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Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h54874
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k289
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k352
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.2k555
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.9k505
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k413
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3.1k381
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k182
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.4k1k
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k127
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k224
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h6k686
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k210
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k245
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.3k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k251
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2.1k278
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10.2k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.3k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40842
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4.2k530
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.6k747
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3.1k395
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k206
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h2k234
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k226
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h62378
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12718
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33125
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1978
4/10/78
The Promised Land
5:35
The Promised Land
5:35
Brown Eyed Women
6:54
Brown Eyed Women
6:54
It\'s All Over Now
8:35
It's All Over Now
8:35
Peggy-O
10:39
Peggy-O
10:39
Cassidy
7:02
Cassidy
7:02
Dire Wolf
4:46
Dire Wolf
4:46
El Paso
5:08
El Paso
5:09
Bobby Tells A Joke
1:49
Bobby Tells A Joke
1:49
Row Jimmy
10:28
Row Jimmy
10:28
Passenger
7:47
Passenger
7:47
Candyman
7:59
Candyman
7:59
The Music Never Stopped
9:45
The Music Never Stopped
9:45
Jack Straw
8:54
Jack Straw
8:54
Ship Of Fools
7:41
Ship Of Fools
7:41
Dancin\' In The Streets -\>
12:00
Dancin' In The Streets ->
12:00
Drums -\>
18:07
Drums ->
18:08
Franklin\'s Tower -\>
1:16
Franklin's Tower ->
13:35
Black Peter -\>
11:45
Black Peter ->
11:45
Around And Around
9:24
Around And Around
9:25
U.S. Blues
5:52
U.S. Blues
5:53
FIN
View on archive.org
Sources
Taper: Betty Cantor;Tim Dalton
2:56:16
SBD
Rating:
6.00 / 3 ratings
Taper:
Betty Cantor;Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1978-04-10.148538.betty.dalton.miller.sirmick.flac16
Source:
Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection.
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16
Taper Notes:
View NotesNotes: - "The Music Never Stopped" and "Franklin's Tower" have been patched with shnid 81262 - Thank you Alan Zimmerman and David Minches. - I have repaired several small dropouts in "The Music Never Stopped" as well. Thanks to Tim for this source and Charlie for doing the transfer. edited and mastered SIRMick December 2019
Transferrer: Charlie Miller and SIRMick
2:55:31
SBD
Rating:
6.00 / 2 ratings
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1978-04-10.140836.sbd.miller.sirmick.flac1644
Source:
Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMickJanuary 2018
Taper Notes:
View NotesNotes: - D C Offset removed. - There were dozens of small dropouts, most less than one second, which have occured because of the age of the tape. They have been patched with shnid 108665 - Thank you Charlie. - There were also two larger problems, these are cuts that are present on all circulating soundboards. There is a cut in "The Music Never Stopped" with about 12 seconds missing and the other is in "Franklin's Tower" with approximately 23 seconds missing. These has been patched with shnid 81262 - Thank you Alan Zimmerman and David Minches. Thanks to Charlie Miller for providing this source and doing the transfer. edited and mastered SITRMick January 2018
Transferrer: Charlie Miller
2:58:20
SBD
Rating:
8.75 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-04-10.sbd.miller.108665.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- This transfer was done with much better gear than my previous transfer -- Thanks to Bill Reutelhuber for his help with this project -- Thanks to David Minches for the patch source
Taper: Betty Cantor
3:01:22
SBD
Taper:
Betty Cantor
Transferrer:
PCM Source & Transfer by Anonymous Edited & Mastered by Joe Noel May 16, 2020
SHNID:
gd1978-04-10.150608.BettyBoard.Anon.Noel.t-flac16
Source:
Betty Cantor's Master SBD Reel > PCM > DAT
Lineage:
DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44
Taper Notes:
View NotesPatch info: - shnid 81262 (Senn421 or 441's) supplies - s1t10; all (crowd/tuning only) - s1t11; 00:00 - 00:06 - s1t14; 05:17 - end - s1t15; start - 01:21 (crowd/banter only) - s1t17; 08:35 - 08:59 - s2t03; 07:35 - end (crowd only) - s2t06; 02:30 - 03:01 Notes: - Thanks to anonymous for the transfer & sharing this source while hiding out away from the bay area. - Thanks to Alan Zimmerman and David Minches for the patch source. - emphasis off & dc offset removed - The patch work makes this source 100% complete & 3 minutes longer than all existing sources (El Paso & MNS are not missing small portions) plus the patch source is very good.
Source 5 of 9
2:56:40
SBD
Rating:
7.65 / 24 ratings
SHNID:
gd78-04-10.sbd.miller.18098.sbeok.shnf
Source:
Soundboard
Lineage:
SBD -> Rm -> PCM -> Dat
Taper Notes:
View NotesSBD -> Rm -> PCM -> Dat via Charlie Miller
Transferrer: Ernie Dodd
5:35:15
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Ernie Dodd
SHNID:
gd1978-04-10.sbd.dodd.5259.shnf
Source:
Sbd > MR > PCM >Dat > cdr > Eac > wav > shn
Taper Notes:
View NotesDiscs from Paul B. Eac > Shnv3 by Ernie Dodd Notes: slight glitch in Promised 3:52, ? second d/o at 4:22 of All Over Now, splice at 9:03 of Music, this is on all copies, static at 5:02, 5:15 & 5:19 of U.S. Blues
Taper: concert recording by John Hicks & Dennis Fong
2:42:12
Taper:
concert recording by John Hicks & Dennis Fong
Transferrer:
Transferred by Andrew F. 01/2023
SHNID:
gd1978-04-10.163314.aud.flac2448
Lineage:
Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > WAV 2448 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNotes: - The tapes are noticeably worse-for-wear with some rough passages, still listenable though. - Tape damaged areas blended to mono; start of All Over Now and start of Cassidy. - Upsampled patches from ID-81262 were added as follow... - All Over Now last 15 seconds, Dire Wolf entire track, El Paso first 12 seconds, Dancin first 12 seconds, and 26 seconds near end of Drums.
Taper: Alan Zimmerman
3:06:27
Rating:
8.00 / 2 ratings
Taper:
Alan Zimmerman
Transferrer:
David Minches
SHNID:
gd1978-04-10.senn421.zimmerman.minches.81262.sbeok.flac16
Source:
2 Sennheiser 421s (or 441s) + Sony 54P> passed through Nakamichi 550> Teac PC-10 (Maxell UD XLII-90s)
Lineage:
Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
Taper Notes:
View Notes* Patches supplied by SB>MR>PCM>DAT>CD This is an excellent audience recording. There are a couple anomalies caused by the 3 mic setup feeding the Nak 550. According to Alan, they ran the levels a little too high causing the Nak to shut down temporarily at points during the show. The most significant is during the end of Franklin's tower causing the need for the patch. (I normally do not patch auds with SBs but this occurred at too crucial a point in the song to have a cut.) The same issue I believed resulting in most of the encore not being recorded. There are several other unnoted drops in signal which were likely caused by the same issue.
Source 9 of 9
2:58:08
Rating:
9.43 / 7 ratings
SHNID:
gd1978-04-10.bbd.15782.shnf
Source:
Jace's source tape: MR>P1>D1
Lineage:
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz
Taper Notes:
View NotesWhat I have here are two Betty Boards from the Fox Theatre Atlanta 10th and 11th April 1978. These are not "official" WBOTB masters and sound to me like there is an extra analog generation, but they give a pretty good impression of what the residents of Atlanta enjoyed all those years ago. There is talk of the dedicated folks at Betty Plaza producing a cleaned up set at some stage in the future, but I believe these are the best we have until then. Show details are at the end of this mail.