RELISTENTOTHE Grateful Dead
Re
1976
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Grateful Dead
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1976
6/10/76
Crowd/tuning
1:37
The Promised Land
4:16
Sugaree
10:54
Cassidy
5:04
They Love Each Other
9:54
The Music Never Stopped
6:25
Brown Eyed Women
6:45
Lazy Lightnin' >
2:50
Supplication
5:04
Row Jimmy
10:03
Big River
5:59
Crowd/tuning
1:28
Mission In The Rain
8:57
Looks Like Rain
10:09
Might As Well
6:09
Crowd/tuning
3:34
Samson And Delilah
7:08
Help On The Way >
4:22
Slipknot! >
7:23
Franklin's Tower
11:04
Crowd/tuning
3:28
Let It Grow >
6:25
Drums >
0:57
Let It Grow
4:35
Friend Of The Devil
9:26
Playing In The Band > Space Jam >
14:07
Dancing In The Street >
10:55
U.S. Blues
10:08
FIN
View on archive.org
Sources
Taper: See info file
3:01:57
SBD
Rating:
10.00 / 7 ratings
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1976-06-10.matrix.tobin.84985.sbeok.flac16
Source:
SBD + AUD Matrix 2 Source Mix(65%-SBD/35%-AUD)
Lineage:
See info file
Taper Notes:
View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd - FLAC conversion 11-MAY-2007 Audio Patching: 1) Before Promised Land, 1 minute and 16.000 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 2) During Lazy Lightning, 24.865 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 3) Between Supplication and Row Jimmy, 42.861 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 4) During Might As Well, 28.054 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 5) During Let It Grow, 26.345 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 6) Between Let It Grow and Friend Of The Devil, 54.113 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -3 AUD -6 SET TWO Stereo Matrix SBD -3 AUD -6
Taper: DAT from the collection of Todd Evans
3:03:04
SBD
Rating:
8.00 / 3 ratings
Taper:
DAT from the collection of Todd Evans
Transferrer:
Jamie Waddell
SHNID:
gd1976-06-10.sbd.gems.82921.flac16
Source:
SBD Master Reel -> PCM -> Dat (44.1k)
Lineage:
DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0
Taper Notes:
View NotesNotes- -5 seconds of static on GEM DAT in Sugaree patched with shnid 14264 -a slight tape warble/glitch in Cassidy (exists on all sbd sources) surgically improved in Spectrum Edit Mode -Skip and short L channel static burst @ 7:13.6 of TLEO (d1t04) of 14264 NOT present on GEM DAT original transfer. -about 10 more seconds of tuning/crowd exists on GEM source between Row Jimmy and Big River than on 14264. Confirmed with comparison to circulating audience sources. -Digi Noise present on 14264 in the last 5 seconds on Row Jimmy not present on GEM DAT -about 15 missing seconds on master reel in Lazy Lightnin patched with the Jerry Moore Audience Recording, shnid 18425. -about 20 missing seconds on Master Reel in Might As Well patched with Jerry Moore Audience Recording, shnid 18425. -about 20 missing seconds on Master Reel in Let It Grow patched with Jerry Moore Audience Recording, shnid 18425. a **GEMS** Production www.shnflac.net
Taper: Jimmy Warburton
3:08:19
Rating:
8.00 / 1 rating
Taper:
Jimmy Warburton
Transferrer:
Matt Smith & Sirmick
SHNID:
gd1976-06-10.145134.akg1000.warburton.smith.sirmick.flac1644
Source:
AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of loge.
Lineage:
Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496 Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesNotes: - 8 second patch in "Row Jimmy" - patch source shnid 18425 - Thank you to the late Jerry Moore, etc. - Tape flip after "FOTD" smoothed. Thanks to Joe B. Jones for his assistance with pitch correction. Thanks to Matt Smith for a really nice transfer. Thanks to Jimmy Warburton for lending us his reels. edited and mastered SIRMick August 2018
Taper: Jimmy Warburton
3:08:19
Rating:
10.00 / 4 ratings
Taper:
Jimmy Warburton
Transferrer:
SIRMick and Matt Smith
SHNID:
gd1976-06-10.143003.akg1000.warburton.smith.sirmick.flac2496
Source:
Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log;
Lineage:
MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018
Taper Notes:
View NotesNotes: - 8 second patch in "Row Jimmy" - patch source shnid 18425 - Thank you to the late Jerry Moore, etc. - Tape flip after "FOTD" smoothed. Thanks to Joe B. Jones for his assistance with pitch correction. Thanks to Matt Smith for a really nice transfer. Thanks to Jimmy Warburton for lending us his reels. edited and mastered SIRMick August 2018
Taper: See info file
3:01:57
Rating:
2.00 / 1 rating
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1976-06-10.mtx.dts.tobin.85004.sbeok.flac16
Source:
DTS-Audio-5.1 Mix by Kevin Tobin
Lineage:
See info file
Taper Notes:
View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd - FLAC conversion 11-MAY-2007 Audio Patching: 1) Before Promised Land, 1 minute and 16.000 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 2) During Lazy Lightning, 24.865 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 3) Between Supplication and Row Jimmy, 42.861 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 4) During Might As Well, 28.054 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 5) During Let It Grow, 26.345 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 6) Between Let It Grow and Friend Of The Devil, 54.113 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mixed to mono -1.5db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -1.5db SBD Reel -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Taper: Steve Hopkins
3:05:48
Rating:
8.50 / 4 ratings
Taper:
Steve Hopkins
SHNID:
gd76-06-10.hopkins.vernon.5918.sbeok.shnf
Source:
Audience Recording: Sony ECM 99a stereo mic
Lineage:
FOB Sony 152 cassette deck with Sony ecm 99a stereo mic; Audience Master Cassettes > DAT > DAT clone > CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN
Taper Notes:
View NotesFOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. [Note: Dolby decoded version created 7/13/03]