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Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h57076
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h817112
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.3k454
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h4.4k586
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h6.6k830
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h3.4k450
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k352
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k128
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h4.2k468
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h990111
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k203
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.4k398
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k173
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k148
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h1.9k233
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h4.6k547
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.6k229
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.8k250
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.5k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h21.3k2.8k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h23726
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.3k440
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h6.3k879
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.3k290
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k171
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.4k169
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.4k174
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h42055
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13117
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h40128
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h222
7d1368
30d63237
2 shows
2 tapes
1978
4/15/78
Crowd
4:10
Mississippi Half-Step Uptown Toodeloo
10:13
Passenger
6:30
Friend Of The Devil
8:49
El Paso
6:08
Brown Eyed Women
7:22
Let It Grow
15:00
Deal
7:04
Crowd
2:32
Bertha >
5:49
Good Lovin'
9:48
Candyman
11:31
Sunrise >
3:53
PLayin' In The Band >
14:32
Drums >
11:29
Not Fade Away >
13:48
Morning Dew
10:46
Around & Around
8:03
Encore Break
2:21
One More Saturday Night
4:47
FIN
View on archive.org
Sources
Taper: Betty Cantor;Tim Dalton
2:35:37
SBD
Rating:
8.00 / 5 ratings
Taper:
Betty Cantor;Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1978-04-15.148442.betty.dalton.miller.sirmick.flac16
Source:
Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection.
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16
Taper Notes:
View NotesNotes: - "NFA" has been patched with shnid 147791 - Thank you Kathy Sublette, Ted Mattes, Charlie Miller and Scott Clugston. - There were a number of small dropouts in the left channel of "NFA" which have been repaired. Thanks to Tim Dalton for this source. Thanks to Charlie Miller for the transfer edited and mastered SIRMick December 2019
Transferrer: Charlie Miller
2:30:48
SBD
Rating:
9.60 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-04-15.sbd.miller.33683.sbeok.flac16
Source:
SBD -> Master Reel -> PCM -> Dat D
Lineage:
Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 ->
Taper Notes:
View NotesPatch Info: Sony 54P>Cassette Master>Cool Edit 2000>CD (Recorded by Bob Wagner) Not Fade Away patched from 6:44 - 7:04 Notes: -- Dat to CD transfer done October 1999 -- Sounds better than other circulating copies I have heard -- Thanks to Bob Wagner and David Minches for the patch source
Taper: Betty Cantor
2:34:54
SBD
Taper:
Betty Cantor
Transferrer:
PCM provided by anonymous, while hiding out away from the Bay Area. Edited & Mastered using Adobe Audition by Joe Noel April 13, 2020
SHNID:
gd1978-04-15.149543.BettyBoard.Anon.Noel.t-flac16
Source:
Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM
Lineage:
Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
Taper Notes:
View Notespatch info: - shnid 148572 (Sony 54p) supplies, - s2t08; 06:12 - 07:04 Notes: - emphasis decoded & dc offset removed - The copy from pcm clone was via a 601esd and spdif, thus a clone of the beta pcm and not an analog out to analog in copy. - Thanks to Bob Wagner, et al, for the patch source.
Taper: Happy Jack
1:25:14
SBD
Rating:
4.00 / 1 rating
Taper:
Happy Jack
Transferrer:
Happy Jack
SHNID:
gd1978-04-15.137403.sbd.msc.happyjack.flac16
Source:
Set 2 Source: sbd; Master tapes [were synced] - on a Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] NO Dolby; Tape
Lineage:
Sharp RT100 Deck [Master Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor to Split Tracks & covert to Flac16 [Level 6]; TLH to fix SBE
Taper Notes:
View NotesSource Notes @ - tape flip [about less then a minute. Transition is smoothless @ - Tape ends. cut the song about mabey a minute or less left By the sounds of my ears & markings on tape this is the master. UNFORTUNTLEY I only had the 2nd set of this great show. The rest stolen.
Taper: Happy Jack
1:25:14
SBD
Taper:
Happy Jack
Transferrer:
Happy Jack
SHNID:
gd1978-04-15.137402.sbd.msc.happyjack.flac24
Source:
Set 2 Source: sbd; All Master tapes [were synced] - on a Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] NO Dolby; Tape
Lineage:
Sharp RT100 Deck [Master Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; CD Wave Editor to Split Tracks & covert to Flac24 [Level 6]
Taper Notes:
View NotesSource Notes @ - tape flip [about less then a minute. Transition is smoothless @ - Tape ends. cut the song about mabey a minute or less left By the sounds of my ears & markings on tape this is the master. UNFORTUNTLEY I only had the 2nd set of this great show. The rest stolen.
Transferrer: Jay Ashley and Gary Field
2:30:48
SBDREMASTER
Rating:
10.00 / 2 ratings
Transferrer:
Jay Ashley and Gary Field
SHNID:
gd1978-04-15.sbd.ashley-field.34932.sbeok.flac16
Source:
Bertha Remaster of the Master Reel source (SHN ID 33638)
Taper Notes:
View NotesBertha Remaster of the Master Reel source (SHN ID 33638) SBD > MR > PCM > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8) Digitally Remastered using the Bertha Digital Audio Workstation by [email protected]. Completed May 22, 2006. Audio extraction through flac compresstion by Gary Field. Completed 5/31/2006.
Source 7 of 17
2:26:00
SBD
Rating:
8.69 / 32 ratings
SHNID:
gd78-04-15.sbd.cotsman.7047.sbefail.shnf
Source:
Soundboard
Lineage:
SBD> MR> PCM> D> CD> EAC> SHN
Taper Notes:
View NotesSBD> MR> PCM> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; missing encore, splice in NFA
Taper: Bob Wagner
2:38:36
Rating:
10.00 / 2 ratings
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-15.148572.sony.54p.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Sony 54p mics > Sony TC-158
Lineage:
Cassette Master (Nakamichi CR7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the Master Audience Cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Kathy Sublette and the folks responsible for the (FOB) Shure SM57 source which supplies some crowd and the first 0:07 of "Candyman" (0:31 total), as well as a 0:12 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Bob Wagner
2:38:36
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-15.148571.sony.54p.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Sony 54p mics > Sony TC-158
Lineage:
Cassette Master (Nakamichi CR7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the Master Audience Cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Kathy Sublette and the folks responsible for the (FOB) Shure SM57 source which supplies some crowd and the first 0:07 of "Candyman" (0:31 total), as well as a 0:12 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Kathy Sublette
2:44:35
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-15.147792.fob.shure.sm57.sublette.miller.clugston.flac2496
Source:
Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Olkon and Mike Schunke for the shnid116981 Nakamichi 300 source which supplies the crowd and beginning of "Mississippi Half-Step" (5:03 total), the crowd and beginning of "Let It Grow" (2:07 total) - Thanks to Bob Wagner for the Sony 54P source which supplies a 1:25 patch in the "Playin' In The Band > Drums" transition - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Kathy Sublette
2:44:35
Rating:
8.00 / 1 rating
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-15.147791.fob.shure.sm57.sublette.miller.clugston.flac1648
Source:
Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Olkon and Mike Schunke for the shnid116981 Nakamichi 300 source which supplies the crowd and beginning of "Mississippi Half-Step" (5:03 total), the crowd and beginning of "Let It Grow" (2:07 total) - Thanks to Bob Wagner for the Sony 54P source which supplies a 1:25 patch in the "Playin' In The Band > Drums" transition - Pitch corrected Mastered by Scott Clugston September 2019
Source 12 of 17
2:40:42
SHNID:
gd1978-04-15.177045.Shure.SM57s.renninger.mattes.carbonetta.sirmick.flac2496
Source 13 of 17
2:40:42
SHNID:
gd1978-04-15.177044.Shure.SM57s.renninger.mattes.carbonetta.sirmick.flac1644
Taper: Concert recording by Rich Petrunis.
1:26:38
Taper:
Concert recording by Rich Petrunis.
Transferrer:
Transferred by Andrew F. 07/2021
SHNID:
gd1978-04-15.152890.partial.aud.petrunis.flac2448
Lineage:
Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesWith thanks to John and Rich Petrunis for sharing their tapes!
Taper: Mark Olkon
2:44:53
Rating:
9.20 / 5 ratings
Taper:
Mark Olkon
Transferrer:
Mike Schuncke
SHNID:
gd1978-04-15.116981.aud.olkon-schuncke.flac16
Source:
<b>flac16</b> Source: (single) Nakamichi CM300 with CP1 cardioid capsule front of board> Nakamichi 550 deck with dolby B on;
Lineage:
(original) Nak 550 Dolby B on> Apogee Mini-Me @ 16/44> wav; Assembly: AA3 for fades and edits, CDWav for tracks, TLH for Flac7, Foobar for tags; Recorded by Mark Olkon; Transferred and Assembled by Mike Schuncke
Taper Notes:
View NotesNotes: - Recorded by Mark Olkon - Transferred and Assembled by Mike Schuncke - Fades done at beginning and end of sets, no other eq, nr or normalization done - Assembled seamlessly
Taper: See info file
2:36:24
Rating:
9.11 / 9 ratings
Taper:
See info file
Transferrer:
Chris Chappell
SHNID:
gd1978-04-15.mtx.chappell.sb24.86412.sbeok.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesGeneral Notes: An excellent Miller SBD made this matrix very enjoyable to do. The Wagner AUD is nice, and although distant at first, it does improve and adds extra energy into an already raging performance. Half-Step, Bertha> Good Lovin', and the only Dew of '78 are highlights. Thanks to Charlie Miller for the kind SBD, and to Bob wagner for recording the AUD and David Minches for the transfer. Artwork by Paul Gilbert - thanks! Enjoy! -Chappy _________________________________ Editing Notes: - Pitch/Synch The SBD needed to be pitched up between 2 and 7 cents starting at Friend 'O through Sunrise. For the rest of the show the SBD had to be pitched up 10 cents. The AUD on average had to be pitched down between -2 and -5 cents until Playin', and for the remainder of the show, the AUD was pitched up on average 3 cents. The AUD was synched to the SBD. - Sonic Quality/Matrix ratio No EQ was applied to either source. Waves L2 was used to avoid square waves, the levels rarely hitting zero. If I had to guess, the SBD/AUD ratio would be somewhere around 3:1. - Edits The following are places where the SBD and AUD had splices, holes or incomplete coverage in reference to the final matrix timeline. SBD: s1t01 (0:00 - 0:52) - missing (crowd) s1t01 (9:59 - 10:33) - missing (crowd) s1t04 (7:07 - 7:25) - missing (crowd) s1t05 (4:30 - 4:41) - missing (crowd) s1t06 (5:17 - 6:00) - missing (crowd) s1t08 (7:00 - 7:18) - missing (crowd) s2t01 (0:00 - 0:39) - missing (crowd) s2t03 (6:47 - 7:31) - missing (crowd) s2t04 (7:28 - 7:46) - missing (crowd) s2t08 (6:42 - 7:01) - missing s2t10 (8:21 - 9:48) - missing (crowd) AUD: s1t01 (10:38 - 11:13) - missing (crowd) s1t03 (4:28 - 4:53) - missing (crowd) s1t07 (14:27 - 14:44) - missing (crowd) s2t03>4 (7:53 - 0:03) - missing first few notes s2t04 (8:31 - 9:50) - missing (crowd) s2t07 (2:07 + 2:10) - eliminated dropouts s2t08 (0:26 - 0:35) - missing Note that alot of the missing elements are just crowd segments, except for the AUD missing the first few notes of Candyman, and both sources missing sections of NFA, thankfully not in the same place, thus full coverage is achieved. _________________________________
Taper: Bob Wagner
2:33:10
Rating:
8.67 / 3 ratings
Taper:
Bob Wagner
Transferrer:
David Minches
SHNID:
gd78-04-15.wagner.minches.18556.sbeok.shnf
Source:
Audience Recording: Sony 54Ps> Sony TC-158
Lineage:
AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT
Taper Notes:
View Notesnotes - sound somewhat distant, but improves as show goes on... d1t02 - volume adjustments at start, d1t02 - 4:26-4:42 volume adjustments d2t04 - Bobby's mic not working at start d2t05 ~ 3:00 a few mic bumps