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Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h53071
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.7k273
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k356
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.2k555
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h4k514
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k402
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3.1k381
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k175
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.1k984
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k124
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.8k214
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.8k662
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k191
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k200
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.8k232
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.2k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k256
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k275
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.9k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.5k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40442
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4k516
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.4k715
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3k381
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k209
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.9k224
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k211
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h54968
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h14220
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33325
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h302
7d1037
30d62737
2 shows
2 tapes
1976
6/10/76
The Promised Land
5:38
Sugaree
11:03
Cassidy
5:17
They Love Each Other
9:52
The Music Never Stopped
6:30
Brown Eyed Women
6:50
Lazy Lightning >
2:52
Supplication
5:08
Row Jimmy
10:19
Big River
7:02
Mission In The Rain
9:33
Looks Like Rain
10:23
Might As Well
7:26
Samson And Delilah
7:13
Help On The Way ->
4:11
Slipknot! ->
7:41
Franklin's Tower
10:58
Let It Grow ->
7:08
Drums ->
0:57
Let It Grow
4:37
Friend of the Devil
9:43
Playing in the Band ->
5:24
Space Jam ->
8:56
Dancing In The Street ->
10:55
U.S. Blues
6:21
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:03:23
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1976-06-10.141690.sbd.miller.flac1644
Source:
Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
Taper Notes:
View NotesNotes: -- This is pretty much mono -- Thanks to Tim Dalton for the PCM -- Two sets of masters were used to make this show complete
Taper: See info file
3:01:57
SBD
Rating:
10.00 / 7 ratings
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1976-06-10.matrix.tobin.84985.sbeok.flac16
Source:
SBD + AUD Matrix 2 Source Mix(65%-SBD/35%-AUD)
Lineage:
See info file
Taper Notes:
View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd - FLAC conversion 11-MAY-2007 Audio Patching: 1) Before Promised Land, 1 minute and 16.000 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 2) During Lazy Lightning, 24.865 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 3) Between Supplication and Row Jimmy, 42.861 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 4) During Might As Well, 28.054 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 5) During Let It Grow, 26.345 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 6) Between Let It Grow and Friend Of The Devil, 54.113 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -3 AUD -6 SET TWO Stereo Matrix SBD -3 AUD -6
Taper: DAT from the collection of Todd Evans
3:03:04
SBD
Rating:
8.00 / 3 ratings
Taper:
DAT from the collection of Todd Evans
Transferrer:
Jamie Waddell
SHNID:
gd1976-06-10.sbd.gems.82921.flac16
Source:
SBD Master Reel -> PCM -> Dat (44.1k)
Lineage:
DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0
Taper Notes:
View NotesNotes- -5 seconds of static on GEM DAT in Sugaree patched with shnid 14264 -a slight tape warble/glitch in Cassidy (exists on all sbd sources) surgically improved in Spectrum Edit Mode -Skip and short L channel static burst @ 7:13.6 of TLEO (d1t04) of 14264 NOT present on GEM DAT original transfer. -about 10 more seconds of tuning/crowd exists on GEM source between Row Jimmy and Big River than on 14264. Confirmed with comparison to circulating audience sources. -Digi Noise present on 14264 in the last 5 seconds on Row Jimmy not present on GEM DAT -about 15 missing seconds on master reel in Lazy Lightnin patched with the Jerry Moore Audience Recording, shnid 18425. -about 20 missing seconds on Master Reel in Might As Well patched with Jerry Moore Audience Recording, shnid 18425. -about 20 missing seconds on Master Reel in Let It Grow patched with Jerry Moore Audience Recording, shnid 18425. a **GEMS** Production www.shnflac.net
Source 4 of 12
2:56:56
SBD
Rating:
8.63 / 32 ratings
SHNID:
gd76-06-10.sbd.bertha-ashley.23370.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> PCM> DAT> WAV> SHN> DAW (Bertha)> WAV/SHN
Taper Notes:
View NotesBertha Remaster of the Master Reel source. SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>WAV/SHN
Source 5 of 12
2:56:49
SBD
Rating:
8.22 / 9 ratings
SHNID:
gd76-06-10.sbd.miller.14264.sbeok.shnf
Source:
Soundboard
Lineage:
SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN
Taper Notes:
View NotesSBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN via Charlie Miller
Taper: Jimmy Warburton
3:08:19
Rating:
8.00 / 1 rating
Taper:
Jimmy Warburton
Transferrer:
Matt Smith & Sirmick
SHNID:
gd1976-06-10.145134.akg1000.warburton.smith.sirmick.flac1644
Source:
AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of loge.
Lineage:
Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496 Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesNotes: - 8 second patch in "Row Jimmy" - patch source shnid 18425 - Thank you to the late Jerry Moore, etc. - Tape flip after "FOTD" smoothed. Thanks to Joe B. Jones for his assistance with pitch correction. Thanks to Matt Smith for a really nice transfer. Thanks to Jimmy Warburton for lending us his reels. edited and mastered SIRMick August 2018
Taper: Jimmy Warburton
3:08:19
Rating:
10.00 / 4 ratings
Taper:
Jimmy Warburton
Transferrer:
SIRMick and Matt Smith
SHNID:
gd1976-06-10.143003.akg1000.warburton.smith.sirmick.flac2496
Source:
Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log;
Lineage:
MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018
Taper Notes:
View NotesNotes: - 8 second patch in "Row Jimmy" - patch source shnid 18425 - Thank you to the late Jerry Moore, etc. - Tape flip after "FOTD" smoothed. Thanks to Joe B. Jones for his assistance with pitch correction. Thanks to Matt Smith for a really nice transfer. Thanks to Jimmy Warburton for lending us his reels. edited and mastered SIRMick August 2018
Taper: See info file
3:01:57
Rating:
2.00 / 1 rating
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1976-06-10.mtx.dts.tobin.85004.sbeok.flac16
Source:
DTS-Audio-5.1 Mix by Kevin Tobin
Lineage:
See info file
Taper Notes:
View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd - FLAC conversion 11-MAY-2007 Audio Patching: 1) Before Promised Land, 1 minute and 16.000 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 2) During Lazy Lightning, 24.865 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 3) Between Supplication and Row Jimmy, 42.861 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 4) During Might As Well, 28.054 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 5) During Let It Grow, 26.345 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 6) Between Let It Grow and Friend Of The Devil, 54.113 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mixed to mono -1.5db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -1.5db SBD Reel -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Taper: Jimmy Warburton
3:09:06
Rating:
10.00 / 1 rating
Taper:
Jimmy Warburton
Transferrer:
Mark Cohen, David Minches
SHNID:
gd76-06-10.warburton.minches.18426.sbeok.shnf
Source:
Audience Recording: AKG 1000Es
Lineage:
AKG 1000Es> Sony TC-152. Reel -> DAT -> SHN
Taper Notes:
View NotesRecorded by Jimmy Warburton AKG 1000Es> Sony TC-152. Reel -> DAT conversion by Mark Cohen. DAT -> SHN conversion by David Minches.
Taper: Jerry Moore
3:05:50
Rating:
8.00 / 2 ratings
Taper:
Jerry Moore
Transferrer:
Mark Cohen, David Minches
SHNID:
gd76-06-10.moore.minches.18425.sbeok.shnf
Source:
Audience Recording: AKG 200Es
Lineage:
AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT > SHN
Taper Notes:
View NotesRecorded by Jerry Moore; AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT by Mark Cohen. DAT > SHN by David Minches.
Taper: Steve Hopkins
3:05:48
Rating:
8.50 / 4 ratings
Taper:
Steve Hopkins
SHNID:
gd76-06-10.hopkins.vernon.5918.sbeok.shnf
Source:
Audience Recording: Sony ECM 99a stereo mic
Lineage:
FOB Sony 152 cassette deck with Sony ecm 99a stereo mic; Audience Master Cassettes > DAT > DAT clone > CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN
Taper Notes:
View NotesFOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. [Note: Dolby decoded version created 7/13/03]
Transferrer: S. Dunahee and W. Stube
1:48:15
Rating:
2.00 / 1 rating
Transferrer:
S. Dunahee and W. Stube
SHNID:
gd1976-06-10.unk.dunahee-stube.237.shnf
Source:
Soundboard
Lineage:
??? > CD > EAC > SHN