09
1978
Sources
Transferrer: Matrix by Dave Usborne
3:15:13
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1978-09-02.131868.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:106818) Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC and Audience (shnid:015822) AUDMC > DAT > WAV > SHN; Recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage
Taper Notes:
View NotesTagging notes: Show information is embedded within the headerof each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 11-29-2014
Taper: Keith Gatto
3:05:05
Taper:
Keith Gatto
Transferrer:
Tim McKenzie;Charlie Miller;Scott Clugston
SHNID:
gd1978-09-02.164506.fob.shure.sm57.gatto.mckenzie.miller.clugston.flac1644
Source:
Keith Gatto's Master (FOB) Audience Cassettes; Shure SM57 mics> Sony TC-158 > Tim McKenzies' DAT (x3)(Maxell HS-4/90s) @48kHz
Lineage:
DAT (Sony PCM-M1) > Sony 7-pin/Oade digi I/O> Hosa DRA-501 coaxial cable> Tascam CD-RW750 CD
Taper Notes:
View NotesNotes: - Thanks to Keith Gatto (RIP) for the master cassette source - Thanks to Tim McKenzie for the DAT source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Steve Rolfe and Noah Weiner for the Sony ECM-33P source which supplies a 0:12 patch in "Estimated Prophet", a 0:17 patch in "Eyes Of The World", a 0:07 patch in the "Drums > Space" transition, as well as the final notes and some crowd of "One More Saturday Night" (0:10 total) - Starts a little rough, but things get sorted out about half-way through "Jack Straw" - Some wind noise throughout - This source has been used to patch other sources, but has not previously been in general circulation in its complete form - Thanks to Joe B. Jones for his assistance with the pitch correction
Taper: Bob Wagner
1:39:59
Taper:
Bob Wagner
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1978-09-02.140476.s2.Sony54P.wagner.miller.sirmick.flac1644
Source:
Set 2 Source: (FOB) Sony 54P > Sony TC-158SD > Cassette Master; taped by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick September 2017
Taper Notes:
View NotesNotes: - Bob only taped Set II due to a very late arrival. - DC Offset removed. - All tracks have been pitch corrected. - Tape flips crossfaded except for "Drums" which has been patched with two Sony EMC-33P mics > Sony TC-152 deck, 50-60 feet left center from the stage. Recorded by Steve Rolfe - A number of artifacts have been removed. - Loud claps close to the mics have been attentuated. - Some level adjustments made. Thanks to Bob Wagner for taping and Charlie Miller for the transfer edited and mastered SIRMick September 2017
Taper: Bob Wagner
1:39:59
Taper:
Bob Wagner
Transferrer:
Charlie Miller; Sirmick
SHNID:
gd1978-09-02.139367.s2.Sony54P.wagner.miller.sirmick.flac24
Source:
(FOB) Sony 54P > Sony TC-158SD > Cassette Master taped by Bob Wagner
Lineage:
Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96 Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View Notes- Bob only taped Set II due to a very late arrival. - DC Offset removed. - All tracks have been pitch corrected. - Tape flips crossfaded except for "Drums" which has been patched with two Sony EMC-33P mics > Sony TC-152 deck, 50-60 feet left center from the stage. Recorded by Steve Rolfe - A number of artifacts have been removed. - Loud claps close to the mics have been attentuated. - Some level adjustments made.