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Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h55375
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h995133
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k439
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h3.7k490
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h6k751
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h4.6k594
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k345
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1k122
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h3.6k403
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h977109
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k200
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.5k416
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k171
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k149
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2k246
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h3.8k453
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.6k218
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k259
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.5k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20.4k2.7k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h22324
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.5k468
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h7.2k1k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.2k278
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k170
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.4k170
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k169
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h42955
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11515
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h41427
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h242
7d1368
30d63237
2 shows
2 tapes
1976
7/16/76
Cold Rain And Snow
8:31
cassidy
4:45
Deal
5:17
Mama Tried
3:36
Row Jimmy
10:17
Big River
6:40
Brown Eyed Women
5:31
Looks Like Rain
7:32
Peggy-O
8:36
The Music Never Stopped ->
5:54
Scarlet Begonias
10:31
Playing In The Band ->
8:05
Stronger Than Dirt ->
7:54
Cosmic Charlie
8:17
Samson And Delilah
7:02
Spanish Jam ->
9:04
Drums ->
3:54
The Wheel ->
6:30
Space Jam ->
2:50
Playing In The Band Reprise ->
3:04
Around & Around
8:13
High Time
11:19
Sugar Magnolia
9:47
U. S. Blues
6:32
FIN
View on archive.org
Sources
Transferrer: Dan Haugh
1:27:52
SBD
Rating:
9.13 / 19 ratings
Transferrer:
Dan Haugh
SHNID:
gd1976-07-16.mtx.dan.28042.sbeok.flac16
Source:
SBD + AUD Matrix Mix (50%-SBD/50%-AUD)
Taper Notes:
View NotesSource Info SBD SBD: Master Reel -> Master Dat (44.1k) AUD FOBalcony: MAC > DAT > CD Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony --------------------------------------------------------- Tech Notes FLACs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. Cool Edit Pro 2.0 was used to align & synch both of the sources. This is a 50% SBD, 50% AUD mix. - Mixed by [email protected] - SHN conversion 13-OCT-2004 - Remix & FLAC conversion 19-JAN-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear single jewel case. --------------------------------------------------------- Notes This is all that circulates in the SBD source. The AUD source was lightly EQ'ed. A slight high end cut. AUD Patch Samson approx 4:35 to fill missing part of the SBD 29:58.490 to 31:31.560 total of 01:33.070. This is somewhat detectable but hardly. Which is really a statement to just how great the AUD source is. SBD Patch Drums approx 02:37 to fill missing part of the AUD 44:07.731 to 44:15.904 total of 0:08.172. This is smooth and most likely undetectable. Missing 22.027 crowd on AUD source between Around & Around and High Time. SBD trimmed accordingly to match with a 3 second crossfade. Smooth and most likely undetectable.
Transferrer: Remastered by [email protected]
1:36:00
SBDREMASTER
Rating:
8.57 / 7 ratings
Transferrer:
Remastered by [email protected]
SHNID:
gd1976-07-16.set-2.sbd.bertha-ashley.27488.sbeok.shnf
Source:
Bertha Remaster of the 2nd set Master Reel source
Lineage:
(*)SBD>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN
Taper Notes:
View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]. Completed on August 19, 2004. The source has lost much of its frequency range over the years. I would have suspected the master reel lineage if I did not know where it came from. Hopefully, some life has been brought back to this wonderful set of music. (*)Encore is from the Bertha Remaster of the Bertrando/Menke AUD source.
Source 3 of 8
2:55:07
SBD
Rating:
8.38 / 16 ratings
SHNID:
gd76-07-16.set1aud-set2sbd.miller.23569.sbeok.shnf
Source:
Soundboard and Audience composite
Lineage:
Set 1 Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony. Set 2 : SBD -> Master Reel -> Master Dat (44.1k)
Taper Notes:
View NotesRecorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs
Taper: Bob Menke
2:52:50
Rating:
10.00 / 1 rating
Taper:
Bob Menke
Transferrer:
Charlie Miller
SHNID:
gd1976-07-16.123477.ecm270.menke.miller.flac16
Source:
(Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Taper: See info file
1:27:52
Taper:
See info file
Transferrer:
Dan Haugh
SHNID:
gd1976-07-16.mtx.dts.dan.30698.flac16
Source:
DTS-Audio-CD 5.1 Mix Soundboard/Aud Matrix
Lineage:
See info file
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD SBD: Master Reel -> Master Dat (44.1k) AUD FOBalcony: MAC > DAT > CD Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. Cool Edit Pro 2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the AUD source, center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - SHN conversion 13-OCT-2004 - Remix FLAC conversion 19-JAN-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear single jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD: Master Reel -> Master Dat Right Channel SBD: Master Reel -> Master Dat Center Mono Mix -5db SBD: Master Reel -> Master Dat Surround Left Channel -3db FOB: ECM-280 mics > TC-152 Right Channel -3db FOB: ECM-280 mics > TC-152 Sub/LFE Mono Mix -4db SBD: Master Reel -> Master Dat --------------------------------------------------------- Notes This is all that circulates in the SBD source. The AUD source was lightly EQ'ed. A slight high end cut. The AUD source was a bit overwhelming in the 5.1 mix. While I usually leave the levels alone, this time I mixed the AUD into the rear channels at -3db. In my experience louder rear channels is an undiserable effect. AUD Patch Samson approx 4:35 to fill missing part of the SBD 29:58.490 to 31:31.560 total of 01:33.070. This is somewhat detectable but hardly. Which is really a statement to just how great the AUD source is. SBD Patch Drums approx 02:37 to fill missing part of the AUD 44:07.731 to 44:15.904 total of 0:08.172. This is smooth and most likely undetectable. Missing 22.027 crowd on AUD source between Around & Around and High Time. SBD trimmed accordingly to match with a 3 second crossfade. Smooth and most likely undetectable. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way you would burn any normal Audio-CD from .shn files. ---------------------------------------------------------
Taper: Bob Menke
3:10:39
Rating:
8.94 / 17 ratings
Taper:
Bob Menke
SHNID:
gd76-07-16.menke.cribbs.16943.sbeok.shnf
Source:
Audience Recording: Sony ECM-280 mics > Sony TC-152 from front of balcony
Lineage:
MAC > DAT > CD and MAC > R > DAT > CD
Taper Notes:
View NotesRecorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs
Taper: Bob Menke
2:52:05
Rating:
8.67 / 3 ratings
Taper:
Bob Menke
Transferrer:
Dale Shepherd and Matt Vernon
SHNID:
gd1976-07-16.aud.menke.10377.sbeok.shnf
Source:
Sony ECM 280 Sony TC-152 Cm (taped by Bob Menke using Dr. Rob Bertrando's mics - Front of Balcony) > R > C > DAT
Lineage:
DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cool Edit (minor fixes) > Cdwav (splits) > Mkw
Taper Notes:
View NotesSource dats from Dave Minor
Taper: Bob Menke
2:49:41
Rating:
8.67 / 3 ratings
Taper:
Bob Menke
Transferrer:
Remastered by [email protected]
SHNID:
gd1976-07-16.fob.sonyECM180.menke.ashley-bertha.8666.sbeok.shnf
Source:
AUD : MC (FOBalcony SonyECM-180 > SonyTC-152 taped by Bob Menke using Rob Bertrando's mics - Front of Balcony) > R > DAT
Lineage:
DAW (Bertha by Jay Ashley) > CD > EAC > SHN
Taper Notes:
View NotesNotes: Recorded by Rob Bertrando from the front of the balcony. Digitally remastered by [email protected] on April 14, 2001, using a DAW nicknamed Bertha.