hall, Community Concorse

San Diego, CA, USA

Swing Auditorium

San Bernardino, CA, USA

Sources

Transferrer: Charlie Miller and Joe B. Jones

7.50 / 5 ratings

Charlie Miller and Joe B. Jones

gd1978-09-14.sbd.miller.88171.flac16

SBD -> Master Reel -> Cassette -> Dat (48k)

Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC

View NotesPatch Info:
(FOB/1st Row) Sony ECM280 -> Cassette Master -> CD (shnid=6032) supplies:
Truckin' (3:15 - 4:13)
Around And Around (5:46 - end of song)

Notes:
-- All disc changes are seamless
-- Cool Edit Pro was used for pitch correction (thanks Joe B. Jones)

Transferrer: Charlie Miller

5.60 / 5 ratings

gd78-09-14.sbd.miller.22169.sbeok.shnf

SBD -> Master Reel (Multitrack) -> Cassette -> Dat (48k); Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN

View NotesRecording Info:
SBD -> Master Reel (Multitrack) -> Cassette -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> 
Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN)
Transfered By Charlie Miller
[email protected]
2/1/04
Notes:
-- This source info is correct, believe it or not.

Source 3 of 8

gd1978-09-14.165792.acetboy.remaster.flac1644

remaster of shn #103626 (MOTB version of Eldon Porray audience)by acetboy

View NotesThis is a remaster of shn #103626.
All of the work was done in ocenaudio and Harrison Mixbus.
The included before and after screen captures show the whole show.
You can't see everything I do in them but they give an idea of how they are different from the original.
If the original files were high res then most of the work was done at that rate.
The finished product is CD quality.  The files are tagged.


acetboy 2023-08-31

Taper: Eldon Porray

9.60 / 6 ratings

Bob Menke and Brion Green

gd1978-09-14.fob.sonyecm280.porray.motb-0107.103626.flac24

FOB 2 x ECM280 >> Sony TC-158 >> Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog

MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

View NotesNotes:
wavelab 5 > UAD Cambridge EQ > UAD Precision Buss Compressor >
UAD Precision Limiter > R8brain Pro > izotope Ozone 3 M Bit + > 16/44.1 Wave > flac lvl 8 (TLH)


- Patch in Not Fade Away is from shnID94536

- All tape pauses have been cross faded to preserve continuity.

Taper: Eldon Porray

10.00 / 4 ratings

Bob Menke and Brion Green

gd1978-09-14.fob.sonyecm280.porray.motb-0107.103625.flac16

(FOB) 2 x ECM280 >> Sony TC-158 >> MAC; Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog

MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

View NotesNotes:
wavelab 5 > UAD Cambridge EQ > UAD Precision Buss Compressor >
UAD Precision Limiter > R8brain Pro > izotope Ozone 3 M Bit + > 16/44.1 Wave > flac lvl 8 (TLH)


- Patch in Not Fade Away is from shnID94536

- All tape pauses have been cross faded to preserve continuity.

Taper: anonymous

anonymous and Brian Green

2 Nakamichi 700 cardioid mic's, Sony TCM 158 stereo cassette recorder

1st gen Maxell UDXL 2 cass Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > plugins > flac lvl 8 (tlh)

View NotesNotes:

- all of Me and my uncle patched from shn ID 6032

- Patch in minglewood from shnID 6032

- Patch at the beginning og Peggy-O from shnID 6032

- Patch in drums/space from shnID 6032

- The taper paused between some songs. Where large chunks are missing, patches spliced from 6032, others crossfaded
to preserve continuity without being overly invasive. 

- Ok, here is the story. Last week or so I was contacted by a fellow LL'er named moon. He Pm'ed me and asked 
if he could seed some new sources for the 9/14/15/16/1978 shows. This really sparked my curiosity. The files were 
transferred to my server to have a listen and look. After listening myself, and asking other respected members of the 
communities opinion, we came to the conclusion these are new sources, I decided to have a go at just putting a 
little polish on them, very little was done aside from the above listed patches and a gain bump since the files were 
provided at 16/44.1. The taper did all the transfer work and passed this along anonymously, which he wishes to remain 
and I will respect. The first set of this show was taped on mic stands. After the first set, the taper was asked to take 
them down, so he impromptu began to stealth record the show, thus explaining the sonic changes, and the lack of wind noise 
after the set break. Just as a disclaimer here, I'm in no way shape or form declaring this an upgrade, just an additional 
source these deserve to circulate and I am happy to get this tapers work out there. Take what you want and leave the rest. 

- Thanks to the anonymous taper, bagsgroove, and moon for helping get this to me and relaying information. 

---------------------------------------------------------

- Taped by anonymous source

- Transferred  by anonymous source

Transferrer: John D'Auria

8.00 / 14 ratings

gd78-09-14.aud.dauria.6032.sbeok.shnf

Audience Recording: Sony ECM280

Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3

View NotesAud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer:  Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; via John D'Auria; note one less reel gen than <a href="http://db.etree.org/shninfo_detail.php?shnid=2054" rel="nofollow">previous</a> version

Taper: The Face

gd1978-09-14.aud.dauria.2054.shnf

Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder > Sony TC-640 reel to reel

TC-640 > Apogee AD1000 > Soundforge 4.5 @48Khz > resampled to 44.1> CDWAV > SHNv3

View NotesSpecial thanks to "The Face" who taped the show in '78, and let me borrow his reel to reel tapes.  
What a family.   Shouts to Jeff 'General' Patton for coming over with the Apogee.  Thanks to Ophelia
for the support during the transfer. (~);-}

Note:  The mics were hidden behind a cotton headpiece for most of the show.  Levels may be muffled in certain 
places, and are not an artifact of the transfer.  This is a real gem with the entire Hamza opener and I think has some 
great moments.

* Hamza El-Din