RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h58479
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.9k240
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h2.5k313
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h1.6k215
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h2.9k418
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h8.8k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k295
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k129
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.9k212
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h68979
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k179
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h4.7k549
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k159
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k133
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.7k213
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h2.8k314
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.4k198
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k241
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h17.5k2.4k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h10.1k1.4k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h34036
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h4.2k567
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h9.4k1.2k
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2k254
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k193
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.7k190
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.1k179
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h74193
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10315
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h40926
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h604
7d1076
30d59434
2 shows
2 tapes
1976
10/2/76
//The Promised Land*
5:39
They Love Each Other*
7:59
New, New Minglewood Blues
7:35
Row Jimmy
12:20
El Paso
5:38
Tennessee Jed
11:40
It's All Over Now
7:25
Brown Eyed Women
5:19
crowd
1:16
Let It Grow ->
12:57
Might as Well
6:18
crowd
1:49
The Music Never Stopped**
8:12
Candyman
9:14
Samson & Delilah
8:48
It Must Have Been The Roses
9:27
Big River
6:14
crowd
9:11
Friend of the Devil
1:13
Dancing in the Streets ->
10:33
Drums ->
4:03
The Other One ->
10:25
Stella Blue ->
11:00
The Other One ->
3:01
Sugar Magnolia
11:04
FIN
View on archive.org
Sources
Taper: Jerry Moore
3:08:20
Rating:
8.80 / 6 ratings
Taper:
Jerry Moore
Transferrer:
Remaster by droncit
SHNID:
gd1976-10-02.134416.aud.moore.weiner.droncit.flac16
Source:
restored version of <a href="http://db.etree.org/shn/14560">source ID 14560</a>: AudMC > DAT > WAV > SHN; Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON;multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization; see info file for details
Taper Notes:
View NotesThis is a restored version of shnid: 14560 Droncit notes for SHNID 134416 (this version): This restoration was requested because there is no soundboard and the audience recording is apparently the best-sounding version available. It was still bassey and hard to hear individual instruments. I used a multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization. After the expansion was achieved, the hand-held mic noise was very evident, so I used a final channel blender to blend to mono below 125Hz, and that took care of 90% of the mic noise. The first two songs (from a different source), I left alone. I don't hear the problems in Stella blue evident in the earlier version; the restoration may have mitigated them.
Taper: Jerry Moore
3:08:20
Rating:
7.50 / 4 ratings
Taper:
Jerry Moore
Transferrer:
Noah Weiner
SHNID:
gd76-10-02.moore.weiner.14560.sbeok.shnf
Source:
Audience Recording: Sony ECM-33Ps
Lineage:
AudMC > DAT > WAV > SHN; 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON
Taper Notes:
View NotesAudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner.
Source 3 of 3
2:06:54
Rating:
8.00 / 2 ratings
SHNID:
gd1976-10-02.aud.vernon.10152.sbeok.shnf
Source:
ACM>??>DAT>CDR
Lineage:
CDR > EAC(secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable)
Taper Notes:
View NotesThis is a rare audience tape and apparently is the only circulating source for this date. The recording was made on a hand held cassette deck with internal microphone. The recording levels were set too high so there is some overload distortion. There are also many instances where the mic is hit or brushed against. Nevertheless, this is a listenable tape and the playing is very good, although primarily of interest to collectors. El Paso and Let It Grow have one location where the sound is briefly garbled. The main flaw is the heart of the set 2 jam, TOO, is apparently missing.