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June 7th
Years
1995
30k
PlaybackListensHours
48h771106
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h65292
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.8k511
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k361
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.2k1.2k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.6k342
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k376
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k159
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.3k251
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h936103
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k209
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k149
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k204
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k223
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.4k307
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.2k658
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k187
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k287
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h18.8k2.6k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.6k501
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h75677
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.3k560
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.6k597
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.5k426
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2.1k232
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.4k956
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k363
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h43253
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10615
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23118
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h493
7d1026
30d57334
2 shows
2 tapes
1976
6/24/76
Tuning
0:39
Cold Rain & Snow
7:06
Big River
6:04
Friend of the Devil
9:44
Cassidy
6:00
It Must Have Been the Roses
8:13
Lazy Lightning ->
2:53
Supplication
5:34
Tennessee Jed
8:36
Looks Like Rain
8:04
Scarlet Begonias
11:28
The Promised Land
4:13
Tuning
1:44
Help on the Way ->
5:18
Slipknot ->
8:41
Franklin's Tower
10:49
Samson & Delilah
5:52
Wharf Rat ->
11:09
Dancing in the Streets ->
12:49
Sugar Magnolia
8:53
FIN
View on archive.org
Sources
Taper: digitalrbb
2:34:07
SBD
Rating:
10.00 / 2 ratings
Taper:
digitalrbb
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1976-06-24.140031.sbd.digitalbrb.miller.sirmick.flac1644
Source:
Source: Soundboard > Nakamichi 350 > Cassette Master > Dat (44k); Transfer: Master Cassette > Nakamichi CR-7A > Apogee Ensemble > Peak > AIFF - Transferred By Digitalrbb; Lineage : AIFF > Samplitude Professional v10.1 > FLAC > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017
Taper Notes:
View NotesNotes: - A considerable number of clicks and pops have been removed from Set I. - The gain for Set I from about 1:38 into "Cassidy" to the end dropped right off was very low and has been adjusted accordingly. There was also a noticeable lack of bottom end so I have eq'd it to try and match the rest of the set as close as I can. - All tracks have been pitch corrected. - Patches "Help On The Way" - first 21.15 seconds. "Dancing In The Street" - 3;35.7 - 4:17 Patch source shnid 14498 - Thank you PT and Tim Wiley Thanks to Joe B. Jones for his assistance with pitch correction Thanks to Digitalbrb for supplying and transferring this souce and Charlie Miller for passing it on to me. edited and mastered SIRMick November 2017
Transferrer: Matrix by Dave Usborne
2:23:49
SBD
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1976-06-24.135606.mtx.dusborne.flac16
Source:
3 source matrix by Dusborne; Soundboard 1(Shnid:011937) set 1, WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN; Soundboard 2(Shnid:14498) set 2, Source: SBD>MR>DAT>CDR, Conversion/Edit/Seeded to Etree by T. Wiley 01/14/2003; Audience (Shnid:76290), Source: [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact,eac, Cool Edit's, shns done by [email protected],- Mixed by [email protected]
Taper Notes:
View NotesMatrix by dusborne 03-07-2016 ------------------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 03-07-2016
Taper: See info file
2:21:44
SBD
Rating:
7.00 / 2 ratings
Taper:
See info file
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1976-06-24.mtx.tobin.87163.sbeok.flac16
Source:
SBD + AUD Matrix 2 Source Mix(65%-SBD/35%-AUD)
Lineage:
See info file
Taper Notes:
View Notes--------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 1.0 was used to reassemble the tracks back to 1 long wave. Audition 1.0 was used to align & synch the SBD & both AUD sources. Audition 1.0 used to adjust the volume for the AUD, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 09-SEP-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -2 SET TWO Stereo Matrix SBD -0 AUD -2 --------------------------------------------------------- Audio Patching: 1) At the beginning of the show, 35.331 seconds were missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 2) Between Cold Rain & Snow and Big River, 34.204 seconds was missing from the aud source and filled in with audio from selected audience crowd noise. This portion of the audio was normalized to blend in better. 3) Between Big River and Friend of the Devil, 10.700 seconds was missing from the aud source and filled in with audio from selected audience crowd noise. This portion of the audio was normalized to blend in better. 4) Between Friend of the Devil and Cassidy, 10.700 seconds was missing from the aud source and filled in with audio from selected audience crowd noise. This portion of the audio was normalized to blend in better. 5) Between Cassidy and Must Have Been the Roses, 25.225 seconds was missing from the aud source and filled in with audio from selected audience crowd noise. This portion of the audio was normalized to blend in better. 6) Between Looks Like Rain and Scarlet Begonias, 20.814 seconds was missing from the aud source and filled in with audio from selected audience crowd noise. This portion of the audio was normalized to blend in better. Brokedown House Production
Source 4 of 10
2:20:32
SBD
Rating:
9.43 / 7 ratings
SHNID:
gd76-06-24.sbd.dudeman.25478.sbeok.shnf
Source:
Soundboard and FM
Lineage:
WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN; SBD> MR> DAT> CDR> EAC> SHN
Taper Notes:
View NotesNote: This is a remastered version of the 2 prior seeds by Dave Bachkus and Tim Wiley. Source one (Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN ; Source two (Set 2 only) : SBD>MR>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) ; Remastering : SHN>WAV>Steinberg Mastering Edition Enhanced>Nuendo2>SHN ; seeded by dudeman 08/25/2004
Source 5 of 10
1:03:20
SBD
Rating:
9.00 / 8 ratings
SHNID:
gd76-06-24.set2-sbd.wiley.14498.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> DAT> CDR
Taper Notes:
View NotesSet 2 only ; SBD>MR>DAT>CDR ; Via PT. ; Seeded to etree by T. Wiley
Transferrer: Charlie Miller;digitalrbb
1:48:46
Transferrer:
Charlie Miller;digitalrbb
SHNID:
gd1976-06-24.aud.digitalrbb.miller.112290.flac16
Source:
Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550)
Lineage:
Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- I chose to leave the tape as is and not patch the flips -- The tape was recorded by a Grateful Dead crew member -- The tape was labeled "For Danny" (They were made for Dan Healy) -- Thanks to Digitalrbb for the supplying and digitizing the tapes -- Thanks to Betty Cantor-Jackson for supplying some info on the tapes
Taper: Unknown
2:25:03
Transferrer:
Pitch Correction by Kevin Tobin
SHNID:
gd1976-06-24.shure.tobin.76290.sbeok.flac16
Source:
[Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable)
Taper Notes:
View NotesI used this audience to make a dts encoded version of this fine show (shnid=78286). When compared to the soundboard, this recording was rather fast - about 3 seconds per minute which is about a half step higher pitchwise. - Mixed by [email protected] - FLAC conversion 02-AUG-2006
Taper: See info file
2:21:44
Taper:
See info file
Transferrer:
DTS mix by Kevin Tobin
SHNID:
gd1976-06-24.mtx.dts.tobin.76286.flac16
Source:
DTS-Audio-CD 5.1 Mix
Lineage:
See info file
Taper Notes:
View NotesTech Notes SHNs were decoded to wave and Audition 1.0 was used to reassemble the tracks back to 1 long wave. Audition 1.0 was used to align & synch the SBD & both AUD sources. Audition 1.0 used to adjust the volume for the AUD, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 01-AUG-2006 --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mixed to mono -2.5db SBD Surround Left Channel -2.5db AUD Right Channel -2.5db AUD Sub/LFE Mixed to mono -2.5db SBD --------------------------------------------------------- Audio Patching: 1) At the beginning of the show, 35.331 seconds were missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 2) Between Cold Rain & Snow and Big River, 34.204 seconds was missing from the aud source and filled in with audio from selected audience crowd noise. This portion of the audio was normalized to blend in better. 3) Between Big River and Friend of the Devil, 10.700 seconds was missing from the aud source and filled in with audio from selected audience crowd noise. This portion of the audio was normalized to blend in better. 4) Between Friend of the Devil and Cassidy, 10.700 seconds was missing from the aud source and filled in with audio from selected audience crowd noise. This portion of the audio was normalized to blend in better. 5) Between Cassidy and Must Have Been the Roses, 25.225 seconds was missing from the aud source and filled in with audio from selected audience crowd noise. This portion of the audio was normalized to blend in better. 6) Between Looks Like Rain and Scarlet Begonias, 20.814 seconds was missing from the aud source and filled in with audio from selected audience crowd noise. This portion of the audio was normalized to blend in better. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Source 9 of 10
2:20:08
Rating:
7.33 / 3 ratings
Source:
Soundboard - FM
Lineage:
WMMR FM Broadcast > RTR > DAT > CD-R
Taper Notes:
View NotesWMMR FM Broadcast > RTR > DAT > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus
Source 10 of 10
2:21:16
Rating:
8.50 / 5 ratings
SHNID:
gd76-06-24.aud.vernon.6682.sbeok.shnf
Source:
Audience Recording: Shure
Lineage:
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable)
Taper Notes:
View NotesShure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min