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Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h51169
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k192
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.7k358
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2k268
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.1k509
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.7k957
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.7k330
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k127
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.3k264
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h912102
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k208
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k512
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.2k160
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.2k281
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.2k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k213
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k254
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.6k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.4k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h19321
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k488
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.3k1.4k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k244
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k156
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h52767
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43028
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h614
7d895
30d58534
2 shows
2 tapes
1978
4/8/78
Crowd
1:33
Mississippi Half-Step Uptown Toodeloo
12:58
Me & My Uncle >
3:02
Big River
9:01
They Love Each Other
7:38
Looks Like Rain
9:07
Deal
7:48
El Paso
5:59
It Must Have Been The Roses
8:47
Lazy Lightning >
3:45
Supplication
5:23
Crowd
0:55
Samson & Delilah
7:46
Scarlet Begonias >
11:39
Fire On The Mountain
14:26
Estimated Prophet >
11:45
Eyes Of The World >
11:56
Drums >
14:49
Space >
6:04
Sugar Magnolia
10:40
Encore Break
1:22
One More Saturday Night
5:07
FIN
View on archive.org
Sources
Taper: Betty Cantor;Tim Dalton
2:50:55
SBD
Rating:
10.00 / 1 rating
Taper:
Betty Cantor;Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1978-04-08.148006.sbd.betty.dalton.miller.sirmick.flac16
Source:
Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection.
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16
Taper Notes:
View NotesThanks to Tim for providing this excellent source. Thanks to Charlie for yet another great transfer. edited and mastered SIRMick November 2019
Transferrer: Charlie Miller and SIRMick
2:51:03
SBD
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1978-04-08.140922.sbd.miller.sirmick.flac1644
Source:
Source: SBD > Master Rreel > Beta Hifi > Beta Hifi; Transfer: Beta Hifi > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > wav 24/96; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick
Taper Notes:
View NotesNotes: - Small patch in "They Love Each Other" to cover a skip - Patch in "Eyes Of The World" 3:33.5-3:47.1 Source used shnid 83716 - Thanks Charlie Thanks to Charlie Miller for providing this source and doing the transfer. edited and mastered SIRMick January 2018
Transferrer: Charlie Miller and SIRMick
2:51:03
SBD
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1978-04-08.140789.sbd.miller.sirmick.flac2496
Source:
Source: SBD > Master Rreel > Beta Hifi > Beta Hifi; Transfer: Beta Hifi > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > wav 24/96; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick
Taper Notes:
View NotesNotes: - Small patch in "They Love Each Other" to cover a skip - Patch in "Eyes Of The World" 3:33.5-3:47.1 Source used shnid 83716 - Thanks Charlie Thanks to Charlie Miller for providing this source and doing the transfer. edited and mastered SIRMick January 2018
Transferrer: Charlie Miller
2:49:19
SBD
Rating:
8.67 / 13 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-04-08.sbd.miller.83716.sbeok.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k) D
Lineage:
Dat -> CD -> Samplitude Professional v9.02 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Close Encounters tease in Space
Taper: Betty Cantor
2:48:41
SBD
Taper:
Betty Cantor
Transferrer:
PCM Source & Transfer by Anonymous Edited & Mastered by Joe Noel July 03, 2020
SHNID:
gd1978-04-08.150560.BettyBoard.Anon.Noel.t-flac16
Source:
Betty Cantor’s Master SBD Reel > PCM > PCM
Lineage:
PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
Taper Notes:
View NotesPatch info: - shnid 83716 SBD - s2t05; 03:25 - 04:10 Notes: - Thanks to anonymous for the transfer & sharing this source while hiding out away from the bay area. - Thanks to Charlie Miller for suppling the patch source - Close Encounters tease in Space - tape pauses were cross faded - fresh transfer
Taper: Betty Cantor
2:50:56
SBD
Rating:
9.33 / 3 ratings
Taper:
Betty Cantor
Transferrer:
Jace and Tim Diebert
SHNID:
gd1978-04-08.sbd.betty.wbotb.83404.flac16
Source:
7" Betty Board Reel @ 7 1/2 ips > PCM501ES > Fostex D5 > optical S/PDIF out (Jace's tape) > disk
Taper Notes:
View NotesNOTES: * Sound Forge 5.0 peak normalization to 99%. * Tuning and crowds preserved. notes from trailmix 3-16-07: � WBOTB Project � d3t01 dropout @ 3:32 (missing 5-10 seconds of music) � 1st set fits on one 80 min cd-r, and the 2nd set is continuous. � these shns were decoded to wav, SBE's fixed (by set), then encoded to flac16 (level 6). Then I fixed SBE's while in shn format, decoded them to wav producing an identical wav md5. � Although the original shns were created in 2002, they are not in circulation and do not exist in the database (which is why these shns were converted, fixed and seeded). � Many thanks to Tim D. and the WBOTB crew for making this available.
Source 7 of 12
2:33:23
SBD
Rating:
8.48 / 21 ratings
SHNID:
gd78-04-08.sbd.lai.4144.sbefail.shnf
Source:
Soundboard
Taper Notes:
View NotesSBD; transferred and seeded by Mike Lai, from Bruce Fried DAT
Transferrer: Katy Miller
2:26:51
SBD
Rating:
6.00 / 1 rating
Transferrer:
Katy Miller
SHNID:
gd1978-04-08.sbd.miller.4088.sbeok.shnf
Source:
SBD>Bettyboard 7" reels @ 7.5ips>PCM>DAT
Taper: Kathy Sublette
2:51:30
Rating:
8.00 / 2 ratings
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-08.147788.shure.sm57.sublette.miller.clugston.flac2496
Source:
Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Some funkiness at the beginning of "Samson & Delilah" - Pitch corrected - First audience source in general circulation for this date Mastered by Scott Clugston September 2019
Taper: Kathy Sublette
2:51:30
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-08.147787.shure.sm57.sublette.miller.clugston.flac1648
Source:
Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Some funkiness at the beginning of "Samson & Delilah" - Pitch corrected - First audience source in general circulation for this date Mastered by Scott Clugston September 2019
Taper: Kathy Sublette
2:48:42
Rating:
8.00 / 2 ratings
Taper:
Kathy Sublette
Transferrer:
DSF Transfer by Mark Goldey Edited & Mastered by Joe Noel April 26, 2024
SHNID:
gd1978-04-08.167733.ShureSM57.Sublette.noel.goldey.t-flac2496
Source:
Shure SM57 mics > Sony-TC158 (Dolby on)
Lineage:
Master Cassettes (2x UDXLI 90) > Nak CR-7A > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition > Flac @ 2496
Taper Notes:
View NotesNotes; - circulates https://etreedb.org/shn/147787 - All tape pauses & flips were cross faded. - Close Encounters tease in Space. Thanks to; - Kathy Sublette for recording the show - Mark Goldey for the transfer - Ted Mattes for organizing this project.
Source 12 of 12
2:56:59
Rating:
9.00 / 2 ratings
SHNID:
gd1978-04-08.148615.mtx.seamons.ht118.flac16
Source:
Matrix by Hunter Seamons
Taper Notes:
View NotesNotes: AUD cut in the first part of Samson, 1:30 duration. Three clicks removed, one in Scarlet Begonias and two in FOTM. AUD cut right after FOTM, dampening crowd applause. 20 seconds of distortion/fluctuation in EOTW in SBD source, also present in previous transfers. 30 second AUD cut during Drums.