The Music Never Stopped | 1976-06-14 | Grateful Dead | Relisten

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1976

Daly City, CA, USA

Shrine Auditorium

Los Angeles, CA, USA

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Los Angeles, CA, USA

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Oakland, CA, USA

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Oakland, CA, USA

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Cincinnati, OH, USA

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Columbus, OH, USA

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Durham, NC, USA

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San Francisco, CA, USA

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San Francisco, CA, USA

Orpheum Theatre

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Chicago, IL, USA

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Upper Darby, PA, USA

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Passaic, NJ, USA

Capitol Theater

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Boston Music Hall

Boston, MA, USA

Boston Music Hall

Boston, MA, USA

Boston Music Hall

Boston, MA, USA

Boston Music Hall

Boston, MA, USA

Paramount Theater

Portland, OR, USA

Paramount Theater

Portland, OR, USA

Unknown, Unknown

6/14/76

Samson And Delilah

The Music Never Stopped

Crazy Fingers -> Dancing In The Street ->

Help On The Way ->

Franklin's Tower

Around And Around

FIN

View on archive.org

Sources

Taper: Betty Cantor and Tim Dalton

10.00 / 4 ratings

Betty Cantor and Tim Dalton

Scott Clugston and Charlie Miller

gd1976-06-14.143026.sbd.betty.composite.dalton.miller.clugston.flac1644

Source Info: Primary Source: Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM > Dat (16-bit/44.1k); Secondary Source: Betty's 7" two track Master Soundboard Reel @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: Primary Source: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16; Secondary Source: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16

View NotesNotes:
- Thanks to Tim Dalton for the primary Dat source, the secondary PCM source, as well as the patch reel
- Thanks to Charlie Miller for the transfers and coordinating this effort
- Secondary source: Betty's Master Soundboard Reel > PCM supplies "Help On The Way > Slipknot > Franklin's Tower", "Around & Around" and "US Blues" encore 
- Betty's patch reel used to cover reel flips in "Playin' In The Band" (0:21), "Crazy Fingers" (0:26) and "Franklin's Tower" (0:23)
- The mix wanders, Keith is in the right channel most of the time (incorrect for this time period)and in both channels sometimes, however, if the channels are swapped to correct for Keith, the rest of the band are in the wrong channels most of the time, so I left it as is. It seems most, if not all, of June 1976 reel mixes are not period correct

Mastered by Scott Clugston
August 2018

Transferrer: Matrix by Dave Usborne

10.00 / 3 ratings

Matrix by Dave Usborne

gd1976-06-14.128772.mtx.dusborne.flac16

2 Source Matrix by Dusborne; Soundboard (shnid:82308)Betty Board MR > PCM > DAT;

SBD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect and Audience (shnid:10917) Source: Sony TC 153 Sony SCM 99A Mikes > Cassette x 2 > DAT > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw

View NotesMatrix by dusborne

05-09-2014
-------------------------------------------------------------------------------

Tagging notes:
Show information is embedded within the header
of each flac file. It will display on any player 
capable of directly playing flac files. 
If converted to wav during processing, all tags 
will be stripped, however audio data will remain 
unaffected. If you must transcode to a lossy format, 
do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
Dave Usborne 05-09-2014

Taper: SBD DAT from the collection of Todd Evans

9.67 / 6 ratings

SBD DAT from the collection of Todd Evans

gd1976-06-14.sbd.bettycantor.gems.82308.flac16

Betty Board > PCM > DAT

DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0

View Notes-with some tunings and dead airs exceeding 2 minutes, I found it beneficial for the listener to track these.

A Betty Cantor Recording      a **GEMS** Production www.shnflac.net

Transferrer: SirMick

gd1976-06-14.set-2.sbd.sirmick.78433.sbeok.flac16

betty > pcm x 2 > dat

M-1 > 7-pin optical > Co2 > SB Live >CDwav Record and Index > Flac

View Notesoriginal note:

peak is very low on master, no edit

additional notes:

I got this in a trade from Carl Zumbano

- I removed a repeated section of 2 seconds at the end of Samson &
  DeliIah
- I fixed a few other minor problems
- I have removed the dc offset and raised the levels by 9 decibels
- re-tracked to separate crowd/tuning from the music

SIRMick
September 2006

Source 5 of 8

9.47 / 74 ratings

gd76-06-14.sbd.hollister.22804.sbeok.shnf

SBD: MR> PCM> DAT> CD> EAC> SHN

View NotesSBD:MR>PCM>DAT>CD>EAC>SHN

Transferrer: David Hollister

9.50 / 5 ratings

David Hollister

gd1976-06-14.sbd.hollister.13966.sbeok.shnf

S:MR>PCM>DAT>CD>EAC>SHN

View NotesNote: U.S. Blues appears in its entirety at the end of disc 2, and in an
abbreviated form at the end of disc 3.  I don't know why this is, but I'm
guessing it's because if the entire U.S. Blues were on disc 3, the disc
would be longer than 74 minutes.  So, if I were respinning this myself,
I'd eliminate d3t8 and just put d2t6 in its place.  It would be greater
than a 74 minute disc, but would definitely fit on an 80.  Regardless,
I present to you here the show exactly in the form I received it.

Transferrer: Leigh Orf

gd1976-06-14.sbd.orf.240.shnf

SBD Reels>D>CD-R

Source 8 of 8

6.80 / 5 ratings

gd76-06-14.sony.vernon.10917.sbeok.shnf

Audience Recording

Sony TC 153 Sony SCM 99A Mikes > Cassette x 2

View NotesSony TC 153 Sony SCM 99A Mikes > Cassette  x 2; See info file for transfer notes; via Dave Minor and Dale Shepherd; Seeded to etree by Matt Vernon