Bands
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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h51169
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k192
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.7k358
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2k268
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.1k509
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.7k957
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.7k330
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k127
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.3k264
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h912102
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k208
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k512
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.2k160
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.2k281
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.2k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k213
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k254
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.6k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.4k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h19321
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k488
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.3k1.4k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k244
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k156
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h52767
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43028
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h614
7d895
30d58534
2 shows
2 tapes
1978
Sources
Taper: Betty Cantor;Tim Dalton
2:36:33
SBD
Rating:
9.50 / 4 ratings
Taper:
Betty Cantor;Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1978-04-16.148386.betty.dalton.miller.sirmick.fixed.flac16
Source:
SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection.
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16
Taper Notes:
View NotesNotes: - Tape flip in "Drums" has been patched with shnid 98781 - Thank you Bob Wagner and David Minches Thank you to Tim Dalton for providing another excellent source. Thank you to Charlie Miller for doing the transfer. edited and mastered SIRMick November 2019
Transferrer: Charlie Miller
2:35:12
SBD
Rating:
9.33 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-04-16.sbd.miller.82273.sbeok.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k) D
Lineage:
Dat -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This source doesn't have the flaws that the other sources have -- Reel flip during Drumms fixed with crossfade
Taper: Betty Cantor
2:35:02
SBD
Taper:
Betty Cantor
Transferrer:
PCM provided by anonymous, while hiding out away from the Bay Area. Edited & Mastered using Adobe Audition by Joe Noel April 15, 2020
SHNID:
gd1978-04-16.149552.BettyBoard.Anon.Noel.t-flac16
Source:
Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM
Lineage:
Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
Taper Notes:
View Notespatch info: - shnid s2t06 (3 x Sony ECM-54P) supplies - s2t06; 07:17 - 07:33 Notes: - emphasis decoded & dc offset removed - the copy from pcm clone was via a 601esd and spdif, thus a clone of the beta pcm and not an analog out to analog in copy. - shnid 148386 channels are incorrect. This source is correct
Transferrer: deadtrader
2:24:07
SBD
Transferrer:
deadtrader
SHNID:
gd1978-04-16.139240.sbd.ForTheFaithful_KTS528-529.flac1644
Source:
Soundboard: Commercial bootleg release; "For The Faithful"
Lineage:
EAC (secure) > Flacfrontend (level 8)
Taper Notes:
View NotesCommercial bootleg release; "For The Faithful" Soundboard; Kiss The Stone records KTS 528/529 released 1996
Taper: Betty Cantor
2:24:07
SBD
Rating:
9.64 / 46 ratings
Taper:
Betty Cantor
Transferrer:
Jim Goldman
SHNID:
gd1978-04-16.sbd.cantor.motb.81457.sbeok.flac16
Source:
Betty Soundboard
Lineage:
SBD > Nagra IV (7.5ips) > R1 Nagra IVs > SR1 > Phillips SuperCD 24/28 > Presonus DigiMax 96 > SB Audigy II Pro > HD WAV > Adobe Audition 1.5 > Izotope Ozone 1.5 > Izotope Ozone 3.5 > WAV16 > flac
Taper Notes:
View NotesNotes from MOTB: This is one of those OMG recordings... we wish this was the quality all of our releases. Notes from Jim Goldman: In 1990 or so my uncle was going to throw out a big box of reel to reel tapes and since he still had the machine he bought to play them on I wanted to go through the box. Most of the reels were WLS top 40 for 6 years in a row not missing a week. I found a diferent type of tape (Ampex) and it said GD Huntington and that was it. I of course wanted to transfer it as best I could and there were no real 24/48 recorders out there except for computer recording. The computer room was on the complete other side of the home so we did a transfer in real time on a Phillips "super CD" recorder which meant 24/48. What may have happened is we ran out of room on a CD and had to stop the recorder very quickly to change CDs and that may also make the missing verse question answered. I started again at the wrong place. this was a huge challenge and I think we did OK.
Transferrer: Mike Lai
2:24:02
SBD
Rating:
8.00 / 1 rating
Transferrer:
Mike Lai
SHNID:
gd1978-04-16.sbd.lai.34971.sbeok.shnf
Source:
SBD>R2R>PCM>DAT>CDR>SHN
Taper Notes:
View NotesSeed to Etree by : [email protected] Thanks to Mike Lai for the seed! ** additional info added to newsgroup 2/01 posting: Note: static for a few seconds at the beginning of Sunshine Daydream. Posted to abgd.highspeed by breaker 02/2001 ** note 12/2005: I fixed a sector boundary error on D1t12. Further, shntool.txt noted that the WAVE headers were not canonical (44 bytes) for any of the files. By running everything through xACT 1.55 and writing new SHN files, the new files were made canonical by stripping unnecessary data via shntool's built-in strip mode. Finally, I brought the 2nd set file names into a consistent naming pattern. xACT then wrote a new md5 file and shntool report. gearfab.etree.org
Source 7 of 17
4:51:24
SBD
Rating:
8.00 / 1 rating
Source:
Master Reel> PCM> ??> DAT> Sonic Solutions> CD
Transferrer: [email protected] Thanks to Mike Lai for the seed!
2:24:02
SBD
Transferrer:
[email protected] Thanks to Mike Lai for the seed!
SHNID:
gd1978-04-16.sbd.lai.16619.sbeok.shnf
Source:
SBD>R2R>PCM>DAT>CDR>SHN
Taper Notes:
View Notessmall splice in Samson & Delilah @ 3:30
Source 9 of 17
2:24:02
SBD
Rating:
9.08 / 39 ratings
SHNID:
gd78-04-16.sbd.lai.292.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> Reel > PCM> DAT> CDR> SHN
Taper Notes:
View NotesSBD> Reel > PCM> DAT> CDR> SHN; via Mike Lai, Chris Vinci to etree, via breaker to abgd.hs; note copy a seeded to etree 2/00, copy b seeded to abgd 2/01- these differ by only 1 checksum, d1t12; static for a few seconds at the beginning of Sunshine Daydream
Taper: Bob Wagner
2:41:05
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-16.148566.sony.54p.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Bob Wagner
2:41:05
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-16.148565.sony.54p.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Pitch corrected Mastered by Scott Clugston December 2019
Source 12 of 17
1:10:45
SHNID:
gd1978-04-16.147802.1st.set.fob.shure.sm57.sublette.miller.clugston.flac2496
Source:
Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Level fluctuations in the beginning of "Jack Straw" - Pitch corrected - Set 2 tape stolen Mastered by Scott Clugston September 2019
Source 13 of 17
1:10:45
SHNID:
gd1978-04-16.147801.1st.set.fob.shure.sm57.sublette.miller.clugston.flac1648
Source:
Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Level fluctuations in the beginning of "Jack Straw" - Pitch corrected - Set 2 tape stolen Mastered by Scott Clugston September 2019
Taper: Bob Wagner
2:39:47
Taper:
Bob Wagner
Transferrer:
David Minches
SHNID:
gd1978-04-16.sonyecm54P.wagner.minches.98791.flac16
Source:
3 Sony ECM-54 Ps> Sony 158
Lineage:
Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding 16 bit/ 44.1 kHz version
Taper Notes:
View Notes- Thanks to Joe B. Jones for pitch correction.
Transferrer: Hunter Seamons
2:38:05
Rating:
9.50 / 5 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1978-04-16.mtx.seamons.98535.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
Taper: Bob Wagner
2:30:51
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Jerry Moore and Rob Berger
SHNID:
gd1978-04-16.ecm54p.moore.berger.98510.flac16
Source:
(3)sony ecm54p's>nak 550>patch>sony tc-158sd
Lineage:
mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave> adobe 2.0 16/44>flac
Taper Notes:
View Notesonly aud in circulation for this show
Transferrer: Rob Berger
2:30:52
Rating:
10.00 / 1 rating
Transferrer:
Rob Berger
SHNID:
gd1978-04-16.sonyecm54p.berger.98509.flac24
Source:
(3)sony ecm54p's>nak 550>patch>sony tc-158sd
Lineage:
mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac
Taper Notes:
View Notessource: aud 1st gen reel Jerry Moore's copy notes: only aud in circulation for this show