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Today In History
June 14th
10 shows
102 tapes
Years
1995
29.9k
PlaybackListensHours
48h48767
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.4k391
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k313
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k320
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.9k384
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.9k389
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.9k361
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k162
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.7k970
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h973111
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.9k343
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.9k570
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.3k161
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k189
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k230
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k983
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.4k196
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.8k243
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.8k1.4k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h11k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47548
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.8k471
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.9k650
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h3k382
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k175
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.8k212
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.8k271
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h822100
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12719
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22417
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h402
7d886
30d60836
2 shows
2 tapes
1978
1/22/78
Tuning
0:52
New Minglewood Blues
7:45
Dire Wolf
5:48
Cassidy
6:18
Peggy-O
8:48
El Paso
6:23
Tennessee Jed
9:24
Jack Straw
9:36
Row Jimmy
10:31
The Music Never Stopped
8:07
Bertha ->
6:19
Good Lovin'
6:13
Ship Of Fools
7:44
Samson And Delilah
7:44
Terrapin Station ->
10:50
Drums ->
7:40
The Other One ->
20:58
Saint Stephen ->
7:38
Not Fade Away ->
14:08
Around And Around
9:42
U.S. Blues
7:06
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:59:34
SBD
Rating:
9.63 / 17 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-01-22.sbd.miller.110632.flac16
Source:
Multiple Masters (Reels and Cassettes) -> My Hard Drive
Lineage:
My Hard Drive -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Close Encounters jam in The Other One -- Part of the show may have an extra cassette gen -- Thanks to David Gans for his help with this project -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Unknown
2:54:34
SBD
Rating:
10.00 / 1 rating
Source:
? SBD, 1st 4 songs in 2nd set AUD
Source 3 of 8
2:42:01
SBD
Rating:
9.12 / 68 ratings
SHNID:
gd78-01-22.sbd.popi.4974.sbeok.shnf
Source:
Soundboard and Audience Composite
Lineage:
sbd>??>cd>eac>shn; Audience FOB Sony TC-640 reel to reel > TCD-D8
Taper Notes:
View Notesd1,d3: sbd> ??> cd> eac> shn, d2 from <a href="http://db.etree.org/shninfo_detail.php?shnid=2014" rel="ugc nofollow">previous</a> shn set (see notes in info file); to gdlive, via popi
Source 4 of 8
2:27:58
SBD
Rating:
10.00 / 2 ratings
Source:
SBD>M?>C>PCM>Sound Forge>CD-R>SHN
Taper Notes:
View NotesThis show is missing some tracks in the middle, but it's the only part of the show that circulates in a clean SBD.
Taper: Reinhart Holwein
2:46:12
Rating:
10.00 / 1 rating
Taper:
Reinhart Holwein
Transferrer:
Bob Menke and Adam Egert
SHNID:
gd1978-01-22.fob.akgd224e.holwein.motb-0086.101437.flac24
Source:
Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert
Taper Notes:
View NotesFirst 8 seconds of Bertha patched with SHNID 31940 AND 5 seconds at the beginning of St. Stephen Patched with un-released Pat Lee Source.
Taper: Reinhart Holwein
2:46:12
Rating:
9.82 / 11 ratings
Taper:
Reinhart Holwein
Transferrer:
Bob Menke and Adam Egert
SHNID:
gd1978-01-22.fob.akgd224e.holwein.motb-0086.101436.flac16
Source:
Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert
Taper Notes:
View NotesFirst 8 seconds of Bertha patched with SHNID 31940 AND 5 seconds at the beginning of St. Stephen Patched with un-released Pat Lee Source.
Transferrer: Chris Chappell
2:43:22
Rating:
7.75 / 8 ratings
Transferrer:
Chris Chappell
SHNID:
gd1978-01-22.mtx.chappell.sb4.28846.flac16
Source:
Matrix - see info file
Lineage:
See info file
Taper Notes:
View NotesTransfer/Editing: All sources were snh files downloaded from LMA and converted to WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC Frontend > FLAC 16 (level 8) Matrixed by Chris Chappell [email protected] 4/01/05 General Notes: Given the two sources available on the Llama, I decided to put the effort into editing a matrix of all this incredible night in Eugene. The FOB AUD is a decent recording for '78 and the SBD is balanced with everyone in the mix. The two together work well as the energy in "The Pit" is palpable in this matrix. Unfortunately, no SBD circulates for the 4 songs that comprise disc 2, but the rest is epic, especially the Jerry mutron solo where he references the Close Encounters theme, shortly after the movie came out. Editing Notes: - Pitch Both sources were pitched differently, the SBD being the sharpest, and the AUD being the flatest. I used the SBD as my master timeline and pitch referenced the AUD to it. The AUD on average had to be pitched up about .06 (6 cents) to achieve pitch correction - 1.00 being 100 cents which is a semitone. I did not reference A=440 as I did not desire to pitch adjust the SBD. It is very close though to A=440. - Synch Because of the speed fluctuation within a given source, multiple edits were performed to keep the sources synched. Because the SBD was my master pitch and time ref, the AUD was synched to the SBD (too many edits to list). - Sonic Quality/Matrix ratio The only dynamic processing I employed was a little EQ to the SBD source. One difference was that I noticed NR had been applied to disc 1 but not to disc 3. For Disc 1 I added about 1dB at 2.5kHz to get back some of which was lost from the previous NR. Both Disc 1 and 3 had a small shelf (less than 1dB) starting at about 170 Hz. All I was trying to do here is to add some dimension to the SBD by using the ambience of the AUD. The result is a lively but clear recording, hopefully close to how it sounded at the show. If I had to guess the SBD/AUD ratio would be somewhere between 3:1 and 4:1. - Edits The following are places where the SBD and AUD had splices, holes or incomplete coverage in reference to the final matrix timeline. SBD: d1t01 (5:50 - 6:07) - missing (crowd) d1t04 (7:10 - 7:13) - missing (crowd) d1t05 (4:44 - 4:56) - missing (crowd) d1t06 (2:06:00 - 2:06:08) - missing d1t08 (10:02 - 10:10) - missing (crowd) d3t01 (4:24 - 4:25) - splice from another show d3t05 (6:56 - 7:27) - splice from another show d2t06 (2:50:05 - 2:50:17) - missing d3t07 (8:05 - 8:21) - missing (crowd) d3t08 (5:17 - 5:42) - missing (crowd) AUD: d1t01 (5:26 - 5:32) - missing (crowd) d1t02 (4:03 - 4:05) - missing (crowd) Note that alot of the missing elements from the SBD source are just crowd segments except for a few minor dropouts, as well as very stealth splicing in two spots on disc 3, the most noticeable being 31 seconds at the end of St. Stephen. I decided to leave the splices (from another show in the same time period (probably 1-11-78) because I was able to match them up with the AUD source without too much problem since it was during a verse, thus maintaining a SBD source in the mix during these points. This might seem objectionable to some, but since we are used to these splices, I felt that the difference in content is negligable, and it was better to have a SBD source in these parts than just the AUD. Other than that, all of the music is intact. Thanks to Popi for seeding the SBD. Thanks to John D'Auria for the transfer to DAT and SHN of the AUD. Thanks to Jonathan Aizen for uploading both sources to the Llama. Enjoy!!! -Chappy
Source 8 of 8
2:43:32
Rating:
9.09 / 11 ratings
SHNID:
gd78-01-22.sony.dauria.2014.sbefail.shnf
Source:
Audience FOB Sony TC-640 reel to reel > TCD-D8
Lineage:
TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3
Taper Notes:
View NotesSource: Audience FOB Sony TC-640 reel to reel > TCD-D8 Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 see additional notes in info file via John D'Auria