06
1976
Sources
Taper: See info file
3:01:57
SBD
Rating:
10.00 / 7 ratings
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1976-06-10.matrix.tobin.84985.sbeok.flac16
Source:
SBD + AUD Matrix 2 Source Mix(65%-SBD/35%-AUD)
Lineage:
See info file
Taper Notes:
View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd - FLAC conversion 11-MAY-2007 Audio Patching: 1) Before Promised Land, 1 minute and 16.000 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 2) During Lazy Lightning, 24.865 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 3) Between Supplication and Row Jimmy, 42.861 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 4) During Might As Well, 28.054 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 5) During Let It Grow, 26.345 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 6) Between Let It Grow and Friend Of The Devil, 54.113 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -3 AUD -6 SET TWO Stereo Matrix SBD -3 AUD -6
Taper: DAT from the collection of Todd Evans
3:03:04
SBD
Rating:
8.00 / 3 ratings
Taper:
DAT from the collection of Todd Evans
Transferrer:
Jamie Waddell
SHNID:
gd1976-06-10.sbd.gems.82921.flac16
Source:
SBD Master Reel -> PCM -> Dat (44.1k)
Lineage:
DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0
Taper Notes:
View NotesNotes- -5 seconds of static on GEM DAT in Sugaree patched with shnid 14264 -a slight tape warble/glitch in Cassidy (exists on all sbd sources) surgically improved in Spectrum Edit Mode -Skip and short L channel static burst @ 7:13.6 of TLEO (d1t04) of 14264 NOT present on GEM DAT original transfer. -about 10 more seconds of tuning/crowd exists on GEM source between Row Jimmy and Big River than on 14264. Confirmed with comparison to circulating audience sources. -Digi Noise present on 14264 in the last 5 seconds on Row Jimmy not present on GEM DAT -about 15 missing seconds on master reel in Lazy Lightnin patched with the Jerry Moore Audience Recording, shnid 18425. -about 20 missing seconds on Master Reel in Might As Well patched with Jerry Moore Audience Recording, shnid 18425. -about 20 missing seconds on Master Reel in Let It Grow patched with Jerry Moore Audience Recording, shnid 18425. a **GEMS** Production www.shnflac.net
Taper: Jimmy Warburton
3:08:19
Rating:
8.00 / 1 rating
Taper:
Jimmy Warburton
Transferrer:
Matt Smith & Sirmick
SHNID:
gd1976-06-10.145134.akg1000.warburton.smith.sirmick.flac1644
Source:
AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of loge.
Lineage:
Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496 Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesNotes: - 8 second patch in "Row Jimmy" - patch source shnid 18425 - Thank you to the late Jerry Moore, etc. - Tape flip after "FOTD" smoothed. Thanks to Joe B. Jones for his assistance with pitch correction. Thanks to Matt Smith for a really nice transfer. Thanks to Jimmy Warburton for lending us his reels. edited and mastered SIRMick August 2018
Taper: Jimmy Warburton
3:08:19
Rating:
10.00 / 4 ratings
Taper:
Jimmy Warburton
Transferrer:
SIRMick and Matt Smith
SHNID:
gd1976-06-10.143003.akg1000.warburton.smith.sirmick.flac2496
Source:
Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log;
Lineage:
MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018
Taper Notes:
View NotesNotes: - 8 second patch in "Row Jimmy" - patch source shnid 18425 - Thank you to the late Jerry Moore, etc. - Tape flip after "FOTD" smoothed. Thanks to Joe B. Jones for his assistance with pitch correction. Thanks to Matt Smith for a really nice transfer. Thanks to Jimmy Warburton for lending us his reels. edited and mastered SIRMick August 2018
Taper: See info file
3:01:57
Rating:
2.00 / 1 rating
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1976-06-10.mtx.dts.tobin.85004.sbeok.flac16
Source:
DTS-Audio-5.1 Mix by Kevin Tobin
Lineage:
See info file
Taper Notes:
View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd - FLAC conversion 11-MAY-2007 Audio Patching: 1) Before Promised Land, 1 minute and 16.000 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 2) During Lazy Lightning, 24.865 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 3) Between Supplication and Row Jimmy, 42.861 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 4) During Might As Well, 28.054 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 5) During Let It Grow, 26.345 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 6) Between Let It Grow and Friend Of The Devil, 54.113 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mixed to mono -1.5db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -1.5db SBD Reel -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Taper: Steve Hopkins
3:05:48
Rating:
8.50 / 4 ratings
Taper:
Steve Hopkins
SHNID:
gd76-06-10.hopkins.vernon.5918.sbeok.shnf
Source:
Audience Recording: Sony ECM 99a stereo mic
Lineage:
FOB Sony 152 cassette deck with Sony ecm 99a stereo mic; Audience Master Cassettes > DAT > DAT clone > CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN
Taper Notes:
View NotesFOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. [Note: Dolby decoded version created 7/13/03]