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Today In History
June 6th
5 shows
39 tapes
Years
1995
28.8k
PlaybackListensHours
48h1.4k190
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h60185
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6k806
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.2k278
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h4.9k638
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k369
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k404
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k145
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k280
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h84695
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k238
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k187
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.3k178
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k237
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.2k290
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k181
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.5k460
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.3k728
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h86472
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.5k566
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.5k591
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.6k446
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k248
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.6k978
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.5k607
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52564
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13620
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h32124
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1978
7/7/78
Jack Straw
5:43
Candyman
6:36
Me & My Uncle
3:21
Big River
5:35
Friend of the Devil
8:42
Cassidy
5:07
Tennessee Jed
8:55
Passenger
5:34
Peggy-O
8:56
The Music Never Stopped
8:40
Cold Rain & Snow
7:20
Beat it on Down the Line
4:07
Scarlet Begonias
10:19
Fire on the Mountain
8:36
Dancing in the Street
9:27
Drums
10:09
Space
6:11
Not Fade Away
11:05
Black Peter
11:35
Around & Around
8:13
U.S. Blues
5:29
Johnny B. Goode
4:30
FIN
View on archive.org
Sources
Transferrer: Remaster by droncit
2:48:31
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Remaster by droncit
SHNID:
gd1978-07-07.134374.sbd.flac.tetzeli.droncit.flac16
Source:
Mono Soundboard; lineage from shnid 293 listed as SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN; This is a flac encoded & tagged version of reworked shnid 33817
Taper Notes:
View NotesDroncit notes for this version: Reworked the mono source to simulate stereo using various combinations of filters and rebalanced by adding certain frequencies into either the left or right channel to try to give it a cleaner sound. Also used a spectral filter for greater presence. Reworking the profile changed the perceived loudness. This version sounds louder at the same settings for normalization. It's not perfect, but I think it has more presence and it's easier to hear the individual instruments." After normalization, I also did the following: One tenth of a second of silence during the transition from Scarlet Begonias to Fire on the Mountain was removed; there is still some visible evidence of the problem, but I don't hear it while listening. I also recut the file without regard to original timings, so it's probably a different track delineation now. I didn't hear any other spots like that. I eliminated the dead spots in the dropout during Black Peter. It's still very clear that there's a problem, but it's a little less jarring. The opening 10 seconds of both Me & My Uncle and FOTD were very low, so I raised levels in M&MU about 5-6 dB to bring it up to where it should have been. I don't think it's noticeable now. There were also several instances of a fraction of a second of blank space noticeable after raising the gain. I deleted these. and cut so the 3...4 countdown is audible. An edit is also noticeable before the song starts (probably just a tape start/stop). The opening of FOTD was raised approx. 3dB. Added 1dB to the 12 seconds before the opening of Cassidy as it seemed a little low. Added 2dB to the 15 seconds prior to Passenger because of the interesting guitar ditty, which sounds vaguely familiar. Vocals remain thin-sounding in some spots (especially the second set), possibly due to the missing channel. All work in this version done with Diamond Cut 8.0 Forensics. Thanks to BCE.
Transferrer: Bill Tetzeli
2:48:48
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1978-07-07.sbd.jerugim.tetzeli.fix-293.33817.shnf
Source:
SBD> MR> PCM > DAT; DAT> CD> EAC> SHN
Taper Notes:
View NotesFix of GDLive download source. Overlap between CDs 2 and 3 was eliminated in Cool Edit 2000, allowing for a seamless transition between the two - perfect for playing on hard drive or recording to DAT or DVD audio. Wavmerge was used to merge fixed d2t07/d3t01 combo file with all succeeding files on CD 3, then retracked in CDWave to compensate for "ripple effect" on sector boundaries of deleting overlap between discs 2 and 3. Bill Tetzeli, [email protected] 4:00 PM 1/29/2006
Source 3 of 8
2:49:38
SBD
Rating:
9.20 / 32 ratings
SHNID:
gd78-07-07.sbd.jerugim.293.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> ?> DAT
Taper Notes:
View NotesSBD> MR> ?> DAT; DAT> CD> EAC> SHN conversion & upload by Adam Jerugim; known flaw: d3t02 d/o @ 10:14; note summary of Jason Palmer's and AJ's reports: This is not in stereo: the same channel is spread over both using a splitter technique. The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible. This the only SBD source available. If you have a superior source, please contact AJ. [Note: A shntool-fixed-by-set version also circulates]
Taper: concert recording by John Hicks & Dennis Fong.
2:44:10
Taper:
concert recording by John Hicks & Dennis Fong.
Transferrer:
Transferred by Andrew F. 08/2022
SHNID:
gd1978-07-07.157698.aud.hicks-fong.flac2448
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged
Taper Notes:
View NotesNotes: The mix improves during Jack Straw. ID-91793 patches; Candyman 0:00 > 0:05, Tenn Jed 0:00 > 0:11, and Space 2:25 > 2:54.
Transferrer: OctopusRider
2:54:41
Rating:
10.00 / 2 ratings
Transferrer:
OctopusRider
SHNID:
gd1978-07-07.mtx.octopusrider.98917.flac16
Source:
SHNID 293 + SHIND 82931 + SHNID 91793
Taper Notes:
View NotesThe well known SBD source has one major flaw. It is not stereo. The same channel is spread over both channels using a splitter technique. The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible. This is the only SBD source available. The Wagner recording is very nice quality. Once aligned with the SBD the whole sound spectrum can be heard. Bobby is no longer drowning out the others and Jerry's sound is much richer and fuller. The biggest difference is that Keith can be heard. The SBD and the Wagner recording have many cuts primarily between songs. I used the FOB to fill in most of these gaps where possible. I went into this project with the intension of constructing a 2-source Matrix between the SBD and Wagner sources. I found the cuts and fades between tracks very annoying so I added the FOB to fill in between the cuts only. I did not align the FOB with the other two sources through the songs because I felt it did not add to the overall quality of the Matrix. I also fixed drop outs, static, level fluctuations and clicks throughout. The results are a big improvement for this show. This is the most complete version of this concert since all 3 recordings have different cuts and it is now seamless with the exception of the break between sets. Everybody in the band can be heard clearly and evenly.
Taper: Timothy Knight
2:48:42
Rating:
8.00 / 2 ratings
Taper:
Timothy Knight
Transferrer:
Adam Egert and Derek McCabe
SHNID:
gd1978-07-07.fob.knight.motb-0071.91793.flac16
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesMastering Notes -- Volume fluctuations throughout the recording were adjusted to consistent levels.
Taper: Bob Wagner
2:41:29
Rating:
9.50 / 4 ratings
Taper:
Bob Wagner
Transferrer:
Jerry Moore and Rob Berger
SHNID:
gd1978-07-07.aud.wagner.moore.berger.82931.sbeok.flac16
Source:
Sony ECM-54P's > Sony TC-158
Lineage:
MAC > Teac AN-180 outboard Dolby unit > Sony TC 755 open reel deck > Scotch Classic reels at 7.5 IPS, Dolby-B, by Jerry Moore. Reels > Sony TC 850 open reel deck > Teac AN-180 Dolby unit > Sony SBM-1 (super bit mapper) > Tascam CD-Rw4U stand alone burner, by Rob Berger, Dec 2003. CDR > EAC > WavMerge > CD-Wave (new track ID's) > TLH (SBE-OK, lossless compression, and checksums) > FLAC, Feb 2007.
Taper Notes:
View NotesThe recording is Jerry Moore's reel copy of Bob Wagner's cassette master. Jerry states: "This, I think, is the best copy of this you'll ever hear, as I understand the master was lost in a fire many years back."
Source 8 of 8
2:34:04
Rating:
8.67 / 3 ratings
SHNID:
gd78-07-07.aud.cousinit.18700.sbeok.shnf
Source:
Audience Recording
Lineage:
FOB-MAR> C> C> DAT> WAV> SHN
Taper Notes:
View NotesSource: FOB-MAR>C>C>DAT>WAV>SHN SBD Patch MSR>R>C>C>DAT>WAV>SHN Source C>SHN Conversion By Cousinit SBD Patch C>SHN Conversion By Cousinit