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Bands
Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h799103
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.1k336
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2k253
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.2k294
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.8k361
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.5k483
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.4k300
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.1k133
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h5.9k743
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h82394
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h4.2k485
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h3.4k407
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1k131
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.4k179
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.7k220
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h5.8k663
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.2k166
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.6k209
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h8.6k1.2k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h12.5k1.7k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h39439
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.1k387
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.2k552
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.5k315
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.3k146
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.5k177
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.6k260
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h823100
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h9914
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29920
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h392
7d1128
30d63237
2 shows
2 tapes
1978
Sources
Taper: Betty Cantor;Tim Dalton
2:36:33
SBD
Rating:
9.50 / 4 ratings
Taper:
Betty Cantor;Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1978-04-16.148386.betty.dalton.miller.sirmick.fixed.flac16
Source:
SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection.
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16
Taper Notes:
View NotesNotes: - Tape flip in "Drums" has been patched with shnid 98781 - Thank you Bob Wagner and David Minches Thank you to Tim Dalton for providing another excellent source. Thank you to Charlie Miller for doing the transfer. edited and mastered SIRMick November 2019
Transferrer: Charlie Miller
2:35:12
SBD
Rating:
9.33 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-04-16.sbd.miller.82273.sbeok.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k) D
Lineage:
Dat -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This source doesn't have the flaws that the other sources have -- Reel flip during Drumms fixed with crossfade
Taper: Betty Cantor
2:35:02
SBD
Taper:
Betty Cantor
Transferrer:
PCM provided by anonymous, while hiding out away from the Bay Area. Edited & Mastered using Adobe Audition by Joe Noel April 15, 2020
SHNID:
gd1978-04-16.149552.BettyBoard.Anon.Noel.t-flac16
Source:
Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM
Lineage:
Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
Taper Notes:
View Notespatch info: - shnid s2t06 (3 x Sony ECM-54P) supplies - s2t06; 07:17 - 07:33 Notes: - emphasis decoded & dc offset removed - the copy from pcm clone was via a 601esd and spdif, thus a clone of the beta pcm and not an analog out to analog in copy. - shnid 148386 channels are incorrect. This source is correct
Transferrer: deadtrader
2:24:07
SBD
Transferrer:
deadtrader
SHNID:
gd1978-04-16.139240.sbd.ForTheFaithful_KTS528-529.flac1644
Source:
Soundboard: Commercial bootleg release; "For The Faithful"
Lineage:
EAC (secure) > Flacfrontend (level 8)
Taper Notes:
View NotesCommercial bootleg release; "For The Faithful" Soundboard; Kiss The Stone records KTS 528/529 released 1996
Taper: Betty Cantor
2:24:07
SBD
Rating:
9.64 / 46 ratings
Taper:
Betty Cantor
Transferrer:
Jim Goldman
SHNID:
gd1978-04-16.sbd.cantor.motb.81457.sbeok.flac16
Source:
Betty Soundboard
Lineage:
SBD > Nagra IV (7.5ips) > R1 Nagra IVs > SR1 > Phillips SuperCD 24/28 > Presonus DigiMax 96 > SB Audigy II Pro > HD WAV > Adobe Audition 1.5 > Izotope Ozone 1.5 > Izotope Ozone 3.5 > WAV16 > flac
Taper Notes:
View NotesNotes from MOTB: This is one of those OMG recordings... we wish this was the quality all of our releases. Notes from Jim Goldman: In 1990 or so my uncle was going to throw out a big box of reel to reel tapes and since he still had the machine he bought to play them on I wanted to go through the box. Most of the reels were WLS top 40 for 6 years in a row not missing a week. I found a diferent type of tape (Ampex) and it said GD Huntington and that was it. I of course wanted to transfer it as best I could and there were no real 24/48 recorders out there except for computer recording. The computer room was on the complete other side of the home so we did a transfer in real time on a Phillips "super CD" recorder which meant 24/48. What may have happened is we ran out of room on a CD and had to stop the recorder very quickly to change CDs and that may also make the missing verse question answered. I started again at the wrong place. this was a huge challenge and I think we did OK.
Transferrer: Mike Lai
2:24:02
SBD
Rating:
8.00 / 1 rating
Transferrer:
Mike Lai
SHNID:
gd1978-04-16.sbd.lai.34971.sbeok.shnf
Source:
SBD>R2R>PCM>DAT>CDR>SHN
Taper Notes:
View NotesSeed to Etree by : [email protected] Thanks to Mike Lai for the seed! ** additional info added to newsgroup 2/01 posting: Note: static for a few seconds at the beginning of Sunshine Daydream. Posted to abgd.highspeed by breaker 02/2001 ** note 12/2005: I fixed a sector boundary error on D1t12. Further, shntool.txt noted that the WAVE headers were not canonical (44 bytes) for any of the files. By running everything through xACT 1.55 and writing new SHN files, the new files were made canonical by stripping unnecessary data via shntool's built-in strip mode. Finally, I brought the 2nd set file names into a consistent naming pattern. xACT then wrote a new md5 file and shntool report. gearfab.etree.org
Source 7 of 17
4:51:24
SBD
Rating:
8.00 / 1 rating
Source:
Master Reel> PCM> ??> DAT> Sonic Solutions> CD
Transferrer: [email protected] Thanks to Mike Lai for the seed!
2:24:02
SBD
Transferrer:
[email protected] Thanks to Mike Lai for the seed!
SHNID:
gd1978-04-16.sbd.lai.16619.sbeok.shnf
Source:
SBD>R2R>PCM>DAT>CDR>SHN
Taper Notes:
View Notessmall splice in Samson & Delilah @ 3:30
Source 9 of 17
2:24:02
SBD
Rating:
9.08 / 39 ratings
SHNID:
gd78-04-16.sbd.lai.292.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> Reel > PCM> DAT> CDR> SHN
Taper Notes:
View NotesSBD> Reel > PCM> DAT> CDR> SHN; via Mike Lai, Chris Vinci to etree, via breaker to abgd.hs; note copy a seeded to etree 2/00, copy b seeded to abgd 2/01- these differ by only 1 checksum, d1t12; static for a few seconds at the beginning of Sunshine Daydream
Taper: Bob Wagner
2:41:05
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-16.148566.sony.54p.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Bob Wagner
2:41:05
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-16.148565.sony.54p.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Pitch corrected Mastered by Scott Clugston December 2019
Source 12 of 17
1:10:45
SHNID:
gd1978-04-16.147802.1st.set.fob.shure.sm57.sublette.miller.clugston.flac2496
Source:
Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Level fluctuations in the beginning of "Jack Straw" - Pitch corrected - Set 2 tape stolen Mastered by Scott Clugston September 2019
Source 13 of 17
1:10:45
SHNID:
gd1978-04-16.147801.1st.set.fob.shure.sm57.sublette.miller.clugston.flac1648
Source:
Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Level fluctuations in the beginning of "Jack Straw" - Pitch corrected - Set 2 tape stolen Mastered by Scott Clugston September 2019
Taper: Bob Wagner
2:39:47
Taper:
Bob Wagner
Transferrer:
David Minches
SHNID:
gd1978-04-16.sonyecm54P.wagner.minches.98791.flac16
Source:
3 Sony ECM-54 Ps> Sony 158
Lineage:
Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding 16 bit/ 44.1 kHz version
Taper Notes:
View Notes- Thanks to Joe B. Jones for pitch correction.
Transferrer: Hunter Seamons
2:38:05
Rating:
9.50 / 5 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1978-04-16.mtx.seamons.98535.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
Taper: Bob Wagner
2:30:51
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Jerry Moore and Rob Berger
SHNID:
gd1978-04-16.ecm54p.moore.berger.98510.flac16
Source:
(3)sony ecm54p's>nak 550>patch>sony tc-158sd
Lineage:
mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave> adobe 2.0 16/44>flac
Taper Notes:
View Notesonly aud in circulation for this show
Transferrer: Rob Berger
2:30:52
Rating:
10.00 / 1 rating
Transferrer:
Rob Berger
SHNID:
gd1978-04-16.sonyecm54p.berger.98509.flac24
Source:
(3)sony ecm54p's>nak 550>patch>sony tc-158sd
Lineage:
mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac
Taper Notes:
View Notessource: aud 1st gen reel Jerry Moore's copy notes: only aud in circulation for this show