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Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h56675
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h801110
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.3k454
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.6k608
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.7k844
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.3k429
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h2.9k360
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k133
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.3k481
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h997112
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k205
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.4k402
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k177
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.2k152
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h4.9k577
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k230
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.8k255
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.6k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.6k2.8k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h24627
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.3k444
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6.1k851
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.3k295
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k173
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k167
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k177
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42856
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13217
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40128
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1976
Sources
Transferrer: Chris Chappell
2:36:35
SBD
Rating:
8.00 / 1 rating
Transferrer:
Chris Chappell
SHNID:
gd1976-07-17.mtx.chappell.sb25.95734.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesMatrix: (SBD + AUD mix) SBd/AUD Ratio = Phi SBD: (shnid=34708 - fix of 243) Master Reel > DAT > CD via? fix via Bill Tetzeli (crossfaded patch in Eyes) AUD: (shnid=18389) Source: Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony Lineage: MAC>R>D>WAV>SHN DAT -> SHN Conversion: Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > CD/SHN by David Minches, info file by Matt Vernon Matrixed by Chris Chappell [email protected] Novemeber 9, 2008 General Notes: Shnid 91827 was an earlier version of this matrix which derived from reference CDRs that I had sent to Rob Bertrando who suggested I do a matrix of this show. His edits included adding some low end, pitch correction, and swapping channels in the patch in Eyes. Noah Weiner made flacs of these changes but had inadvertently checked the replay gain option. So 91827 had 2 DAEs in the lineage, plus replay gain (my v.1 ref CDRs > DAE > Rob's edits > CDRs > DAE > Noah's Flacs). This new version has similar edits, EQ, pitch correction, etc. to those that Rob had done, slightly different SBD/AUD ratio, and no DAEs. The timing of the initial seed being what it was, I am making this version retroactive and naming it Vol. 25. Many thanks to Rob Bertrando for the motivation to work on this fine show - the Comes A Time intro and post jam are worth the price of admission alone. Thanks to Bob Menke for recording the AUD, and to David Minches for the transfer. It's not clear who was responsible for putting the SBD into circulation - so whoever you are - Thanks! Enjoy! - Chris
Taper: itch Correction & Slight Bass Boost processed by Rob Bertrando. Final matrix seed discs provided by Rob Betrando EAC > FLAC by Noah Weiner
2:36:17
SBD
Rating:
8.00 / 6 ratings
Taper:
itch Correction & Slight Bass Boost processed by Rob Bertrando. Final matrix seed discs provided by Rob Betrando EAC > FLAC by Noah Weiner
SHNID:
gd1976-07-17.mtx.chappell-bertrando.91827.sbeok.flac16
Source:
Matrix Ratio: 60%(SBD) / 40%(AUD)
Lineage:
Matrix created by Chris Chappell. note: Corrected for flipped channels in SBD patch in Eyes
Taper Notes:
View NotesNote: Donna was absent during the second set
Transferrer: Fix of shnid 243 by Bill Tetzeli
2:32:35
SBD
Rating:
8.00 / 7 ratings
Transferrer:
Fix of shnid 243 by Bill Tetzeli
SHNID:
gd1976-07-17.sbd.fricker-fix.tetzeli.34708.sbefail.flac16
Source:
SBD: Master Reel > DAT > CD
Taper Notes:
View NotesThis source contains the following fix - I smoothed out the splice in Eyes by crossfading it in Cool Edit Pro. The original splice had a one note repeat at the beginning (~2:39)and a ~2.5 sec repeat at the end (~3:18), very jarring. Because there was only a small overlap in the beginning the crossfade is still noticeable, but not nearly as jarring as hearing the repeats. Because there was more overlap at the end of the splice I was able to make the transition much more transparent there. Bill Tetzeli ([email protected]) 3/28/2006 "Eyes of the World" has a 45-second splice from a cassette sbd.
Source 4 of 7
2:32:37
SBD
Rating:
8.82 / 17 ratings
Source:
Soundboard
Lineage:
SBD: Master Reel > DAT > CD
Taper Notes:
View NotesSBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker
Taper: Taped By: Bob Menke
2:35:46
SBD
Rating:
9.00 / 2 ratings
Taper:
Taped By: Bob Menke
Transferrer:
Transfer By: Bob Menke Mastering By: Derek McCabe
SHNID:
gd1976-07-17.157427.mtx.motb.0201.flac16
Source:
Analog Soundboard Source: gd76-07-17.sbd.34708 Analog Audience Source: ECM 280's 152
Lineage:
Analog Sound Preservation: MAC > Nak DR-1 > Korg at 5.6 mhz
Taper: Bob Menke
2:39:39
Taper:
Bob Menke
Transferrer:
Charlie Miller
SHNID:
gd1976-07-17.141966.ecm270.menke-miller.flac1644
Source:
<b/>flac </b> Recording Info:(Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> DatTransfer Info:Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC(3 Discs Audio / 1 DVD FLAC)Recorded By Bob MenkeAll Transfers and Mastering By Charlie Miller
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Taper: Bob Menke
2:35:56
Rating:
8.89 / 10 ratings
Taper:
Bob Menke
Transferrer:
David Minches
SHNID:
gd76-07-17.menke.minches.18389.sbeok.shnf
Source:
Audience Recording: Sony ECM-270s> Sony TC-152 from front of balcony
Lineage:
MAC> R> D> WAV> SHN
Taper Notes:
View NotesRecorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches