RELISTEN
TO
THE Grateful Dead
Re
Today
Live
Chat
Apps
Blog
About
1976
Bands
Primary Artists (226)
All Artists (4309)
Featured
Grateful Dead
1.3M
2,080
shows
18,063
tapes
Phish
280.6k
Powered by Phish.in
1,864
shows
1,868
tapes
Bands
311
931
249
shows
284
tapes
7 Walkers
179
69
shows
106
tapes
Ace Bandage
24
49
shows
49
tapes
Adam Deitch
379
81
shows
114
tapes
Akron/Family
20
40
shows
43
tapes
American Babies
37
88
shows
107
tapes
Andrew Bird
236
125
shows
133
tapes
Andy Frasco & The UN
294
82
shows
114
tapes
Animal Collective
298
123
shows
134
tapes
Animal Liberation Orchestra
1.7k
430
shows
534
tapes
Antibalas
92
81
shows
92
tapes
Aquarium Rescue Unit
1.2k
159
shows
236
tapes
Aqueous
176
161
shows
248
tapes
Assembly of Dust
655
286
shows
421
tapes
Barefoot Manner
34
102
shows
107
tapes
Bela Fleck and the Flecktones
1.4k
488
shows
613
tapes
Ben Kweller
33
32
shows
35
tapes
Benevento Russo Duo
235
278
shows
383
tapes
Bernie Worrell
44
7
shows
7
tapes
Bernie Worrell and the WOO Warriors
72
27
shows
29
tapes
Bernie Worrell Orchestra
17
19
shows
27
tapes
Big Something
352
351
shows
522
tapes
Billy & the Kids
2.3k
17
shows
62
tapes
Billy Strings
86.8k
539
shows
1,056
tapes
Blind Melon
1.7k
62
shows
76
tapes
Blueground Undergrass
53
182
shows
205
tapes
Grateful Dead
Years
Recent
Top
Venues
Songs
Tours
Today In History
June 19th
9 shows
78 tapes
Years
1995
27.1k
49
shows
343
tapes
1994
13.4k
85
shows
460
tapes
1993
38.9k
83
shows
656
tapes
1992
41.7k
57
shows
539
tapes
1991
46.9k
78
shows
973
tapes
1990
55.6k
78
shows
1,139
tapes
1989
47.1k
78
shows
1,017
tapes
1988
20.1k
82
shows
882
tapes
1987
41.7k
88
shows
1,025
tapes
1986
12.2k
47
shows
684
tapes
1985
33.8k
73
shows
1,357
tapes
1984
26.7k
67
shows
1,075
tapes
1983
20.1k
71
shows
1,069
tapes
1982
38.4k
63
shows
753
tapes
1981
28.6k
92
shows
868
tapes
1980
69.8k
91
shows
794
tapes
1979
20.1k
79
shows
608
tapes
1978
36.6k
87
shows
592
tapes
1977
223.8k
64
shows
419
tapes
1976
108.6k
45
shows
298
tapes
1975
7.2k
25
shows
63
tapes
1974
78k
42
shows
324
tapes
1973
74.9k
75
shows
445
tapes
1972
56.4k
88
shows
361
tapes
1971
32.7k
82
shows
357
tapes
1970
38.1k
101
shows
376
tapes
1969
28k
112
shows
326
tapes
1968
7.1k
41
shows
125
tapes
1967
1.6k
23
shows
55
tapes
1966
5.6k
32
shows
78
tapes
1965
602
2
shows
2
tapes
1976
SBD
12/31
SBD
Cow Palace
Daly City, CA, USA
808
3:13:40
5
tapes
10/15
SBD
Shrine Auditorium
Los Angeles, CA, USA
444
2:57:01
6
tapes
10/14
SBD
Shrine Auditorium
Los Angeles, CA, USA
132
2:45:44
5
tapes
10/10
SBD
Oakland-Alameda County Stadium
Oakland, CA, USA
331
2:51:00
4
tapes
10/09
SBD
Oakland-Alameda County Stadium
Oakland, CA, USA
433
2:33:32
8
tapes
10/03
SBD
COBO Arena
Detriot, MI, USA
54
2:42:35
5
tapes
10/02
Riverfront Arena
Cincinnati, OH, USA
51
3:08:20
3
tapes
10/01
SBD
Market Square Arena
Indianapolis, IN, USA
347
2:52:22
10
tapes
9/30
SBD
Auditorium, Ohio State U
Columbus, OH, USA
164
2:52:24
4
tapes
9/28
SBD
Onondaga County War Memorial
Syracuse, NY, USA
218
2:38:21
4
tapes
9/27
SBD
Community War Memorial Auditorium
Rochester, NY, USA
344
3:01:42
6
tapes
9/25
SBD
Capital Centre
Landover, MD, USA
252
2:58:06
5
tapes
9/24
William and Mary College Hall
Williamsburg, VA, USA
87
2:58:10
2
tapes
9/23
SBD
Cameron Indoor Stadium, Duke U.
Durham, NC, USA
214
3:04:28
2
tapes
8/26
Club Front Studio
San Rafael, CA
4
11:25
1
tape
8/04
SBD
Roosevelt Stadium
Jersey City, NJ, USA
989
3:35:02
13
tapes
8/02
Colt Park
Hartford, CT, USA
176
3:20:35
8
tapes
7/18
SBD
Orpheum Theatre
San Francisco, CA, USA
2.5k
3:24:20
7
tapes
7/17
SBD
Orpheum Theatre
San Francisco, CA, USA
415
2:39:39
7
tapes
7/16
SBD
Orpheum Theatre
San Francisco, CA, USA
216
3:10:39
8
tapes
7/14
SBD
Orpheum Theatre
San Francisco, CA, USA
81
4:44:29
6
tapes
7/13
SBD
Orpheum Theatre
San Francisco, CA, USA
247
2:44:28
15
tapes
7/12
SBD
Orpheum Theatre
San Francisco, CA, USA
308
3:49:29
8
tapes
6/29
SBD
Auditorium Theatre
Chicago, IL, USA
696
2:58:01
8
tapes
6/28
SBD
Auditorium Theatre
Chicago, IL, USA
241
2:41:07
5
tapes
6/27
SBD
Auditorium Theatre
Chicago, IL, USA
497
2:36:59
4
tapes
6/26
SBD
Auditorium Theatre
Chicago, IL, USA
391
2:59:17
7
tapes
6/24
SBD
Tower Theatre
Upper Darby, PA, USA
428
2:34:07
10
tapes
6/23
Tower Theatre
Upper Darby, PA, USA
222
3:05:22
3
tapes
6/22
SBD
Tower Theatre
Upper Darby, PA, USA
413
3:07:57
5
tapes
6/21
SBD
Tower Theatre
Upper Darby, PA, USA
1.1k
2:59:21
7
tapes
6/19
SBD
Capitol Theater
Passaic, NJ, USA
900
5:51:11
10
tapes
6/18
SBD
Capitol Theater
Passaic, NJ, USA
138
5:09:11
6
tapes
6/17
SBD
Capitol Theater
Passaic, NJ, USA
6.1k
3:17:52
6
tapes
6/15
SBD
Beacon Theatre
New York, NY, USA
8.9k
2:59:44
8
tapes
6/14
SBD
Beacon Theatre
New York, NY, USA
8.4k
3:23:35
8
tapes
6/12
SBD
Boston Music Hall
Boston, MA, USA
8.8k
3:09:53
10
tapes
6/11
SBD
Boston Music Hall
Boston, MA, USA
16.3k
3:18:49
9
tapes
6/10
SBD
Boston Music Hall
Boston, MA, USA
9.8k
3:09:06
12
tapes
6/09
SBD
Boston Music Hall
Boston, MA, USA
8.6k
3:47:39
10
tapes
6/04
SBD
Paramount Theater
Portland, OR, USA
4.3k
3:11:35
8
tapes
6/03
SBD
Paramount Theater
Portland, OR, USA
22.6k
3:23:28
16
tapes
5/28
SBD
Unknown Venue
Unknown, Unknown
760
2:26:44
2
tapes
5/18
Studio
Unknown, CA
14
6:04
1
tape
4/20
SBD
Mickey's Barn
Novato, CA
96
26:11
1
tape
9/27/76
Promised Land
7:14
They Love Each Other
11:32
El Paso
5:12
Deal
6:58
Look's Like Rain
11:34
Row Jimmy
11:41
All Over Now
6:23
Loser
8:27
Lazy Lightning
3:00
Supplication Jam
6:43
Brown-Eyed Women
6:56
Music Never Stopped (Cuts at 2:53)
2:53
Tunning
1:28
Might as Well
6:57
Samson & Delilah
8:19
Help On The Way
5:17
Slipknot!
7:26
Drumz
5:51
The Other One
10:08
Wharf Rat
11:05
Slipknot!
2:22
Franklin's Tower
17:44
Around & Around
7:36
U.S. Blues
5:55
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:40:14
SBD
Rating:
8.80 / 33 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-09-27.sbd.miller.87664.sbeok.flac16
Source:
SBD -> Master Reel -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> Behringer Ultramatch SRC2000 ->
Taper Notes:
View Notes
Patch Info: Sony ECM-33P>Master Cassette>Dat>CD (shnid=3821) supplies: Promised Land (0:00 - 0:09) It's All Over Now (0:00 - 3:09) Loser (3:52 - 4:39) Slipknot! (6:02 - 6:27) Around And Around (0:36 - 1:49) Notes: -- Set 2 is seamless -- Patch source was pitch adjusted to match sbd -- Fixed vocal distortion -- El Paso has a false start -- Supplication is instrumental -- First few seconds of U.S. Blues missing
Taper: See info file
3:00:44
SBD
Rating:
7.00 / 4 ratings
Taper:
See info file
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1976-09-27.mtx.tobin.87661.flac16
Source:
SBD + AUD Matrix 2 Source Mix (60%-SBD/40%-AUD)
Lineage:
See info file
Taper Notes:
View Notes
-------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by
[email protected]
- FLAC conversion 16-SEP-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -1 AUD -3 SET TWO Stereo Matrix SBD -1 AUD -3 --------------------------------------------------------- Audio Faults: 1) Before Promised Land, 10.812 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This includes the first notes of promised Land. 2) Between Promised Land and They Love Each Other, 1 minutes and 03.368 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 3) Also between Promised Land and They Love Each Other, 1 minutes and 12.139 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 4) Between They Love Each Other and El Paso, 2 minutes and 07.537 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 5) Also between They Love Each Other and El Paso, 1 minutes and 09.545 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 6) Also between They Love Each Other and El Paso, 25.771 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 7) Between Deal and Looks Like Rain, 2 minutes and 22.273 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 8) Between Looks Like Rain and Row Jimmy, 2 minutes and 57.478 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 9) Between Row Jimmy and It's All Over Now, 4 minutes and 58.505 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This includes the first 3 minutes and 11.571 seconds of It's All Over Now. 10) Between It's All Over Now and Loser, 32.236 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 11) Almost 4 minutes into Loser, 48.987 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 12) Between Brown Eyed Women and The Music Never Stopped, 1 minute and 57.630 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 13) Almost 3 minutes into The Music Never Stopped, 3 minutes and 35.514 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 14) Before Might As Well, 1 minute and 05.787 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 15) Between Might As Well and Samson and Delilah, 45.896 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 16) Between Samson and Delilah and Help On The Way, 57.184 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 17) Almost 5 minutes into Drums, 05.036 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 18) At the start of Franklin's Tower, 11.076 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 19) Almost 35 seconds into Around And Around, 1 minute and 13.714 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 20) Almost 4 minutes into Around And Around, 02.284 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 21) After Around And Around, 5 minutes and 39.821 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. This includes all of U.S. Blues.
Source 3 of 6
3:01:42
Rating:
10.00 / 2 ratings
SHNID:
gd1976-09-27.171281.mtx.seamons.ht177.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) May 5, 2025
Taper Notes:
View Notes
Notes: Phil is low in the mix for Promised Land. The sound improves with They Love Each Other, after the band addresses "an annoying hum" in the sound system. The first 3:11 of It's All Over Now is AUD-only. Jerry's guitar and the vocal mics cut out late during Supplication (Jerry's guitar also has lower levels for a while before it cuts out). The guitar returns to the mix towards the end. The vocals return for Brown Eyed Women. The AUD cuts out at 2:55 of The Music Never Stopped. We patched some of the crowd reaction after Brown Eyed Women to the tail end of this track to maintain a matrix effect for the end of set 1. SBD clicks removed or reduced in They Love Each Other (4), The Music Never Stopped (2), and Help On The Way (1). There is a slight reverb "watery" effect in the guitars and vocals at times in the SBD recording, particularly during the second set. After a short cut in the SBD source near the end of the first Slipknot, there is a tonal shift where the sound becomes flatter and a little more left-channel heavy for the remainder of the recording. It seems like this could be a patch, but not sure. The matrix helps improve this lower quality sound. The AUD has a 2-second cut near the end of Drums and a 7-second cut in Franklin's Tower, from 0:27 to 0:34. At 5:39 in Around And Around, the rest of the AUD is patched with a different, poor quality AUD source that was un-matrixable. This source was still used to patch the first 20 seconds of U.S. Blues, which was missing in the SBD source, as well as the encore break. A brief section is also used after the encore.
Taper: Unknown
2:58:41
Transferrer:
Transfers and edits by Pete Ebel February 19, 2023
Source:
FOB Sony ECM-33Ps-> Sony TC-152-> Cassette-> DAT
Lineage:
DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View Notes
Notes: * New Transfer of same Microphone source as #003821. This one has a different linage and does not have a CDR Source involved. This transfer seem to have less deck pauses and more lead in time. It has the same AUD Patch during Around & around but also includes U.S. Blues that is missing from other source. The older source has 30 of redundant music that repeats for CDR changes...this one does not. It seems to have a smoother sound!...Tagged and in flac. * Music never Stopped cuts and fades out (Same as previous versions) * All tracks are seamless Transfers and edits by Pete Ebel February 19, 2023
Taper: See info file
3:00:44
Taper:
See info file
Transferrer:
DTS mix by Kevin Tobin
SHNID:
gd1976-09-27.mtx.dts.tobin.87665.flac16
Source:
DTS-Audio-CD 5.1 Mix
Lineage:
See info file
Taper Notes:
View Notes
--------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by
[email protected]
- FLAC conversion 30-SEP-2007 --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -2db SBD --------------------------------------------------------- Audio Faults: 1) Before Promised Land, 10.812 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This includes the first notes of promised Land. 2) Between Promised Land and They Love Each Other, 1 minutes and 03.368 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 3) Also between Promised Land and They Love Each Other, 1 minutes and 12.139 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 4) Between They Love Each Other and El Paso, 2 minutes and 07.537 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 5) Also between They Love Each Other and El Paso, 1 minutes and 09.545 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 6) Also between They Love Each Other and El Paso, 25.771 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 7) Between Deal and Looks Like Rain, 2 minutes and 22.273 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 8) Between Looks Like Rain and Row Jimmy, 2 minutes and 57.478 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 9) Between Row Jimmy and It's All Over Now, 4 minutes and 58.505 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This includes the first 3 minutes and 11.571 seconds of It's All Over Now. 10) Between It's All Over Now and Loser, 32.236 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 11) Almost 4 minutes into Loser, 48.987 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 12) Between Brown Eyed Women and The Music Never Stopped, 1 minute and 57.630 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 13) Almost 3 minutes into The Music Never Stopped, 3 minutes and 35.514 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 14) Before Might As Well, 1 minute and 05.787 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 15) Between Might As Well and Samson and Delilah, 45.896 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 16) Between Samson and Delilah and Help On The Way, 57.184 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 17) Almost 5 minutes into Drums, 05.036 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 18) At the start of Franklin's Tower, 11.076 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 19) Almost 35 seconds into Around And Around, 1 minute and 13.714 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 20) Almost 4 minutes into Around And Around, 02.284 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 21) After Around And Around, 5 minutes and 39.821 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. This includes all of U.S. Blues. -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Source 6 of 6
2:51:36
Rating:
7.80 / 10 ratings
SHNID:
gd76-09-27.aud.parrillo.3821.sbeok.shnf
Source:
Audience Recording: Sony ECM-33Ps
Lineage:
Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN
Taper Notes:
View Notes
Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN; via Mike "dankstar" Parrillo; to etree and abgd; update- not taped by Jerry Moore