RELISTENTOTHE Grateful Dead
Re
1976
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Grateful Dead
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1976
10/9/76
Hitchcock Theme Tuning
0:23
St. Stephen >
4:31
Not Fade Away >
11:34
St. Stephen >
1:12
Help On The Way >
5:00
Slipknot >
5:59
Drums >
3:37
Samson And Delilah >
7:04
Slipknot >
6:48
Franklin's Tower >
12:46
One More Saturday Night
4:45
U.S. Blues
6:11
FIN
View on archive.org
Sources
Taper: See info file
1:09:50
SBD
Rating:
10.00 / 3 ratings
Taper:
See info file
Transferrer:
Matrixing by Dan Haugh
SHNID:
gd1976-10-09.set-2.mtx.dan.89544.flac16
Source:
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Lineage:
See info file
Taper Notes:
View NotesTech Notes SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. SF8.0 was used for the EQ setting pre mixdown. SF8.0 was used for the EQ setting pre mixdown. This is a 60% SBD, 40% AUD mix. - Mixed by [email protected] - FLAC conversion done 15-JUNE-2007 - Artwork at 300dpi by [email protected] - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear single jewel case. --------------------------------------------------------- Multitrack Mixdown Settings SET TWO Stereo Matrix SBD -2.5db AUD -5db --------------------------------------------------------- Notes Set 2 only. Set one circulates incomplete so I didn't bother. What we have is short but very sweet. I always thought of this set as the "most perfect Dead set ever played". The set list is genius, the transitions effortless and the playing inspired. d1t01 "Hitchcock Theme Tuning" was missing from the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t07 "Drums" is almost completely missing from the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. Mostly undetectable and not too distracting. d1t10 "Franklin's Tower" the very end is cut on the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t11 "One More Saturday Night" the very end is cut on the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t12 "U.S. Blues" The crowd cheer btwn the last song and the encore was missing on both the SBD and AUD sources. Crossfades were added to both sources to keep things flowing smooth and natural. This is is undetectable other than the fact that it sounds like there was an extremely short break for the encore. There was very little audio above 8kHz. So I did a matrix mix just the high frequencies of the SBD. I DEQ'd the AUD and cut all frequencies above 8kHz. I also DEQ'd the SBD and cut all frequencies below 8kHz. Then I mixed the 2 sources at a 100/100 ration. Basically the SBD fills in the missing top shelf of the AUD source. This came out extremely well and left the AUD source in the rear channel with a full frequency range without really changing the sound and feel for what is a very nice AUD recording. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Taper: See info file
1:09:50
SBD
Taper:
See info file
Transferrer:
Matrixing by Dan Haugh
SHNID:
gd1976-10-09.set-2.mtx.dts.dan.86437.flac16
Source:
Matrix mix of Set 2 SBD by Dan Haugh
Lineage:
See info file
Taper Notes:
View NotesTech Notes SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. SF8.0 was used for the EQ setting pre mixdown. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion done 15-JUNE-2007 - Artwork at 300dpi by [email protected] - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear single jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mono Mix -5db SBD DEQ'd Surround Left Channel AUD+SBD Matrix (AUD 20Hz to 8kHz + SBD 8kHz to 20kHz) Right Channel AUD+SBD Matrix (AUD 20Hz to 8kHz + SBD 8kHz to 20kHz) Sub/LFE Mono Mix -5db SBD DEQ'd --------------------------------------------------------- Notes Set 2 only. Set one circulates incomplete so I didn't bother. What we have is short but very sweet. I always thought of this set as the "most perfect Dead set ever played". The set list is genious, the transistions effortless and the playing inspired. d1t01 "Hitchcock Theme Tuning" was missing from the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t07 "Drums" is almost completely missing from the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. Mostly undetectable and not to distracting. d1t10 "Franklin's Tower" the very end is cut on the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t11 "One More Saturday Night" the very end is cut on the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t12 "U.S. Blues" The crowd cheer btwn the last song and the encore was missing on both the SBD and AUD sources. Crossfades were added to both sources to keep things flowing smooth and natural. This is is undetectable other than the fact that it sounds like there was an extremely short break for the encore. There was very little audio above 8kHz. So I did a matrix mix just the high frequencies of the SBD. I DEQ'd the AUD and cut all frequencies above 8kHz. I also DEQ'd the SBD and cut all frequencies below 8kHz. Then I mixed the 2 sources at a 100/100 ration. Basically the SBD fills in the missing top shelf of the AUD source. This came out extremely well and left the AUD source in the rear channel with a full frequency range without really changing the sound and feel for what is a very nice AUD recording. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. ---------------------------------------------------------
Transferrer: Pitch correction and other fixes by Bill Tetzeli
2:27:26
Rating:
8.75 / 10 ratings
Transferrer:
Pitch correction and other fixes by Bill Tetzeli
SHNID:
gd1976-10-09.aud.fix-10179.tetzeli.sbeok.83819.flac16
Taper Notes:
View Notes-------------------------------------------------------------------------------- Fix of shnid 10179 This source had to main flaws. First, the left channel was inverted, putting the whole show out of phase. Second, it's about 3% fast when compared with the circulating SBD and generated tones in Cool Edit. I reinverted the left channel and time/pitch stretched each track to 102.998% in Cool Edit Pro. Resulting SBEs were fixed using shntool. Other than that, this is an excellent sounding AUD, well worthy of the download. Many thanks to the original taper, Dave Minor for providing the DAT, and Marc Pujol and Matt Vernon for their work on getting this source out to the hoi paloi. Also to archive.org, from where I got this source. Amen. ;-) Fixed and seeded by Bill Tetzeli ([email protected]) 4:45 PM 4/2/2007