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Bands
Grateful Dead
Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.1k151
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h64591
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k901
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k349
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6k781
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k401
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k429
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k164
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k302
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h902100
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k246
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k191
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k246
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k326
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6.1k705
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k197
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k418
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.1k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k709
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87674
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k606
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5k653
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k469
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k263
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.6k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k614
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51862
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12018
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1978
Sources
Transferrer: Remaster by droncit
2:48:31
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Remaster by droncit
SHNID:
gd1978-07-07.134374.sbd.flac.tetzeli.droncit.flac16
Source:
Mono Soundboard; lineage from shnid 293 listed as SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN; This is a flac encoded & tagged version of reworked shnid 33817
Taper Notes:
View NotesDroncit notes for this version: Reworked the mono source to simulate stereo using various combinations of filters and rebalanced by adding certain frequencies into either the left or right channel to try to give it a cleaner sound. Also used a spectral filter for greater presence. Reworking the profile changed the perceived loudness. This version sounds louder at the same settings for normalization. It's not perfect, but I think it has more presence and it's easier to hear the individual instruments." After normalization, I also did the following: One tenth of a second of silence during the transition from Scarlet Begonias to Fire on the Mountain was removed; there is still some visible evidence of the problem, but I don't hear it while listening. I also recut the file without regard to original timings, so it's probably a different track delineation now. I didn't hear any other spots like that. I eliminated the dead spots in the dropout during Black Peter. It's still very clear that there's a problem, but it's a little less jarring. The opening 10 seconds of both Me & My Uncle and FOTD were very low, so I raised levels in M&MU about 5-6 dB to bring it up to where it should have been. I don't think it's noticeable now. There were also several instances of a fraction of a second of blank space noticeable after raising the gain. I deleted these. and cut so the 3...4 countdown is audible. An edit is also noticeable before the song starts (probably just a tape start/stop). The opening of FOTD was raised approx. 3dB. Added 1dB to the 12 seconds before the opening of Cassidy as it seemed a little low. Added 2dB to the 15 seconds prior to Passenger because of the interesting guitar ditty, which sounds vaguely familiar. Vocals remain thin-sounding in some spots (especially the second set), possibly due to the missing channel. All work in this version done with Diamond Cut 8.0 Forensics. Thanks to BCE.
Transferrer: Bill Tetzeli
2:48:48
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1978-07-07.sbd.jerugim.tetzeli.fix-293.33817.shnf
Source:
SBD> MR> PCM > DAT; DAT> CD> EAC> SHN
Taper Notes:
View NotesFix of GDLive download source. Overlap between CDs 2 and 3 was eliminated in Cool Edit 2000, allowing for a seamless transition between the two - perfect for playing on hard drive or recording to DAT or DVD audio. Wavmerge was used to merge fixed d2t07/d3t01 combo file with all succeeding files on CD 3, then retracked in CDWave to compensate for "ripple effect" on sector boundaries of deleting overlap between discs 2 and 3. Bill Tetzeli, [email protected] 4:00 PM 1/29/2006
Source 3 of 8
2:49:38
SBD
Rating:
9.20 / 32 ratings
SHNID:
gd78-07-07.sbd.jerugim.293.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> ?> DAT
Taper Notes:
View NotesSBD> MR> ?> DAT; DAT> CD> EAC> SHN conversion & upload by Adam Jerugim; known flaw: d3t02 d/o @ 10:14; note summary of Jason Palmer's and AJ's reports: This is not in stereo: the same channel is spread over both using a splitter technique. The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible. This the only SBD source available. If you have a superior source, please contact AJ. [Note: A shntool-fixed-by-set version also circulates]
Taper: concert recording by John Hicks & Dennis Fong.
2:44:10
Taper:
concert recording by John Hicks & Dennis Fong.
Transferrer:
Transferred by Andrew F. 08/2022
SHNID:
gd1978-07-07.157698.aud.hicks-fong.flac2448
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged
Taper Notes:
View NotesNotes: The mix improves during Jack Straw. ID-91793 patches; Candyman 0:00 > 0:05, Tenn Jed 0:00 > 0:11, and Space 2:25 > 2:54.
Transferrer: OctopusRider
2:54:41
Rating:
10.00 / 2 ratings
Transferrer:
OctopusRider
SHNID:
gd1978-07-07.mtx.octopusrider.98917.flac16
Source:
SHNID 293 + SHIND 82931 + SHNID 91793
Taper Notes:
View NotesThe well known SBD source has one major flaw. It is not stereo. The same channel is spread over both channels using a splitter technique. The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible. This is the only SBD source available. The Wagner recording is very nice quality. Once aligned with the SBD the whole sound spectrum can be heard. Bobby is no longer drowning out the others and Jerry's sound is much richer and fuller. The biggest difference is that Keith can be heard. The SBD and the Wagner recording have many cuts primarily between songs. I used the FOB to fill in most of these gaps where possible. I went into this project with the intension of constructing a 2-source Matrix between the SBD and Wagner sources. I found the cuts and fades between tracks very annoying so I added the FOB to fill in between the cuts only. I did not align the FOB with the other two sources through the songs because I felt it did not add to the overall quality of the Matrix. I also fixed drop outs, static, level fluctuations and clicks throughout. The results are a big improvement for this show. This is the most complete version of this concert since all 3 recordings have different cuts and it is now seamless with the exception of the break between sets. Everybody in the band can be heard clearly and evenly.
Taper: Timothy Knight
2:48:42
Rating:
8.00 / 2 ratings
Taper:
Timothy Knight
Transferrer:
Adam Egert and Derek McCabe
SHNID:
gd1978-07-07.fob.knight.motb-0071.91793.flac16
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesMastering Notes -- Volume fluctuations throughout the recording were adjusted to consistent levels.
Taper: Bob Wagner
2:41:29
Rating:
9.50 / 4 ratings
Taper:
Bob Wagner
Transferrer:
Jerry Moore and Rob Berger
SHNID:
gd1978-07-07.aud.wagner.moore.berger.82931.sbeok.flac16
Source:
Sony ECM-54P's > Sony TC-158
Lineage:
MAC > Teac AN-180 outboard Dolby unit > Sony TC 755 open reel deck > Scotch Classic reels at 7.5 IPS, Dolby-B, by Jerry Moore. Reels > Sony TC 850 open reel deck > Teac AN-180 Dolby unit > Sony SBM-1 (super bit mapper) > Tascam CD-Rw4U stand alone burner, by Rob Berger, Dec 2003. CDR > EAC > WavMerge > CD-Wave (new track ID's) > TLH (SBE-OK, lossless compression, and checksums) > FLAC, Feb 2007.
Taper Notes:
View NotesThe recording is Jerry Moore's reel copy of Bob Wagner's cassette master. Jerry states: "This, I think, is the best copy of this you'll ever hear, as I understand the master was lost in a fire many years back."
Source 8 of 8
2:34:04
Rating:
8.67 / 3 ratings
SHNID:
gd78-07-07.aud.cousinit.18700.sbeok.shnf
Source:
Audience Recording
Lineage:
FOB-MAR> C> C> DAT> WAV> SHN
Taper Notes:
View NotesSource: FOB-MAR>C>C>DAT>WAV>SHN SBD Patch MSR>R>C>C>DAT>WAV>SHN Source C>SHN Conversion By Cousinit SBD Patch C>SHN Conversion By Cousinit