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June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h742102
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h72799
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.7k485
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k364
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.3k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h2.7k353
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k376
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k153
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k248
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h928102
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k211
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k144
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.6k208
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k218
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k295
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.4k685
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k183
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k281
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.5k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.6k500
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h85685
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.4k574
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.6k591
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.4k410
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2k222
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h9.2k934
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k362
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h36344
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11115
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24018
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h412
7d1026
30d57334
2 shows
2 tapes
1978
4/18/78
crowd/tuning
0:25
New Minglewood Blues ;
7:05
Sugaree
14:56
Looks Like Rain
8:51
Dire Wolf
6:08
Beat It On Down The Line ; 18 beats
5:01
Loser
7:44
El Paso
4:55
Tennessee Jed
10:20
Lazy Lightnin'
3:38
Supplication
5:59
crowd/tuning
0:23
Scarlet Begonias
13:31
Dancing In The Street
14:03
Drums
18:03
Samson And Delilah
6:56
Terrapin Station
10:42
Around And Around
10:21
U.S. Blues
5:46
FIN
View on archive.org
Sources
Source 1 of 5
2:31:16
SBD
Rating:
6.50 / 4 ratings
SHNID:
gd78-04-18.sbd.cotsman.14036.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>MC(?)>?>C>CD>EAC>SHN (several analog generations) patched with aud
Taper Notes:
View NotesSBD>MC(?)>?>C>CD>EAC>SHN (several analog generations) patched with aud via Joey Browning, Matt Vernon, & Raoul Duke mastered by Jeff Cotsman
Taper: Kathy Sublette
2:30:49
Taper:
Kathy Sublette
Transferrer:
DSF Transfer by Mark Goldey Edited & Mastered by Joe Noel April 27, 2024
SHNID:
gd1978-04-18.167732.ShureSM57.Sublette.Noel.Goldey.t-flac2496
Source:
Shure SM57 mics > Sony-TC158 (Dolby off) > Master Cassettes
Lineage:
Master Cassettes (Set I UDXL-II 90; Set II UDXL-I 90) > Nak CR-7A > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition > Flac @ 2496
Taper Notes:
View NotesNotes; - upgrade to shnid 1283 - tape pauses cross faded Thanks to; - Kathy Sublette for recording the show - Mark Goldey for the transfer - Ted Mattes for organizing this project. - Andrew F. for the patch source
Transferrer: seaweed
1:20:26
Rating:
10.00 / 1 rating
Transferrer:
seaweed
SHNID:
gd1978-04-18.132410.fob.s2.seaweed.flac16
Source:
Set 2 Source: MAC>XL-IIS>XL-IIS (FOB,2);
Lineage:
Maxell XL-IIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged
Taper Notes:
View NotesNotes: There are two other AUD sources in circulation: 81315 and 12383. This does not match either. Received this in trade mid-90s. My buddy got the first gen from the taper and I made this copy from that. My Set I is lost, as well as, my buddies first gen copies. So unless the taper pops up, this is it for this source.
Taper: Alan Zimmerman
2:44:15
Taper:
Alan Zimmerman
Transferrer:
David Minches
SHNID:
gd1978-04-18.aud.zimmerman.minches.81315.sbeok.flac16
Source:
2 Sennheiser 421s (Alan thinks)> Teac PC-10 (Maxell UD XLII-90s)
Lineage:
Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
Taper Notes:
View NotesPatches supplied by A:C:D:CD recorded with Shure SM57s> Sony TC-158 Quick note about a comparison between the two sources. While the Shure source sounds brighter at first listen, the transfer of this source to the digital domain was done incorrectly as the master was recorded with Dolby but played back without Dolby when the transfer was done. To me, Alan's master has a much warmer sound and lower noise floor. * Shure source supplies entire song ** Shure source supplies first 10:33 *** Shure source supplies patch from 21:22 - 21:52
Source 5 of 5
2:34:47
Rating:
8.57 / 7 ratings
SHNID:
gd78-04-18.shure.vernon.12383.sbeok.shnf
Source:
Audience Recording: Shure SM57s
Lineage:
Shure SM57s>Sony TC-158 > MAC > DAT > CDR
Taper Notes:
View NotesSource: Shure SM57s>Sony TC-158 > MAC > DAT > CDR via Rauol Duke. shn encoding Matt Vernon